Showing posts with label "blues on wgbh". Show all posts
Showing posts with label "blues on wgbh". Show all posts

Friday, September 30, 2011

Brendan Hogan returns to Boston NPR radio

‎"Fans of Former Folk Radio WUMB" is reporting Brendan Hogan, former producer/host of "Blues on WGBH" will have a new program, "Dark was the Night", starting October 1 on the "Boston NPR music" affiliate, WUMB. The Facebook page's wall post is supported by a UMass Boston web page announcement.




Given the rigid management style at WUMB we in the Boston folk and blues community hope Brendan will be given as much artistic freedom as he had at WGBH. Before being terminated, that is.


"Blues on WGBH" and its sister program "Folk on WGBH" were terminated in December, 2009, when WGBH-fm went "single format." For that story, read 
 published here November 9, 2009. "Folk on WGBH" was co-hosted by Brad Paul and Naomi Arenberg.

The two long-running shows now occupying the time slot, Marcia Palmater's "Downeast Ceilidh" and Sandy Sheehan's "Traditional Folk" obstensibly will move to Sunday evenings. Wouldn't it have made more sense (and be more respectful to Marcia and Sandy and their listeners) to leave the programs where they are now and replace the Sunday evening syndicated programs with the new blues program?

In case the long-running "
Downeast Ceilidh" ("On October 12, 2002, the show and Marcia opened for business here at WUMB") and "Traditional Folk" ("Sandy Sheehan started doing the Traditional Folk show in the fall of 1986.") are eventually dumped and their web pages sent town the memory hole, as WUMB is wont to do (Barnes Newbury's "Hightway 61 Revisited" disappeared one sad Saturday morning when then music director John Laurenti was substituted by station management), they are displayed below.

================

Marcia Palmater's "Downeast Ceilidh"


Marcia Palmater
ANNOUNCER:
Marcia Palmater

SHOW:
Downeast Ceilidh

TIME:
Saturday 8pm-9pm

Contact
Downeast Ceilidh consists of music of the Atlantic Provinces: New Brunswick, Newfoundland, Prince Edward Island, and Nova Scotia, with a heavy emphasis on the music of Cape Breton Island, which is part of the province of Nova Scotia.
"I wanted to give something back to the Canadian-American community centered around Boston, in gratitude for the wonderful music and culture they have shared with me."
In addition to the fiddle music which forms the major part of each program, Marcia puts in a few songs, including songs in Scottish Gaelic and Acadian French, the native tongues of many people in the Atlantic Provinces.
A lifelong New Englander, Marcia was born in Boston but grew up in New Hampshire, save a few years in infancy and early childhood in Connecticut. "I learned to talk in Connecticut, sparing (or denying!) me a New Hampshire accent," she quips.
At home she heard her mother's favorites, Beethoven, Mozart and Chopin. (Her father died when she was eight.) In her teens she rejected rock and roll. "I was grabbed by some Gaelic songs on a record from Scotland my sister had. The grandmother of a friend I've known since childhood was from the Isle of Lewis, a native Gaelic speaker, and my friend taught me a little of the language. I started going to square dances and fell in love with the jigs, reels and hornpipes, and the sound of the fiddle."
Marcia moved to the Boston area in 1961, and visited Canada's Maritime Provinces in the summer of 1963. It was a life-changing experience for her. A few years later she was given the opportunity to produce a radio program on the MIT radio station, and Downeast Ceilidh, a program dedicated to traditional and contemporary folk music of Canada's Atlantic Provinces, made its debut February 3, 1972.
On October 12, 2002, the show and Marcia opened for business here at WUMB. "This station seems like a natural home for us."


Sandy Sheehan's "Traditional Folk"


Sandy Sheehan
ANNOUNCER:
Sandy Sheehan

SHOW:
Traditional Folk

TIME:
Saturday 9pm-Midnight

Contact
Sandy Sheehan started doing the Traditional Folk show in the fall of 1986. One of his goals is to expose listeners to artists and music they wouldn't hear on other programs.
The music on the program usually falls into the following genres: old-time, bluegrass, Celtic, blues, Cajun, cowboy, and anything else that is interesting and traditional. The program usually consists of a set of three or four songs or tunes of one kind of music, and then changes to a different kind.
A lot of good traditional LPs are being reissued on CD. But Sandy still plays LPs and cassettes as well since some of the greats were never reissued. A lot of good traditional music is being done by contemporary artists as well. Sandy draws on all of these resources for his show.
A traditionally-oriented community calendar is also heard on Traditional Folk.
Folk music has interested Sandy since the early '60s. At that time he met some musicians who played traditional music including old-time, Celtic, and bluegrass. Other musicians later introduced him to blues and Cajun music.
Sandy learned to play a little banjo, but was always more of a listener. He spent the '60s getting together with friends to play old-time music and go to contra dances around Boston and New Hampshire. He also attended many area festivals and concerts.
In 1970 Sandy started Sandy's Music to buy, sell, and repair instruments and sell recordings. The store is still on Massachusetts Ave. in Cambridge and is one of the area's folk institutions.
Sandy often packs up the store stock and sets up a temporary shop at a some of the summer festivals and concerts throughout the year. Sandy also organize old-time music events. Every Monday night there's a jam session at Sandy's Music, and several times a year Sandy invites musician friends to Johnny D's in Davis Square, Somerville, for an old-time music night.

======================


Added at 2pm. The following announcement was received by email about two hours after this blog was written,

Excerpt: "I'll be programming and hosting a new radio show on WUMB, 91.9 FM (and streaming online at http://wumb.org) beginning October 1. It will be called "Dark Was the Night" (after the Blind Willie Johnson recording), and will feature blues, roots, and songwriters from Lightning Hopkins to Steve Earle, Bob Dylan to Bessie Smith. Guest performances and discussions, and music from yours truly, too. The show will air on Saturday nights from 8 PM to 12 AM. Also, the show will be pre-recorded, leaving me open for gigs/tours..."


Source

Saturday, May 1, 2010

notloB Kitchen Concerts Presents BRENDAN HOGAN

notloB Kitchen Concerts

presents

Brendan Hogan


Date:
Sunday, May 2, 2010
Time:
5:00pm - 8:00pm
Location:
Jackson Homestead
Street:
527 Washington Street
City/Town:
Newton, MA




Brendan's THIRD notloB appearance!

"A distinctive new musical voice."
- The Boston Phoenix

"Hogan's music is a transporting experience."
- The Deli Magazine New England

"The roots of Brendan Hogan's music run in all directions, allowing him to draw on the past to make compelling music for the present."
– Ted Drozdowski, Nashville Scene newsweekly/Scissormen frontman.

"Brendan Hogan's beautifully unadorned music [captures] the voice of an old soul in a young man's body."
- The Nashua Telegraph

"If you care anything for the current state of blues and roots music, then Brendan Hogan is a name you should know. And with his hard work and focus, it’s a name you won’t be able to keep from knowing."
- John Weeks, BostonBlues.com

http://brendanhogan.net/

Suggested minimum donation $10. $7.50 for museum members and those making reservations at least 24 hours in advance. All donations go to the museum and artist.

Seating is limited to 30, reservations are strongly recommended - notlobreservations @ gmail.com

notloB Folk Concerts (Somerville, Newton and Jamaica Plain) are volunteer run and not for profit. Dedicated volunteers are needed - notlobreservations @ gmail.com

Mailing list ~ http://groups.google.com/group/notlobmusic
Facebook ~ http://www.facebook.com/group.php?gid=38565709718&ref=ts

"In this era of pop-driven acoustic music, notloB is keeping the folk tradition alive." ~ Jack Hardy

“"From a musician's perspective, I really appreciate the effort Jeff puts into his shows. Nobody on the Boston folk scene works harder to pull a concert together."
~ Alastair Moock, in an article written by Jonathan Perry, published in The Boston Globe

Website ~ http://sites.google.com/site/notlobmusic
notloB mailing list ~ http://groups.google.com/group/notlobmusic
notfarG mailing list ~ http://www.reverbnation.com/venue/notfarghouseconcerts
Facebook ~ http://tinyurl.com/notloBFolkConcerts
Facebook ~ http://tinyurl.com/notfarGHouseConcerts
5/1 TAO RODRIGUEZ-SEEGER BAND - Somerville
5/2 BRENDAN HOGAN - Newton
5/15 JIM HURST (note date change) - JP
6/4 LONG TIME COURTING - Somerville
6/6 JO WILLIAMSON - Newton

Wednesday, April 21, 2010

Have a desire to be a WGBH "Community Ambassador"? Kool-aid drinkers only need apply

WGBH is soliciting "community ambassadors". Be aware that if you express "disappointment with our programming changes" you will be terminated from the volunteer position, as I was.

That I do not mind. What I do mind is WGBH is not disclosing they want unthinking clones who will toe the corporate line and not be allowed to publicly express their personal opinion.

The Facebook solicitation reproduced below was made by WGBH staffer Stacy Kasdin on April 15.

Stacy Kasdin

Stacy Kasdin WGBH: Interested in sharing your passion for WGBH with the Greater Boston community? Become a WGBH Community Ambassador! Applications must be postmarked by May 19-- check the link for details and apply today!

www.wgbh.org
Interested candidates can download and fill out the Community Ambassador program application. Applications must be postmarked by Wednesday, May 19.Use our volunteer sign-up form to let us know how you'd like to help. ...

The invitation should have been accompanied by fair warning that only kool-aid drinkers need apply. Anyone who disagrees with "public" radio/tv WGBH's management policies is excluded.

Last Fall I completed WGBH "community ambassador" training. I had volunteered for the program as a long time member who, as a Boston area not-for-profit folk/blues/Celtic music producer, had had a wonderful working relationship with program host/producers Naomi Arenberg, Brad Paul and Brendan Hogan. These three programmer/hosts had on their "Folk on WGBH" and "Blues on WGBH" programs artists I was presenting such as

August 18, 2007 Geoff Bartley
June 28, 2008 Mike & Ruthy Merenda & Lyn Hardy
August 09, 2008 Chris Thompson, Beth DeSombre, Ryan FitzSimmons
November 01, 2008 Jack Hardy and David Massengill
November 15, 2008 Mary McCaslin
January 31, 2009 Eilen Jewell & Jason Beek
March 28, 2009 Bob Franke
October 17, 2009 Jim Hurst


When the terminations of "Folk on WGBH" and "Blues on WGBH" were announced 11/6/09 I became a vocal critic of the programming change.

Read article from this blog - "WGBH drops foll and blues programs"
Facebook discussion group - "Supporters of folk and blues on WGBH"

Just a couple days before, in my response to a similar recent "community ambassador" solicitation addressed to me via email I inquired why I had never been contacted to give time to a WGBH event.

The reply:

from Joanna Rothman

to notlobmusic
date Tue, Apr 13, 2010 at 11:32 AM
subject Re: Become a WGBH Community Ambassador
mailed-by wgbh.org

Apr 13

Dear Jeff,

Thank you for your inquiry about volunteering for WGBH. As listed on our volunteer recruitment page on wgbh.org (http://www.wgbh.org/support/volunteer.cfm), we have listed among our volunteer requirements that our volunteers have: high energy and a positive attitude, a passion for public media, and great customer service skills. At this time, given your disappointment with our programming changes, we feel you may be conflicted about positively promoting us and our messages.

I wish you all the best of luck and thank you for the volunteer service that you have provided to WGBH in the past.

Best,
Joanna Rothman
Volunteer and Marketing Manager
WGBH



Do I have....

"high energy and a positive attitude" yes
"a passion for public media" yes
"and great customer service skills
" yes....else I would not have graduated from the training program.

What I do not have is a willingness to drink the WGBH corporate kool-aid.

===========

The "Community Ambassador" program from the WGBH website:


Community Ambassadors promote WGBH membership to the public at events held in our Brighton studios and out in the community. Volunteering for this position lets you participate in community events as a representative of WGBH, meeting new people while sharing your passion for public media.

Responsibilities

  • Promote WGBH membership at events, both in our Brighton studios and around New England
  • Answer questions about membership, events, studio tours, and related WGBH offerings

Qualifications

  • Excellent customer service and interpersonal skills
  • Valid email address, to facilitate updates
  • Passion for public media
  • Access to reliable transportation to WGBH and local community events
  • Able to stand for long periods of time and lift 20 pounds

Time commitment

  • Commit to volunteering once or twice a month (for a minimum of one year)
  • Attend quarterly update meetings/educational opportunities
  • Participate in mandatory training program (next one is Wednesday, May 26, 2010, 6:30-8:30pm)


Interested candidates can download and fill out the Community Ambassador program application. Applications must be postmarked by Wednesday, May 19.

Use our volunteer sign-up form to let us know how you'd like to help. Thank you!

Benefits of volunteering: Review the rewards of giving your time and skills.

Saturday, December 26, 2009

Which side are you on?




What do...

Jim Kweskin
Jug band musician

Bill Keith
Bluegrass & jug band musician

Betsy Siggins Schmidt
Folk club manager/director

Avi J. Salloway
Roots musician

Debra Cowan
Folk musician

Mark Brine
Traditional country musician

Aoife Clancy
Celtic musician

Paul Rishell
Blues musician

Jack Hardy
Folk musician

Taylor Armerding
Bluegrass musician

Jeff Boudreau
Folk concert producer

Jack Radcliffe
Folk festival producer

Earl Fromm Ohio
Celtic podcast program producer/host

Ellen F. Schmidt
Folk musician & open mic host

Bob Childs
Luthier

Gil Scott Heron
Jazz musician

Anne Feeney
Folk musician / activist

Michael Troy
Folk musician

Jason Beek
Roots musician

Erin Harpe
Blues musician

Podunk Bluegrass
Bluegrass festival producer

Dom Flemons
Roots musician

Deering Banjos
Luthier

Northshore Folk Festival
Folk festival producer

Art Tebbetts
Folk musician

James Montgomery
Blues musician

Smithsonian Folkways (Smithsonian Institution)
Folk record company

...and about 1250 others have in common?

All are members of "supporters of folk and blues on WGBH".

Are you also concerned the direction "public" radio is going? Which side are you on?

Friday, December 18, 2009

What the folk is wrong with the world today?

This thoughtful essay came to me by way of the "Supporters of folk and blues on WGBH" facebook group, which was started the day word reached our community that WGBH was terminating those programs.

It may be too late to save folk and blues on WGBH, but it may not be too late in other communities to get involved to keep the "public" in "public radio and TV."

Thank you, Iowa!


December 16, 2009

What the folk is wrong with the world today?

When I was 18 and putting myself through the local community college, I was researching in the library one dreary afternoon. I was starting to get interested in some of John Coltrane's more accessible recordings, and I figured I could find a biography or two. But, then I made an interesting discovery.Shrugging beneath it's time-laid blanket of dust, like a forgotten Atlas, was "The Land Where The Blues Began" by a fella named Lomax. Then and there, the potential to understand so much of the music I loved opened before me, as if some heretofore unseen church had begun to light it's stained glass windows from within.

I'll not lie- time and life have worn down my memories of said book, while other timeless tomes by Robert Palmer (Deep Blues), Nat Hentoff, and many others have come to share what little headspace I have left. But there's a lesson I learned from the memory of these books today, and now is the perfect time to share it.

On the sometimes wonderful contraption called Facebook, I've been linked to friends new, old, and to become. I am selective in my choices and alliances, and one choice alliance was a Blues/Folk Radio program based out of the Boston area. They were trying to save their Blues and Folks programs; much like the first act of your typical fairytale, the program stood no chance, Evil steamrolled Good, and all seemed lost in anticipation of heroic ascent. Except this is real life, billionaire playboys don't really don capes, and somedays life really is a toilet and we're all swirling downward.

But the book... maybe this old book can tell us something.... maybe, but not quite yet....

You should know that I live in Des Moines, IA, a community with very deep blues roots, and a strong, burgeoning folk scene. Which is why it strikes me as so odd that in a recent City Council election, an incumbent Councilman, when asked to describe his vision for shoring up the budget and getting back to black, specifically culled arts, entertainment, and the public library from the herd of potential budget cut victims. Calling arts and entertainment too "esoteric", and saying that the public library is "non-essential", I found myself infuriated at the sheer ignorance of his comments. Democracy survives because we have free, public institutions such as libraries, parks, and... you know where this is going.... radio.

He lost to an early 20's go-getter with basically no experince. Just saying.

Wait- back to the book. It's been right there all along. An old blues book is like an old blues record- testaments to what came before and should be remembered. I guess ignorant, illiterate folks, a generation or two removed from chattel bondage, should have more studiously taken the yolk of education upon themselves and properly phrased those slave hollers, instead of passing folktales through dusty, scratchy old aluminum discs that Lomax & Lomax carved out in the fields and juke joints.

Shame on ya, Terra. Boss 'round those parts never called learnin' time, eh?

I feel like I live in a world where the Truth is an iceberg, and Hear/Speak/See No Evils are pushing with both hands towards the equator, as if life would be better without these big chunks of ugliness floating around. The Truth remains ugly, right?

So ugly we've got to hide it when destruction's not hip, apparently. I would not have gone on to write for publications such as Guitar World, BluesWax, and others if I had not been so personally persistent in uncovering hidden truths about what I love. I could not have learned without someone preserving the history that birthed what I love. I would not be able to illustrate the web of influence and result, of cause and effect, to students without being shown it first, in pieces small or large. I could not have become the musician and man I am today without that sense of history. Of knowing that after my Scottish ancestors fought bravely and returned safely to their highlands, it was with the music of both their ancestors and their own lives that comforted their loss, put hope in their hearts.

Past easy and safe categorizations, roots music today keeps that alive, not because of an adherance to using vintage instruments and wearing period clothing, but because the stories continue to grip the hearts of generations past and present. Behind words translated to modern tongues live melodies and harmonies that people shed blood and life to keep alive. They kept it alive so that their sons and daughters could progress without having to suffer the same mistakes.

There is an entire book written about the history of "The House of the Rising Sun", that presents an interesting look at how one song can take on so many guises and meanings in it's lifetime. It's also true that songs, like books and history itself, can be twisted to speak agenda instead of truth, which is why my generation is passing N'Sync and Lady Gaga to the grandkids. Isn't anyone going to revolt, or are we too revolted?

My world likes to present itself as a renaissance era, but it's like lipsticking a corpse, as my wise and wily wife would say. Decorations hiding the fact that we're rotting from the inside out. I don't have the answers on how to diagnose, much less cure, such ills. But, come to think of it, I'm pretty sure that there's at least one song out there that holds the answer.

I just don't expect to hear it on the radio any time soon.

Looking back is the best way move forward sometimes. I wonder how much better this country would be if we followed Washington's benediction when he left office. Read the farewell address. We promptly ignored the warnings, and now reap our due harvest.

Perhaps the loss of roots programming, wheter folk, celtic, blues, americana....whatever- labels are worthless and serve the problem, not the solution. Perhaps this loss should jar us into action, but it's not really. I'm writing a letter on a blog that no one regularly reads, so what good did it all really do? Well, if you read this a hundred years from now, and it still rings true, then you tell me. I made the record- it's what you do with it that matters....

Jeff Boudreau, please know that I've tried....

Tuesday, December 1, 2009

WGBH appreciates your passion and feedback?


WGBH appreciates your passion and feedback?

The following is a message from WGBH to members of its Facebook group.

http://www.facebook.com/WGBHBostonhttp://www.facebook.com/WGBHBoston

(if you have a Facebook account you can post your thoughts there).

WGBH appreciates your passion and feedback ...

Today at 1:23pm

Thank you all for your comments. In designing 89.7’s lineup, we were mindful that WGBH’s signal reaches portions of the six New England states, serving many areas without a public radio station. Without 89.7, many people would have no access to NPR news. So, for years, both WGBH and WBUR have carried Morning Edition and All Things Considered simultaneously. In that same spirit, the only programs added to the WGBH lineup simultaneously with WBUR are Morning Edition on Saturday and Sunday, and All Things Considered on Sunday. A select few other programs heard on WBUR are included in the lineup, but at different times of the day to give listeners additional choices. We also plan to complement our news shows The World and The Takeaway with two new, local daily programs hosted by Emily and Callie, as well as content from our TV programs Greater Boston, Basic Black and Nova. As of right now, there are no plans for a radio version of Frontline, but that could certainly change - we'll pass along this suggestion as well as others. Also, Celtic, jazz, Prairie Home Companion, and Sound and Spirit will remain on 89.7. For the full schedule for both 89.7 and 99.5 All Classical, click on this link: http://www.wgbh.org/listen/index.cfm.

Source - http://www.facebook.com/notes/wgbh/wgbh-appreciates-your-passion-and-feedback-/187592234554

(if you have a Facebook account you can post your thoughts there, too).

The invitation to comment on the programming changes could not have arrived at a more opportune time.

Over this past weekend, “Folk on WGBH” and “Blues on WGBH” were terminated.

For 31 years WGBH has made a home for blues and folk music programs that helped support and build the musical community throughout New England. Listeners could hear a wide variety of recorded music as well as performances by and interviews with scores of artists. After November 29th WGBH plans to cancel these programs as part of its "single format" change to news and talk. Concerned listeners want "Folk On WGBH" and "Blues On WGBH" (as well as Celtic and jazz programs) to remain on the air. Will you join us in taking action to show WGBH management that these programs matter to the community?

Their official spokesperson dismissed the folk and blues communities, with a "let them eat cake" attitude: ""...blues and folk fans have other ways to find their genres of choice in Boston..."
~ WGBH spokeswoman Jeanne Hopkins, in the Boston Globe, 11/6/09

Since the announcement on November 6 and the creation of “Supporters of Folk and Blues on WGBH”, anyone who contacted WGBH to register their thoughts received the same dismissive and insensitive “boilerplate” response.

Now is the time to take action. Come and express your thoughts directly to the board of directors. Seeing and hearing the folk and blues community in person could have a different affect.

"Meetings of the WGBH Board of Trustees, most of its committees, and the WGBH Community Advisory Board are open to the public. The open sessions of WGBH Board of Trustees meetings generally begin 15 to 30 minutes after the published meeting start time. For more precise start times, please call 617-300-2601 within the five days prior to a specific meeting. Unless otherwise indicated, all meetings are held in the Cahners Room at WGBH, One Guest Street, Boston, MA. Also, please note that meeting start times are approximate."

http://www.wgbh.org/about/meetings.cfm

Accept their invitation, come in person! Spread the word! Bring friends!

Date: Wednesday, December 2, 2009

Time: 4:00pm - 7:00pm

Location: WGBH, Cahners Room

Street: One Guest Street

City/Town: Boston, MA

View Map

If you use Facebook you can spread invitations via “Supporters of folk and blues on WGBH @ WGBH board of directors' meeting.”

http://www.facebook.com/event.php?eid=174621907156&ref=ts

Thank you for supporting folk and blues on WGBH.

Jeff Boudreau

"Supporters of folk and blues on WGBH"

Information - http://notlobmusic.blogspot.com/2009/11/wgbh-drops-folk-and-blues-programs.html

Discussion group ~ http://www.facebook.com/group.php?gid=201481030324&ref=ts

Cause ~ http://apps.facebook.com/causes/395481/34485837

Saturday, November 28, 2009

RIP, "Folk on WGBH" & "Blues on WGBH"




Rest in Peace, WGBH's canceled folk and blues programs.

Information ~
http://notlobmusic.blogspot.com/2009/11/wgbh-drops-folk-and-blues-programs.html

Discussion group ~
http://www.facebook.com/group.php?gid=201481030324&ref=ts

Cause ~
http://apps.facebook.com/causes/395481/34485837

Attend the board of directors meeting December 2, 4pm ~
http://www.facebook.com/event.php?eid=174621907156&ref=ts

Sunday, November 15, 2009

1000 supporters of folk and blues on WGBH can't be wrong!


On Saturday, November 6, WGBH announced it was canceling "Folk on WGBH" and "Blues on WGBH", starting it down the road to being a "single format" news/talk station.

The Facebook group, "supporters of folk and blues on WGBH", on its seventh day, reached 1000 members.

It seems WGBH management and its media consultants, are out of touch with the "folk". Or in the words of Jim Kweskin,

I can only assume this has something to do with the almighty dollar. Isn't this supposed to be public radio and aren't we the public. Folk music has been a mainstay on WGBH for as long as I can remember. Acoustic artists are as popular as ever and in some ways even more popular then in days gone by. I don't get it. WGBH should be ashamed of itself. Well, as Ma Joad said, "We're the people and you can't stop us and you can't lick us. We just keep coming, 'cause we're the people"



Cause ~ http://apps.facebook.com/causes/395481/34485837

Discussion group ~ http://www.facebook.com/group.php?gid=201481030324&ref=ts