Showing posts with label Brittany Haas. Show all posts
Showing posts with label Brittany Haas. Show all posts

Thursday, March 5, 2015

Jayme Stone's Lomax Project, Arlington, 4/1

notloB Music Presents...

Jayme Stone's Lomax Project
Wednesday, April 1, 8pm
PACC, Arlington

Jayme Stone (banjo) | Margaret Glaspy (voice) | Brittany Haas (fiddle) | Eli West (guitar, voice) | Joe Phillips (bass)

http://jaymestone.com/projects/lomaxproject


"...Focusing on songs collected by folklorist and field recording pioneer Alan Lomax, this collaboratory brings together some of North America's most distinctive and creative roots musicians to revive, recycle and re-imagine traditional music. The repertoire includes Bahamian sea chanties, African-American acappella singing from the Georgia Sea Islands, ancient Appalachian ballads, fiddle tunes and work songs collected from both well-known musicians and everyday folk: sea captains, cowhands, fishermen, prisoners and homemakers. The new album will be out on Borealis Records on March 3, 2015..."
Tickets and more info 

Dinner and a show! Patrons who purchase tickets in advance through eventbrite for our Arlington shows get 10% off dinner at the nearby...

Thai-E-Sarn Cuisine, 1377 Massachusetts Ave, Arlington.
OR
Szechuan's Dumpling, 1360 Massachuetts Ave, Arlington.

Please base your tip on the pre-discounted amount.


Thursday, January 8, 2015

Brittany Haas and Nic Gareiss, a benefit for the Old Schwamb Mill

notloB Music presents... 
Brittany Haas and Nic Gareiss

notloB veterans many times over, it will present Brittany and Nic not once, but TWICE!

On Saturday, January 17 notloB will end its 6-year hiatus from the 
Park Avenue Congregational Church, returning to the acoustically-alive wooden hall, where in 2008 it presented several concerts, including The Folk Arts QuartetThe Boston BoysJoy Kills Sorrow and Blue Moose and the Unbuttoned Zippers.The concert will be a benefit for the Old Schwamb Mill.

Then on Sunday, January 18 Brittany and Nic will be presented a second time, at Carriage House of Violins' beautiful and intimate (just 50 seats) performance space.


NEWTON TICKETS





YouTube Video

Nic Gareiss and Brittany Haas at Shasta 2009


BRITTANY HAAS
http://brittanyhaas.com/
California-born Brittany Haas is widely regarded as one of the most influential fiddlers of her generation. She grew up honing her craft in fiddle camps nationwide, and came to her unique sound through the old-time fiddling of Bruce Molsky and the innovative stylings of Darol Anger. A prodigious youth, she began touring with Darol's Republic of Strings at the age of 14. She simultaneously studied baboons in the evolutionary biology department of Princeton University (and minoring in music performance, composing with professor Dan Trueman) and joined seminal chamber-grass band Crooked Still. She has toured with them since, and also performed with Yonder Mountain String Band, Tony Trischka, Alasdair Fraser & Natalie Haas (her cellist sister), Abigail Washburn, and The Waybacks. She played her fiddle on Steve Martin's Grammy Award-winning CD, "The Crow," and performed in his band on Letterman and SNL. She released her debut self-titled solo album at 17, produced by Darol Anger and featuring Bruce Molsky, Mike Marshall, Alison Brown and others. Currently residing in Nashville, she is the co-leader of the Brittany Haas/Dan Trueman band who released their debut record "CrissCross" in 2011. She also plays in a fiddle duo with Lauren Rioux, an all-girl indie old-time band called The Fundies, "4tet" with Cleek Schrey (hardanger fiddle/pump organ), Jordan Tice (guitar) and Nic Gareiss (percussive dance), a trio with Jordan Tice and Paul Kowert (bassist in the Punch Brothers), and a duo with Kai Welch.

"So here is a real roots musician in the most modern sense--Brittany Haas fiddles from a very deep and personal place, the way she feels it, the way she wants to hear it, with seemingly infinite facility, and a spirit that's simply uplifting." -- Bruce Molsky

"...a major fiddling talent has emerged." -- Mark O'Connor

"She can shove the whole room around with her fiddle." -- Danny Barnes

"A joy to listen to...” -- Alasdair Fraser

"There's no one I'd rather listen to play the violin than Brittany Haas – her playing just slays me." -- Matt Glaser

"Britt opens the window, gets out of the way, and the music floods through in a tide of joy." -- Darol Anger

NIC GAREISS
http://www.nicgareiss.com/
Michigan-born dancer, musician, and dance researcher Nic Gareiss has been described by the Irish Times as “the human epitome of the unbearable lightness of being,” and "the most inventive and expressive step dancer on the scene” by the Boston Herald. His choreographic work re-imagines movement as a musical activity, recasting dance as medium that appeals to both eyes and ears. Gareiss draws from many percussive dance traditions to weave together a dance technique facilitating his love of improvisation, traditional footwork vocabulary, and musical collaboration. He has performed with many of the luminaries of contemporary traditional music and dance, including The Chieftains, The Gloaming, Darol Anger, Dervish, Buille, Liz Carroll, Genticorum, Bill Frisell, Yvon Mimeault, poet Aonghas MacNeacail, Step Afrika!, Footworks Percussive Dance Ensemble, Rhythm in Shoes, Bruce Molsky, Alasdair Fraser, and Martin Hayes. 

In 2011 Gareiss was commissioned by the Cork Opera House to create and perform two new solo percussive dance pieces to celebrate the 75th birthday of composer Steve Reich. In 2013, he served as community liaison for the Wheatland Music Organization's 40th Anniversary production 'Carry it on...', supervising a cast of 70 non-professional dancers from the state of Michigan. He received a Traditional Arts Commission from the Irish Arts Council to create a new duo fiddle and dance work with Caoimhín Ó Raghalliah. The resulting piece, MICE WILL PLAY had a sell-out run at the Project Arts Centre during the 2013 Dublin Fringe Festival. 

Gareiss has concertized in Belgium, France, Germany, Switzerland, Italy, Denmark, Sweden, Ireland, Scotland, England, Canada, and New Zealand and continues to tour and teach internationally, working with dance communities and presenting solo percussive dance choreography. Nic holds degrees in anthropology and music from Central Michigan University and recently completed his MA in ethnochoreology at the University of Limerick.

notloB Music Presents... Brittany Haas and Nic Gareiss, a Benefit for the Old Schwamb Mill
Park Avenue Congregational Church
50 Paul Revere Road, Arlington, MA
Saturday, January 17, 2015
Doors 7:30pm
Concert 8:00pm
TICKETS
$20 VIP seats, 50% of the sales go to the Old Schwamb Mill
$15 regular 
$10 seniors and students
and, if not sold out, at the door 30 minutes before the concert begins.

Do you like Szechuan and/or Thai food? We have great news for you! Show your eventbrite ticket receipt for the 1/17 Park Ave Congregational Church concert to your server at Szechuan's Dumpling Chinese Restaurant, 1360 Mass Ave or Thai-E-Sarn Cuisine, 1377 Mass Ave in Arlington and get 10% off your dinner tab!



notloB Music Presents... Brittany Haas and Nic Gareiss
Carriage House Violins - of Johnson String Instrument 
1039 Chestnut Street
Newton Upper Falls, MA
Sunday, January 18, 2015
Doors 1:30pm
Concert 2:00pm
TICKETS
$20 First two rows (14 seats)
$15 regular 
$10 seniors and students (due to the small total size, we are limiting this to 15, first come first served)
and, if not sold out, at the door 30 minutes before the concert begins.


================

Brittany Haas & Nic Gareiss / Peaks of Otter / Old Schwamb Mill / Salt Stage / 01.18.15

A Traveling Salt Stage Production.
Recorded on a pair of "Edwina" microphones hand made by Philip Graham of ear trumpet labs. eartrumpetlabs.com
Salt Stage Presents both local artists and those on a migratory path through the state of Maine in intimate portraiture: musicians, poets, performers, chefs, farmers, painters, sculptors and more. These performances are archived live without over-dubbing or post manipulation unless insisted upon by the artist in the performance. A high resolution recording system and one or two camera angles capture a cinematic feeling full of both visual and sonic tonality, paired with simple & clean editing . When not outside on location, windows are often left open to incorporate gulls, rainfall and other sonic signatures of Maine. Vintage lenses are also integral to enhance the filmic look of the vignettes. The Salt Stage began in Old Port, Portland but has now expanded to everywhere and anywhere, as archived in the Traveling Salt Stage section.... Watch the video here.

Wednesday, December 11, 2013

There's a new string band in town - 4TET


4TET 
Jordan Tice, Brittany Haas, Cleek Schrey and Nic Gareiss



Brittany, Cleek, Jordan and Nic share an interest in the championing of traditional music repertoire, new music composition, and the use of performance in both maintaining and critiquing the conventions surrounding folk music. They follow the work of mentors such as Bruce Molsky, Brendan Mulvihill and Eileen Carson-Schatz, in tandem with careful study of historical sources and inspirations outside of traditional music, and continue the legacy and lineage of traditional music. They're on a quest to probe the expressive and creative potential of fiddle tunes, traditional song, and vernacular dance.

BRITTANY HAAS
Many people know Brittany from her time touring with Tony Trischka or with Darol Anger's Republic of Strings, and some of you saw her when she appeared with Laura Cortese, Mariel Vandersteel and sister Natalie Haas at the Lyceum in Alexandria. But most people know Brittany from her fiddling with old-time group Crooked Still.

Since graduating from Princeton in 2009, she's been taking her 5-string fiddle on tour with Crooked Still and making new fans all over the world, including a recent appearance at the Birchmere, and lately she's been performing in a fiddle duo with Lauren Rioux, including two concerts at IMT. Her first CD, Brittany Haas, was released on Ook records in 2004 and includes guest musicians Bruce Molsky, Darol Anger, Todd Sickafoose, Mike Marshall and her sister Natalie.

CLEEK SCHREY
From Virginia, Cleek fiddles in the string band Bigfoot (winners of the 2010 Traditional Band award at the Clifftop Appalachian String Band Music Festival) and both plays and flat-foots with Footworks Percussive Dance Ensemble. He's in demand for his skill in both the Irish and American old-time traditions, and has appeared at IMT with Stephanie Coleman, the Kitchen Quartet and, with Sean McCommiskey and Donna Long, in the 2011 and 2012 CCE MAD Week Faculty Concerts.

JORDAN TICE
Jordan Tice is a guitarist and composer from Annapolis who currently makes his home in Brooklyn. The son of two bluegrass musicians, he grew up playing with various bluegrass bands around Maryland until he enrolled at Towson University to study music on full scholarship. He has released 3 records of original music and his reputation as a versatile guitarist has lead him to work with the likes of Tony Trischka, Steve Martin, Darol Anger, Mark Schatz and friends, and Frank Wakefield. In addition to the 4tet he is also a member of a trio with fiddler Brittany Haas and bassist Paul Kowert whose debut recording is due out in early 2014.

NIC GAREISS
Described by the Irish Times as “the human epitome of the unbearable lightness of being,” and, "the most inventive and expressive step dancer on the scene,” by the Boston Herald, Michigan-born dancer Nic Gareiss has performed as a featured soloist with traditional music luminaries The Chieftains, Solas, Darol Anger, Dervish, Liz Carroll, Bruce Molsky, Alasdair Fraser and Martin Hayes.

Nic's work re-imagines movement as a musical activity, morphing dance into a medium that appeals to both the eyes and the ears. He draws from many percussive dance traditions to weave together a technique in service of his love of improvisation, traditional footwork vocabulary, and musical collaboration. Nic holds degrees in anthropology and music from Central Michigan University and recently completed his MA in ethnochoreology at the University of Limerick.


February 9 - Elmendorph Inn, Red Hook, NY
email stringtix at gmail dot com for reservations

February 10 - House Concert, Shelburne, VT
email alisonjamesvt at gmail dot com for reservations

February 11 - Acoustic Artisans, Portland, ME
more info http://acousticartisans.com/

February 12 - House Concert, Watertown, MA
email notlobreservations at gmail dot com for reservations
https://www.facebook.com/events/431506663642712/

February 13 - House Concert, Easton, NH
email eastonvalleyhouseconcerts at gmail dot com or call 603-823-7061 for reservations
www.eastonvalleyhouseconcerts.com

February 14 - Viseltear Violin Shop, New York, NY
email cleek dot fiddle at gmail dot com for more info

Sunday, November 24, 2013

A Quartet of Berklee College of Music String Quartets

A QUARTET OF BERKLEE COLLEGE OF MUSIC STRING QUARTETS


Saturday, December 7, 2013
Eliot Street Coffeehouse at the First Church in Jamaica Plain, UU, 6 Eliot Street
Doors 7:30, Concert 8:00

Students, seniors and unemployed $10
$15 in advance, available at church social after Sunday services and through Brown Paper Tickets
$20 at the door (if available).



Eliot Street’s third and final concert of the season promises to be outrageous. Orchestrated by Berklee College of Music Professor Darol Anger, it will feature not one, not two, not three but FOUR string quartets!

Berklee String Quartet
The International Gals of Quartetdom
The Four Corners Quartet
The Resurexon Quartet


Berklee String Quartet
Darol Anger (Turtle Island Quartet, David Grisman Quartet, Republic of Strings, The Furies)
Brittany Haas (Republic of Strings, Crooked Still and 4tet)
Catherine Bent (Cirque du Soleil, Joe Jackson, Greg Osby, Lee Konitz and Kanye West)
Lena Jonsson (graduate student)
Contemporary international music from Brazil, Scandinavia and the US.

Fiddler, composer, producer and educator, Darol Anger is at home in a number of musical genres, some of which he helped to invent. Exceptional among modern fiddlers for his versatility and depth, Anger has helped drive the evolution of the contemporary string band through his involvement with numerous pathbreaking ensembles such as his Republic Of Strings, the Turtle Island String Quartet, the David Grisman Quintet, Montreux, his Duo with Mike Marshall, and others. He has performed and taught all over the world with musicians such as Dr. Billy Taylor, Bela Fleck, Bill Evans, Edgar Meyer, Bill Frisell, David Grisman, Tony Rice, Tim O’Brien, The Anonymous 4, Marin Alsop and the Cabrillo Orchestra, the Detroit Symphony, Mark O’Connor, and Stephane Grappelli. Today Darol can be heard on NPR’s “Car Talk” theme every week, along with Earl Scruggs, David Grisman and Tony Rice. He was also the violinist on the phenomenally popular Sim City computer games. In addition to performing all over the world, he has recorded and produced scores of important recordings since 1977, is a MacDowell and UCross Fellow, and has received numerous composers’ residencies and grants. He has been a featured soloist on dozens of recordings and motion picture soundtracks. He is an Associate Professor at the Berklee School of music. He recently began an ambitious online Fiddle School at ArtistWorks.com. http://darolanger.com/



California-born Brittany Haas is widely regarded as one of the most influential fiddlers of her generation. She grew up honing her craft in fiddle camps nationwide, and came to her unique sound through the old time fiddling of Bruce Molsky and the innovative stylings of Darol Anger. A prodigious youth, she began touring with Darol's Republic of Strings at the age of 14. She simultaneously studied baboons in the evolutionary biology department of Princeton University and joined seminal chamber-grass band Crooked Still. She has toured with them since, and also performed with Yonder Mountain String Band, Tony Trischka, Alasdair Fraser & Natalie Haas (her cellist sister), Abigail Washburn, and The Waybacks. She played her fiddle on Steve Martin's Grammy Award-winning CD, "The Crow," and performed in his band on Letterman and SNL. She released her debut self-titled solo album at 17, produced by Darol Anger and featuring Bruce Molsky, Mike Dana Bruce Marshall l, Alison Brown and others. Currently residing in Boston, she is the co-leader of the Brittany Haas/Dan Trueman band who released their debut record "CrissCross" in 2011. She also plays in a fiddle duo with Lena Jonsson, an all-girl indie old-time band called The Fundies, and a trio with Jordan Tice & Paul Kowert. http://brittanyhaas.com/


Cellist Catherine Bent, originally from London, was on the vanguard of crossover string players in New York in the 90’s, performing everywhere from Broadway shows to the Knitting Factory. In addition to her active chamber music life, she has toured and performed with Cirque du Soleil, Joe Jackson, Greg Osby, Lee Konitz and Kanye West, and has credits as a side musician and arranger on dozens of recordings. Catherine also performs in Rio de Janeiro and has made appearances on Radio Nacional as soloist with the legendary choro group Conjunto Época de Ouro. Her bands have included Trio Choro Brasil, Waters of March, Midnight Sun, Axis String Quartet, Axis Electric Strings, and new acoustic jazz quartet The Why. Catherine is on the faculty of Berklee College of Music, where she teaches in four different departments and brings her love of chamber music, improvisation and mixed styles into the classroom. http://www.catherinebent.com/





Lena Jonsson is a curious musician, always searching for new projects and new musical meetings. She was brought in Hälsingland, a region in Sweden with a rich tradition of folkmusic and culture, in a family where everyone plays the fiddle. Even if she is brought up with folkmusic, she is not stuck in old wiews of how the music should be played, she is very open and likes to find new ways to express herself within the frame of folkmusic. She has studied traditional Swedish music one year at the music conservatory in Falun and three years at the Royal College of Music in Stockholm and is currently studying at Berklee College of Music. http://www.lenajonsson.com/



The International Gals of Quartetdom are a dynamic & diverse quartet of four young women hailing from across the globe.  Under the guidance of the inimitable, Darol Anger, they are united by their love of contemporary string music.  The International Gals are Marta Roma (Cello, Barcelona), Sadie Currey (Violin, Tennessee), YeJi Yoon (Violin, Korea) and Adrianna Ciccone (5-String Violin, Canada). 
Marta is a versatile cellist from Barcelona. She graduated in classical cello and Music Education in 2011 and now she is developing her studies at Berklee College of Music. She has performed in Spain, Mexico, Colombia, Cuba, Brazil, US, Japan, Philippines, playing different kinds of music with various ensembles.

YeJi is a classically trained violinist, composer and arranger from Seoul, Korea. She studied Music theory and composition at SungShin Women's University. Now, she is attending at Berklee College of music and majoring Contemporary Writing and Production as a scholarship student.
Sadie is a fiddler and vocalist with panache and grace. The eldest of five children born into a musical family, Sadie started taking violin lessons at the age of 7.  She has found her style and voice through years of performing with her family band CurreyKorn, Missouri-based Bluegrass band Midnight Flight, and through a year of Music Performance study at the University of Missouri. 
Adrianna is quickly establishing herself as a distinctive voice in the new-acoustic music scene. Her style, while rooted in the Ottawa Valley & Québecois fiddle traditions, continues to be inspired by the many different regional fiddles styles of Canada and the world including Appalachian, Métis, Cape Breton, Irish, Scottish & Scandinavian music. 

The Four Corners
Layth Al Rubaye (Jordan)
Ellen Story (USA)
Alliz Nicholas (England)
Naseem Alatrash (Palestine)
“Four players sit at the corners of a round table
Back to back they face one and another
Draw their instruments and play for each other.”
Challenging cultural difference through music, The Four Corners string quartet celebrate their own identities whilst exploring each others musical influences. Formed in 2013 at Berklee College of Music, Layth Al-Rubaye, Ellen Melissa Story, Alliz Nicholas, and Naseem Alatrash represent a new generation of young artists who enrich listeners with unique interpretations and shatter the traditional impression of the string quartet. Based in Boston, USA, the quartet enjoy performing at The Museum of Fine Arts,Massachusetts State House, Berklee College of Music and for Layth’s cat Gordita.rom Jordan, USA, England and Palestine, they converse in middle-eastern, jazz, classical and folk styles. Their signature work Maracibo by the notable cellist and Berklee Professor Eugene Friesen, uses complex rhythms native to Brazilian traditional instruments, as the backdrop to virtuoso improvisation and exciting extended techniques.



The Resurexon Quartet
Isa Burke
Adrian Zemor
Holland Raper
Anna Stromer


The Resurexon String Quartet is a brand-new quartet of Berklee students who hail from diverse musical backgrounds, but are united in their desire to innovate and build bridges across musical styles. Under the direction of Darol Anger, they continue to propel the world of contemporary string music to new places. They are violinists Isa Burke and Holland Raper, cellist Adrian Zemor, and violist Anna Stromer. 

Isa Burke is a fiddler and songwriter who grew up in Maine and is now based in Boston. She was raised in a musical family and grew up in New England's rich folk community, and that tradition formed the foundation for all of the music she creates. Now in her third semester at Berklee studying violin performance and songwriting, Isa is developing a voice and a reputation as a rising talent in Boston's roots music scene. Her fiddling draws upon Appalachian old-time, bluegrass, Celtic, Québecois and Scandinavian traditions to forge a style rooted in tradition, yet undeniably powerful and new.

Holland Raper is a violinist from a suburb of Detroit. Trained in both classical and Celtic fiddle styles since a young age, Holland has performed in the DSO Civic Ensembles and represented the United States in the Fleadh Cheoil Irish Music Championships. She is currently a 7th semester student at Berklee, planning to graduate this May.

Born and raised in New York City, Adrian studied cello at Third Street Music School for 12 years. In high school, he started to branch out from the classical world, and played in a metal band while continuing his classical studies. He is currently a 5th semester performance major at Berklee, where he has been studying classical, rock, folk, and jazz.

Anna Stromer is a Boston-based violist who has performed with Yo Yo Ma, Richard Stoltzman, Mark Wood, Mark O’Connor, Issac Delgado, The Dear Hunter, Wyclef Jean, and Thirty Seconds to Mars. Anna has also been working with the Vitamin String Quartet as part of their live performance string quartet and with them has performed on MTV Unplugged with Thirty Seconds to Mars and on the 100th episode of Gossip Girl. Anna is currently enrolled at Berklee College of Music where she is majoring in music business, and is excited to perform as part of a string quartet with the Boston Ballet for “Cacti” in May of 2014.

Saturday, December 7, 2013
Doors 7:30, Concert 8:00
Presented by Eliot Street Coffeehouse
6 Eliot Street, Jamaica Plain
Telephone - (617) 942-0716Students, seniors and unemployed $10, all others $15 in advance, $20 at the door

Tune in to Doug Gessler's "The Lost Highway" on student/community radio WMBR, 88.1fm Saturday, December 7, 8-10am, when Darol Anger and Brittany Haas will be live in studio.




What's next? Watch Eliot Street’s Facebook page and website.
The Eliot Street Coffeehouse, a co-production of the Eliot Street Soiree and notloB Parlour Concerts, are presented in the beautiful and acoustically sound First Church of Jamaica Plain's parish hall, 6 Eliot Street (near Centre and South).    
The community, especially those interested in volunteering, is invited to send inquiries by email to eliotstreetcoffeehouse@gmail.com

Saturday, November 2, 2013

Brittany Haas, Owen Marshall and Joe Walsh "folk music power trio"

Brittany Haas, Owen Marshall and Joe Walsh
"folk music power trio"
Photo credit: Amanda Kowalski
House concert
Sunday, December 8
Doors 6:30, concert 7:00
Minimum suggested donation $10 students and seniors ; $15 all others
No walk-ins, donation must be received in advance.

In Brittany Haas, Owen Marshall and Joe Walsh, we find a veritable folk music power trio. As masters of old-time, celtic, and bluegrass music, all three musicians are widely respected on their chosen instruments (fiddle, guitar, and mandolin). 

California-born Brittany Haas is widely regarded as one of the most influential fiddlers of her generation. She grew up honing her craft in fiddle camps nationwide, and came to her unique sound through the old time fiddling of Bruce Molsky and the innovative stylings of Darol Anger. A prodigious youth, she began touring with Darol's Republic of Strings at the age of 14. She simultaneously studied baboons in the evolutionary biology department of Princeton University and joined seminal chamber-grass band Crooked Still. She has toured with them since, and also performed with Yonder Mountain String Band, Tony Trischka, Alasdair Fraser & Natalie Haas (her cellist sister), Abigail Washburn, and The Waybacks. She played her fiddle on Steve Martin's Grammy Award-winning CD, "The Crow," and performed in his band on Letterman and SNL. She released her debut self-titled solo album at 17, produced by Darol Anger and featuring Bruce Molsky, Mike Dana Bruce Marshall l, Alison Brown and others. Currently residing in Boston, she is the co-leader of the Brittany Haas/Dan Trueman band who released their debut record "CrissCross" in 2011. She also plays in a fiddle duo with Lena Jonsson, an all-girl indie old-time band called The Fundies, and a trio with Jordan Tice & Paul Kowert.

Hailed by Nashville’s Music Row Magazine for his “lickety-split mandolin work” and by Vintage Guitar Magazine as “brilliant”, Portland, Maine-based Joe Walsh is emerging as one of the best mandolinists of his generation. Walsh is known for his exceptional tone and taste, and his collaborations with acoustic music luminaries including legendary fiddler Darol Anger, flatpick guitar hero Scott Nygaard, bluegrass super group the Gibson Brothers, and pop/grass darlings Joy Kills Sorrow have taken him all over the map, both musically and literally. He’s played with everyone from John Scofield to Bela Fleck to Emmylou Harris, and performed everywhere from bluegrass festivals to laundromats to Nashville’s Ryman Auditorium. Walsh has two solo albums to his credit, and when not on the road he works at the Berklee College of Music, as a mandolin instructor, ensemble teacher, and as the associate director of the Berklee American Roots Festival.

Vogue magazine calls musician Owen Marshall “A guitar/mandolin/banjo player rivaled in character only by the occasional three-pronged carrot” (Vogue, Nov 2009). Owen has accompanied and collaborated with many of traditional music's top performers including Aoife Clancy, Liz Carroll, Darol Anger, John Doyle, Andrea Beaton, Jerry Holland, Ari & Mia Friedman and his own traditional Irish trio “The Press Gang”. His music has appeared on NPR “the Thistle and Shamrock,” BBC television, and the back of his left elbow has appeared on MTV. In addition to being a respected performer, Owen is in demand at music camps throughout New England and the U.S., where he shares his approach to accompanying traditional music.

Sunday, December 8
Doors 6:30, concert 7:00
A private home just outside of Cambridge.
Suggested minimum donation $10 students and seniors; $15 all others
Donation must be received in advance, either in person at the Fellswater concert 11/1 https://www.facebook.com/events/335079686627918/
or by check payable to Brittany. Email notlobreservations at gmail dot com for instructions.

This concert's Facebook event URL is https://www.facebook.com/events/235959396566713/

Tuesday, February 12, 2013

Imagine a listening room environment...

"Since June 2, 2007, notloB has presented close to 100 folk*, old-time, bluegrass / newgrass, string band. Celtic and acoustic blues concerts to audiences throughout the greater Boston area. Our primaru home is the historic Loring-Greenough House (built in 1760, 40 intimate seats, unplugged) in Jamaica Plain. The concerts are volunteer-run and not for profit. 100% of the patron donations go to the artists and production expenses."

Imagine a listening room environment, either in a private residence or the historic Loring-Greenough House (see below) or a tiny gallery space where the world-class ARTISTS, not the some corporation takes the proceeds. Now you get an idea of what a notloB concert is all about.


As tonight's Rushad Eggleston concert at Outpost 186 sold out in less than 72 hours and the upcoming Brittany Haas (Darol Anger’s Republic of Strings, Crooked Still), Natalie Haas (Alasdair Fraser), Lily Henley and Kellen Zakula with Rene Del Fierro concert is about to, patrons are beginning to catch on that getting onto the mailing list in order to make reservations when concerts and workshops are announced is a sound policy.

So, what's on the horizon?


notloBMusic / notloB Parlour Concerts presents...

Brittany Haas, Natalie Haas, Lily Henley and Kellen Zakula w/ Rene del Fiero
Monday February 18, 2013
Venue is a private residence in Watertown
Re
servations and advance donation are required
Suggested donation $20-25* 


Natalie is one of the most sought after cellists playing traditional music today. She and Scottish fiddler Alasdair Fraser have toured as a duo for over 12 years, wowing audiences at festivals and concerts worldwide with their unique sound. Their first album together, Fire & Grace, was awarded Best Album of the Year in the Scots Trad Music Awards 2004. Natalie has also toured with Mark O'Connor as a member of his Appalachia Waltz Trio. She and O'Connor premiered his double concerto for violin and cello, ¨For The Heroes¨, with the Grand Rapids, East Texas, and San Diego Symphonies. As a studio musician, Natalie has been a guest artist on over 50 albums, including those of Cape Breton fiddler Natalie MacMaster and Irish super-group Solas. A graduate of the Juilliard School, where she studied with cellist Fred Sherry, Natalie discovered the cello at age nine. In addition to having extensive classical music training, she is accomplished in a broad array of fiddle genres. Her music journey found purpose when she fell in love with Celtic music at the Valley of the Moon Scottish Fiddling School at age 11. Inspired and encouraged by director Fraser, she began to investigate the cello's potential for rhythmic accompaniment to fiddle tunes, and to this day, the two continue to resurrect and reinvent the cello's historic role in Scottish music. Natalie's skills as an educator make her one of the most in demand teachers at fiddle camps across the globe. She also teaches privately and in a workshop setting, and has held an associate professorship at the Berklee College of Music in Boston. Natalie now makes her home in Montreal, where she is an active member of the traditional music scene.

BRITTANY HAAS is a 5-string fiddle player from the Bay Area, currently residing in Nashville. She grew up honing her craft in fiddle camps nationwide and came to her unique sound through the old-time fiddling of Bruce Molsky and the innovative styling of Darol Anger. A prodigious youth, she began touring with Darol's Republic of Strings at the age of 14. She simultaneously studied baboons in the evolutionary biology department of Princeton University and joined seminal chamber-grass band Crooked Still. She has toured with them since, and also performed with Yonder Mountain String Band, Tony Trischka, Alasdair Fraser & Natalie Haas (her cellist sister), Abigail Washburn and the Waybacks, She played fiddle on Steve Martin's Grammy Award winning CD, "The row" and performed in his band on Letterman and SNL. She released her debut self-titled solo album at 17, produced by Darol Anger and featuring Bruce Molsky, Mike Marshall, Alison Brown and others. 








LILY HENLEY is a singer, songwriter and fiddler who is gaining recognition as one of the most unique and passionate voices on the acoustic music scene. Born in Boston and raised accross more than 20 locations, Lily brings a diversity of experience and depth to her music; synthesizing her many influences to breathe life into a style all her own. 

KELLEN ZAKULA - An accomplished old-time fiddle player, multi-instrumentalist, and songwriter, Kellen artfully blends together traditional Appalachian music with the burgeoning contemporary songwriting and folk music scenes of the northeast, and is regularly accompanied by world class musicians, including fiddler Brittany Haas, bassist Bridget Kearney, and mandolin virtuoso Jake Joliff.

RENE DEL FIERO - Guitarist/producer Rene del Fierro was born and raised in California's Bay Area. His mother Betsy (a music teacher specializing in orff schulwerk) and father George provided heavy exposure to a wide range of music from the time he was born. For his eleventh birthday he received his first guitar and soon after discovered the Blues, which ignited a deeper passion for music and became the foundation of his playing . In his early teens, Rene began playing in local bars and clubs, usually with musicians three or four times his age, as he was more interested in the music of their generation. Rene attended high school at SOTA, an arts school in San Francisco before moving to Boston where he attended Berklee College of Music. Here he discovered a passion for music production, majoring in Music Synthesis. Rene began playing professionally around 18. Since then he has performed and/or toured with Santana, Lauryn Hill, Wycleff Jean, and Berrington Levy to name a few. Rene currently resides in Brooklyn where he does freelance production and guitar work.

* RESERVATIONS AND PRE=PAYMENT ARE REQUIRED. When payment has been received you will be given the address. email notlobreservations@gmail.com for instructions.

Fellswater 
Saturday, February 23, 2013

Fellswater is a four piece Celtic ensemble that plays a wide range of music from Traditional to modern compositions, and draws from the heritage of all the Celtic nations, especially Scotland, Ireland, Brittany and Canada. Our instrumentation changes depending on the musical selection and includes whistle, flute, guitar, mandolin, bouzouki,violin, smallpipes and border pipes.
Betsy Ketudat, Fiddle
Jim MacConduibh, Guitar/Bouzouki
Sarah MacConduibh, Flute/Whistle
Matthew Phelps, Smallpipes
Fellswater's website: http://fellswater.com/
Suggested donation $10-20 sliding scale + less 20% JPTC member discount + $1 preservation fee
20% discount for Loring-Greenough museum members. 
Reservations suggested and strongly recommended, email notlobreservations at gmail dot com
Coffee from JP Licks
Pastries from Fiores Bakery

Bronwyn Keith-Hynes and Catherine Bowness 
Saturday, March 9, 2013
Doors 7:30, Concert 8:00
Preceded by separate admission workshops*


Bronwyn Keith-Hynes is an award-winning fiddler from Charlottesville, Virginia. She began fiddling at the age of three and has studied with many wonderful musicians on the folk music scene including Beth Telford, Jerry Holland, Cleek Schrey, Matt Glaser, John McGann and Darol Anger. Bronwyn is a fluent player of Irish, Cape Breton, Scottish and American traditional music. She has performed throughout the U.S, Ireland and France and has traveled to Ireland extensively to study with local traditional musicians. She has been featured on Irish RTE One television and the Irish Comhaltas Live Programme. At the age of sixteen she was awarded a scholarship to attend Berklee College of Music in Boston, where she is currently in her final year.

Bronwyn has won numerous fiddle contests in Irish and Scottish fiddle styles. In 2006 at the age of fourteen, Bronwyn placed third in the Open Division of the U.S. National Scottish Fiddle Championship. She holds the 2007 Virginia State Fiddle Champion title and has also won at the 2008 and 2009 Mid-West Fleadh Cheoil fiddle competition. 
Bronwyn performs frequently at Berklee and around the Boston area. She performed with Mark O'Connor at the Berklee Performance Center in 2009 and was featured in the Fall 2010 String Showcase held at the Berklee Performance Center. She is part of the group Atlantic Seaways, which is a collaboration of young traditional American and Scottish musicians from Berklee, Royal Scottish Academy of Music and Dance in Glasgow and Strathclyde University in Glasgow. In 2011 they performed in Lorient, France at the Inter-Celtic Festival. In March 2012 she went on tour in France with the international Irish music and dance show Celtic Dances, run by music directors Liz Knowles and Kieran O'Hare. In addition to being a highly accomplished performer, Bronwyn is also a skilled group and private teacher. She taught at the 2010 Kanack School Fiddle Camp and currently teaches privately in Boston.


Catherine Bowness
In her hometown, Koitiata, New Zealand, Catherine (BB) began her musical studies with banjo tutor, Mark Warren. A few years later she received the Frank Winter memorial award at the Auckland Folk Festival to travel to the USA and study with world renowned banjo players Tony Trischka, Alan Munde and Bill Evans. She won the Uncle Dave Macon banjo competition in Murfreesboro, Tennessee at just 15 years old and came runner up in the Rockygrass bluegrass banjo contest in Colorado. In 2007, she was invited to join Colorado bluegrass band, Long Road Home, for their tour of summer festivals in the USA. BB has performed throughout New Zealand and Australia with the bluegrass band, Twisted Oak, in a banjo duet with tenor banjoist, Alex Borwick and most recently with Cy Winstanley and Vanessa McGowan in their country/bluegrass trio, ‘Sandpaper Tango’. In 2010, she recorded her debut album, Village Green, which features original compositions and collaborations with some of the best acoustic musicians from all around NZ. BB travelled on a Massey University scholarship in 2011 to study at the Miles Davis program in Jazz studies at the University of North Carolina at Greensboro. This year, BB has completed her BMus in Jazz performance at the NZ school of music, being the first person to be accepted on the banjo. 

*WORKSHOPS
Prior to the concert, from 6:45 to 7:45pm (you can arrive at 6:30) 
Bronwyn will teach an Irish fiddle workshop.
Catherine will teach a bluegrass banjo workshop.
For both, class size is minimum of 4 and a maximum of 20.
Each workshop will be in a closed, private room.
$10/person, payable directly to Bronwyn and Catherine.
Reservation required, email notlobreservations@gmail.com

CONCERT
Suggested donation $10 plus $1 preservation fee. 20% discount for Loring-Greenough museum members. 
Reservations are strongly recommended for the concert, email notlobreservations at gmail dot com
Doors 7:30pm.

When making your reservation, specify if it is for the workshop, the concert, or both, and the number in your party.


Coffee from JP Licks
Pastries from Fiores Bakery

Check back for April and May concert news.

The historic Loring-Greenough House, notloB's home in Jamaica Plain

notloB's home, the historic Loring-Greenough House
12 South Street, Jamaica Plain, MA 02130
The history of the Loring-Greenough House begins in 1760 when Joshua Loring, a commodore in the English Colonial naval forces constructed the large four-square frame residence in the historic center of Jamaica Plain.  An outstanding example of Georgian Colonial architecture, the House was the hub of a large and actively developed farm that was Loring’s chief interest following his retirement from military service.  His life as a distinguished member of the Colonial gentry came to an abrupt end with the bitter factionalism of the incipient Revolution.  He fled the House in August 1774, for the greater security of Boston. He and his family permanently left Boston for England, in 1776...
From Wikipedia, the free encyclopedia

The Loring-Greenough House is the last surviving 18th century residence in Sumner Hill, a historic section of Jamaica Plain, Massachusetts, a neighborhood of Boston. It is located at 12 South Street on Monument Square at the edge of Sumner Hill.

This mid-Georgian mansion was built as a country residence and farmstead in 1760 for wealthy British naval officer Commodore Joshua Loring on the original site of John Polley's estate established in the 1650s. Originally, the Loring-Greenough house was situated on a 60-acre (240,000 m2) estate. Loring, a Loyalist prior to the American Revolution, abandoned the house in 1774, just prior to the conflict, and he fled from Boston in 1776. The house was confiscated by colonial forces and in 1776 served as a headquarters for General Nathaniel Greene and, soon after, a hospital for Continental Army soldiers following the Battle of Bunker Hill.

In 1780, the house was sold to Isaac Sears, the rebel leader from New York, and was then purchased in 1784 by Ann Doane, a rich widow, who soon after married David Stoddard Greenough. Their descendants lived here for five generations until 1924. At that time the Jamaica Plain Tuesday Club (until 1993 a ladies'-only club and today a community group) purchased the house, along with almost two acres of landscaped grounds, to convert it into a museum and save it from development.

The Loring-Greenough House is a very well-preserved structure of almost 4,500 square feet, on property that includes sweeping lawns, historic flower beds, handsome trees, and the two-and-one-half-story house itself. The property is fenced and gated with wrought-iron restricting access except for times when the building is open to the public. The Tuesday Club has been careful to preserve the house and grounds over many decades. The most recent restoration occurred with a $350,000 grant and included painting and other repairs.

The Loring-Greenough property is now a historic house museum still owned and operated by the Tuesday Club, which offers tours and other events throughout the year. It is listed on the National Register of Historic Places and designated a Massachusetts Landmark and a Boston Landmark.

notloB Folk Concerts are dedicated to the memory of Jack Hardy (d. March 11, 2011), who, with David Massengill and Peggy Seeger, graced our stage November 1, 2008, and John McGann (d. April 6, 2012), who performed with Flynn Cohen, Matt Heaton, and Danny Noveck  on November 20, 2012. 
Rest in peace, Jack and John!



 Traditional arts are those art forms that are learned as part of the cultural life of a group of people whose members share a common ethnic heritage, language, religion, occupation, or culturally united geographic region. Folk and traditional arts are shaped by the aesthetics and values of a shared culture and are passed from generation to generation, most often within family and community through observation, conversation and practice. 
Source: The National Endowment for the Arts
notloB takes this very seriously, it is a pop-free zone!