Showing posts with label woody guthrie. Show all posts
Showing posts with label woody guthrie. Show all posts

Tuesday, December 25, 2012

Remembering the 1913 Massacre and 1914 Christmas Truce


The Zinn Education Project reminds us of two historic events that occurred on December 24 (the Calumet massacre of 1913), the very darkest side of humanity where company thugs caused the death of 73 children) and 25-26 (the Christmas Truce of 1914), a glimmer of hope where soldiers fighting for God and King and Kaiser for a moment questioned their place. Both have been added to to topical folk songbook by Woody Guthrie and John McCutcheon, respectively.

Photo: Dec 24, 1913. To offer some relief to the families of copper miners of Calumet who had been on strike, a holiday party was held at the Italian Hall. After the festivities had begun, someone — to this day, no one knows who — yelled Fire! In the rush for the stairs, 73 people (59 of them children) were crushed and suffocated to death on the stairway. There was no fire. In the version of events in Woody Guthrie’s song, the “copper-boss thug-men” had plotted to yell Fire! and were holding the door of Italian Hall shut, so that the miners and their families could not escape. The town itself is still divided over exactly what happened.This description is from the 1913 Massacre film website where you can learn more: http://1913massacre.com/ Here are photos of the morgue and funeral: http://www.pasty.com/reflections/id254.htm Listen to the 1913 Massacre by Woody Guthrie, sung by John McCutcheon: http://bit.ly/10eMt9x Lyrics by Woody Guthrie: http://bit.ly/vkh7Gw Photo: Copper miners strike outside of Dunn's bar on 6th Street in Calumet, Michigan - 1913.

Dec 24, 1913. To offer some relief to the families of copper miners of Calumet who had been on strike, a holiday party was held at the Italian Hall. After the festivities had begun, someone — to this day, no one knows who — yelled Fire! In the rush for the stairs, 73 people (59 of them children) were crushed and suffocated to death on the stairway. There was no fire. In the version of events in Woody Guthrie’s song, the “copper-boss thug-men” had plotted to yell Fire! and were holding the door of Italian Hall shut, so that the miners and their families could not escape. The town itself is still divided over exactly what happened.This description is from the 1913 Massacre film website where you can learn more: http://1913massacre.com/ Here are photos of the morgue and funeral: http://www.pasty.com/reflections/id254.htmListen to the 1913 Massacre by Woody Guthrie, sung by John McCutcheon: http://bit.ly/10eMt9x Lyrics by Woody Guthrie:http://bit.ly/vkh7Gw Photo: Copper miners strike outside of Dunn's bar on 6th Street in Calumet, Michigan - 1913.




‎"My name is Francis Tolliver, in Liverpool I dwell; Each Christmas come since World War I, I've learned its lessons well; That the ones who call the shots won't be among the dead and lame; And on each end of the rifle we're the same." – from "Christmas in the Trenches" by John McCutcheon (full lyrics: http://bit.ly/TV9rx5) "Starting in some places on Christmas Eve and in others on Christmas Day, the Christmas truce of 1914 covered as much as two-thirds of the British-German front, with French and Belgians involved as well. Thousands of soldiers took part. In most places it lasted at least through Boxing Day (Dec. 26), and in some through mid-January." Description from Aaron Shepard, here is a reader's theater Shepard wrote for ages 11+:http://www.aaronshep.com/rt/RTE34.html

"My name is Francis Tolliver, in Liverpool I dwell; Each Christmas come since World War I, I've learned its lessons well; That the ones who call the shots won't be among the dead and lame; And on each end of the rifle we're the same." – from "Christmas in the Trenches" by @[105733479459209:274:John McCutcheon] (full lyrics: http://bit.ly/TV9rx5)   "Starting in some places on Christmas Eve and in others on Christmas Day, the @[106008089437342:274:Christmas truce of 1914] covered as much as two-thirds of the British-German front, with French and Belgians involved as well. Thousands of soldiers took part. In most places it lasted at least through Boxing Day (Dec. 26), and in some through mid-January." Description from Aaron Shepard, here is a reader's theater Shepard wrote for ages 11+: http://www.aaronshep.com/rt/RTE34.html

The Christmas truce was a series of widespread, unofficial ceasefires
that took place along the Western Front around Christmas 1914, during
World War I. Through the week leading up to Christmas, parties of
German and British soldiers began to exchange seasonal greetings and
songs between their trenches; on occasion, the tension was reduced to
the point that individuals would walk across to talk to their opposite
numbers bearing gifts. On Christmas Eve and Christmas Day, many
soldiers from both sides – as well as, to a lesser degree, from French
units – independently ventured into "no man's land", where they
mingled, exchanging food and souvenirs. As well as joint burial
ceremonies, several meetings ended in carol-singing. Troops from both
sides were also friendly enough to play games of football with one
another.[1]
The truce is seen as a symbolic moment of peace and humanity amidst
one of the most violent events of modern history. It was not
ubiquitous; in some regions of the front, fighting continued
throughout the day, while in others, little more than an arrangement
to recover bodies was made. The following year, a few units again
arranged ceasefires with their opponents over Christmas, but the
truces were not nearly as widespread as in 1914; this was, in part,
due to strongly worded orders from the high commands of both sides
prohibiting such fraternisation. In 1916, after the unprecedentedly
bloody battles of the Somme and Verdun, and the beginning of
widespread poison gas use, soldiers on both sides increasingly viewed
the other side as less than human, and no more Christmas truces were
sought.
In the early months of immobile trench warfare, the truces were not
unique to the Christmas period, and reflected a growing mood of "live
and let live", where infantry units in close proximity to each other
would stop overtly aggressive behaviour, and often engage in
small-scale fraternisation, engaging in conversation or bartering for
cigarettes. In some sectors, there would be occasional ceasefires to
allow soldiers to go between the lines and recover wounded or dead
comrades, while in others, there would be a tacit agreement not to
shoot while men rested, exercised, or worked in full view of the
enemy. The Christmas truces were particularly significant due to the
number of men involved and the level of their participation – even in
very peaceful sectors, dozens of men openly congregating in daylight
was remarkable. continue at
http://en.wikipedia.org/wiki/Christmas_Truce

"Christmas in the Trenches" is a ballad from John McCutcheon's 1984
Album Winter Solstice. It tells the story of the 1914 Christmas Truce
between the British and German lines on the Western Front during the
Great War from the perspective of a fictional British soldier.
Although Francis Tolliver is a fictional character, the event depicted
in the ballad is true. John McCutcheon met some of the German soldiers
involved in this Christmas story when he toured in Belgium. read more
at http://en.wikipedia.org/wiki/Christmas_in_the_Trenches





The Zinn Education Project promotes and supports teaching a people’s history. Access free teaching activities: http://www.zinnedproject.org/ Coordinated by Rethinking Schools (rethinkingschools.org) and Teaching for Change (teachingforchange.org).
Overview
The Zinn Education Project promotes and supports the use of Howard Zinn’s best-selling book A People’s History of the United States and other materials for teaching a people’s history in middle and high school classrooms across the country. The Zinn Education Project is coordinated by two non-profit organizations, Rethinking Schools (www.rethinkingschools.org) and Teaching for Change (www.teachingforchange.org).

The goal is to introduce students to a more accurate, complex, and engaging understanding of United States history than is found in traditional textbooks and curricula. The empowering potential of studying U.S. history is often lost in a textbook-driven trivial pursuit of names and dates. Zinn’s A People’s History of the United States emphasizes the role of working people, women, people of color, and organized social movements in shaping history. Students learn that history is made not by a few heroic individuals, but instead by people’s choices and actions and therefore students’ own choices and actions also matter.

We believe that through taking a more engaging and more honest look at the past, we can help equip students with the analytical tools to make sense of — and improve — the world today.
General Information
Support the Zinn Education Project: http://zinnedproject.org/support
Twitter: https://twitter.com/#!/ZinnEdProject


Thursday, November 8, 2012

Woody Guthrie's "My New York City" set to music by Mike+Ruthy

Mike and Ruthy were selected by Nora Guthrie to set her dad, Woody Guthrie's "My New York City" to music. Read the story here. "My New York City" is included on the duo's new six-song collection, THE NYC EP.

Enjoy!



 


Mike and Ruthy will be in concert TONIGHT in JAMAICA PLAIN.


Wednesday, May 9, 2012

In the Tradition 5/15: Third Annual Tribute to Woody Guthrie

This program on Worcester community radio is "In the Tradition's" third annual tribute to Woodrow Wilson "Woody" Guthrie (July 14, 1912 – October 3, 1967), his legacy and family.




At the center of the show is "Woody at 100: The Woody Guthrie Centennial Collection", Smithsonian-Folkways Records SFW40200, set to be released July 10, 2012.

"In honor of the Woody Guthrie Centennial, Smithsonian Folkways presents an in-depth commemorative collection of songs, photos and essays on one of America’s most treasured 20th-century icons.
Read complete album description at
http://www.folkways.si.edu/albumdetails.aspx?itemid=3367

The show will start with a phone interview with a “Woody Sez” cast member Andy Teirstein.
http://www.americanrepertorytheater.org/events/show/woody-sez







For the third year running, Jim Pollard, walk organizer will be calling to talk about Arlo Guthrie's "Historic Garbage Trail" Walk to Massacree HD (Huntington’s Disease)
Page - https://www.facebook.com/pages/HD-Walk/299773305469
Event - https://www.facebook.com/events/298259360245406/
Official website - www.freewebs.com/hdwalk
Guthrie Center - https://guthriecenter.org/




====================

All times are eastern USA.

"Like" In the Tradition's Facebook page - https://www.facebook.com/InTheTradition

Please "favorite" In the Tradition at http://soundtap.com/inthetradition/

Playlists from the Tuesday edition of "In the Tradition" can be viewed during the show athttp://www.spinitron.com/radio/playlist.php?station=wcuw and are submitted soon after the show's end to the Folk DJ list -http://lists.psu.edu/archives/folkdj-l.html

Read descriptions of other WCUW program specials at http://www.wcuw.org/modules/news/

Listen to WCUW at 91.3fm or streaming at wcuw.org or live365 app for your mobile device.

Monday, September 27, 2010

America's Great Outdoors: Creating the Next Generation of Environmental Leaders

In the true spirit of our founder, Pete Seeger, Clearwater's Power of Song youth and the Urban Farmer's League of Newburgh, NY carried forward the passion and energy from the America's Great Outdoors Initiative listening sessions held this past August in the Hudson Valley to create a unique music video. The youth worked together to write new verses to Woody Guthrie's "This Land is Your Land" to voice their policy recommendations to President Obama. Clearwater partnered with Our Hudson Tomorrow and the Electronic Music Foundation to support their efforts and produce this video featuring these young leaders. 


America's Great Outdoors:
  Creating the Next Generation of Environmental Leaders

 
Pete Seeger and Sarah Armour

Given Clearwater's role on the river and its powerful youth leadership programming, we helped organize youth from New York City to Albany to participate in AGOI August 5th listening session. The result was inspiring. The youth session was undeniably passionate, with over 300 youth arriving in Hyde Park to contribute their ideas and concerns about the environment. 
Clearwater is proud of its passionate young leaders who attended this session and who aspire to make a difference in our country. We applaud their determination and leadership in making our communities better places.

Wednesday, October 7, 2009

Woody Guthrie Rediscovered

Woody Guthrie “My Dusty Road” Rounder - Review


By Dan Evon
Reposted from CountryMusicPride.com

Woody Guthrie Rediscovered

It isn’t often that a legend gets the chance to be reborn, but listening to these four disks is like hearing Woody for the first time. His voice is clear on all of the tracks. The hiss and background noise that is so familiar to any Guthrie recording is virtually unnoticeable. My Dusty Road presents Woody Guthrie in an all new natural light that uncovers nuances never noticed before. But if the pristine recordings aren’t enough, the four disk box set unveils never released, and practically never before heard tracks, which for an artists as widely covered as Guthrie, is a very rare find.

In April of 1944 Woody Guthrie, along with Blind Sonny Terry and Cisco Houston recorded over 250 songs. These are the songs on these disks. These are the songs that lay buried for nearly 60 years. Some of the songs are informal, some are rehearsed, and all of them transport you to an earlier era.

The first disk is a collection of Woody’s greatest hits including “This Land is Your Land,” “Going Down the Road,” and “Hard Traveling.” And although some songs, like “This Land is Your Land,” is played traditionally with Guthrie accompanying himself on the guitar, he also picks up the mandolin, let’s Cisco take the lead, and is never afraid to let Sonny blow that harp.

The songs on this disk cover the dust bowl and the depression. They hit on legends like Pretty Boy Floyd, and the Reuben James. Guthrie also demonstrates his prowess at the talking blues, a technique that is musically sparse, and lyrically poignant.

The second disk concentrates on Woody’s ability to document folk songs. Woody was an encyclopedia of songs. He plays here, traditional songs that he heard on old 78’s. He plays songs from the Carter family. He plays songs that he learned from his mother Nora, and from George, the shoeshine in Pampa.

This disk demonstrates Woody’s vast knowledge of folk music and uncanny ability to tell stories through song. On “Buffalo Skinners,” a dramatic ballad that sings like a novel, Woody mournfully works his way through accompanied only by his guitar, to tell the sad tale of the American Indian and the lonesome great plain Cowboy.

Woody The Agitator, the third disc in the set concentrates on Woody’s ability to write protest songs. Woody rallied for workers rights, the equality of African Americans, and helped stage strikes and organize unions. He wrote songs like “I’m Gonna Join That One Big Union,” “Hangknot Slipknot,” and “Tear the Fascist Down.” The last of which is a virtually unheard song about the second world war.

Woody Guthrie is as influential as a singer can be. Without him there’d be no Cash, no Prine, no Dylan. He was a cowboy troubadour, and a poet balladeer. He represents an almanac of work, a library of songs that documents the past, and inspires the future. My Dusty Road presents a rich history of early America, that can, of course, be hummed along too.

Wednesday, September 9, 2009

Woody Guthrie's MY DUSTY ROAD

I am not in the habit of making commercial announcements, but this release is an historic milestone,

My Dusty Road

From Bill Nowlin (Rounder)

Check out Woody Guthrie's MY DUSTY ROAD - Rounder's 4-CD set that is thankfully getting massive press, including a very rare 5-star review in Rolling Stone. It was my pleasure to have written some of the notes telling the story about how t...he masters for this album were found in the basement of a Brooklyn brownstone, where they have been for about 60 years. The sound quality is stunning. [end of advertisement! :)]

Woody Guthrie Woody Guthrie:
My Dusty Road, Released 08/25/2009


Released in coordination with the Woody Guthrie Archives, this 4 disc boxed set is the definitive edition of Woody Guthrie¹s mid-1940s recordings. The sound quality is superb, taken from newly discovered original metal masters. The set includes many of Woody's best-known songs, along with traditional material and collaborations with fellow guitarist Cisco Houston and harmonica player Sonny Terry. To complement and enhance enjoyment of the recordings, the discs are packaged in a replica of a vintage suitcase, complete with handle and latches. Inside the box are a full-color 68 page book that includes extensive notes and many rare or previously unpublished photos, as well as illustrations and illuminated lyric sheets by Guthrie himself. Also included are facsimiles of Woody's business card, a postcard sent from Florida to his wife, and a booking card from the 1940s.


Compact Disc: $75.99 (CDROUN1162 / 011661116221) Buy Compact Disc 75.99
My Dusty Road has 54 tracks:
WinMedia
1 This Land Is Your Land 02:44 N/A
2 Going Down the Road (I Ain't Gonna Be Treated This Way) 02:56 N/A
3 Talking Sailor 03:06 N/A
4 Philadelphia Lawyer 02:32 N/A
5 Hard Travelin' 02:38 N/A
6 Jesus Christ 02:41 N/A
7 The Sinking of the Reuben James 03:25 N/A
8 Pretty Boy Floyd 03:06 N/A
9 Grand Coulee Dam 02:09 N/A
10 Nine Hundred Miles 02:51 N/A
11 Going Down the Road (I Ain't Gonna Be Treated This Way) 2 02:57 N/A
12 My Daddy (Flies a Ship in the Sky) 02:33 N/A
13 Bad Repetation 02:50 N/A
1 Poor Boy 02:26 N/A
2 Worried Man Blues 02:01 N/A
3 A Picture From Life's Other Side 03:05 N/A
4 Buffalo Skinners 03:20 N/A
5 Hard Ain't It Hard 02:40 N/A
6 Stewball 03:27 N/A
7 Stackolee 03:01 N/A
8 Gypsy Davy 02:49 N/A
9 Little Darling Pal of Mine 02:54 N/A
10 What Did the Deep Sea Say? 02:59 N/A
11 Chisholm Trail 02:36 N/A
12 Put My Little Shoes Away 02:49 N/A
13 Will You Miss Me When I'm Gone? 02:33 N/A
14 John Henry 02:39 N/A
1 I'm Gonna Join That One Big Union (You Gotta Go Down and Join the Union) 02:29 N/A
2 Hangnot, Slipnot 02:32 N/A
3 Gonna Roll the Union On 02:37 N/A
4 The Ludlow Massacre 03:32 N/A
5 Sally Don't You Grieve 02:23 N/A
6 Harriet Tubman's Ballad part 1 03:24 N/A
7 Harriet Tubman's Ballad part 2 03:09 N/A
8 Tear the Facists Down 02:05 N/A
9 When The Yanks Go Marching In 02:42 N/A
10 You Can Hear My Whistle Blow 02:23 N/A
11 Union Burying Ground 03:05 N/A
12 You Gotta Go Down and Join the Union 02:43 N/A
1 Train Breakdown 02:31 N/A
2 Do You Ever Think Of Me (aka At My Window) 03:05 N/A
3 Guitar Rag 02:19 N/A
4 Square Dance Medley 03:50 N/A
5 Guitar Breakdown 02:20 N/A
6 Raincrow Bill 02:36 N/A
7 Ain't Nobody's Business 02:42 N/A
8 Stepstone 02:52 N/A
9 Ezekiel Saw the Wheel 02:42 N/A
10 Bile Them Cabbage Down 02:46 N/A
11 Danville Girl 03:42 N/A
12 Guitar Blues 02:55 N/A
13 Brown's Ferry Blues 02:45 N/A
14 More Pretty Girls Than One 02:16 N/A
15 Sonny's Flight 02:57 N/A

Tuesday, June 30, 2009

Celebrate Woody's 97th birthday!




...at one of these fine events!



Click here visit the Woody Guthrie Store and get 15% off your items!

Hey friends!

July 14, 2009 will be Woody's 97th birthday. We hope you can make it to some of these wonderful events celebrating his life & legacy!

All the best,
Anna Canoni

Events & Programs Director
www.woodyguthrie.org


January 24 - July 31 - TEXAS

It's Been Good To Know Yuh: Woody Guthrie in Pampa, 1929-1936 EXHIBIT
Curated by Woody Guthrie Archives Curator, Jorge Arevalo, this exhibit will illustrate how the years Woody Guthrie spent in Pampa, Texas, from age 17 formed the foundation of a life that was to influence the folk music genre for the generations to come. Family tragedy, the Depression and Dust Bowl years, and picking up a guitar and giving a voice to the plight of the American worker were the driving forces that guided Woody throughout his prolific, but too-short career.
Panhandle Plains Historical Museum
2503 4th Avenue
Canyon, TX 79015
T: (806) 651-2244
W: panhandleplains.org


June 19 - July 26 - TEXAS

Woody Guthrie's American Song
Theatre Three
2800 Routh Street
Dallas, TX 75201
W: theatre3dallas.com


July 8 - July 12 - OKLAHOMA

The Woody Guthrie Folk Festival
Okemah, OK
W: woodyguthrie.com


Some special programs:

Friday, July 10th at 10:00a:
Secrets of the Archives
presented by Tiffany Colannino
(Crystal Theater)

Saturday, July 10th at 10:00a:
Bound For Glory: The Legacy of Woody Guthrie
presented by
Anna Canoni
(Crystal Theater)

Sunday, July 11th at 3:00p: Collecting Woody, Take Three
presented by Barry Ollman
(Okemah Historical Society)


July 10 - 6:00p - NEW YORK

6th Annual Woody Guthrie Birthday Hootenanny
Mt. Zion Church at Reis Park
Located on the East side of Rt. 139 about halfway between Rt. 100 and Rt. 202 in Somers NY. The church is on the right as you enter the park.

Somers, NY
For more information, contact Scott Urgola
E: info@scotturgola.com


July 10 - 8:00p - NEW JERSEY

Woody Sez: The Words, Music and Sprit of Woody Guthrie
with David Lutken, Darcy Deaville, Helen Russell and Andy Teirstein
The Puffin Cultural Forum
20 Puffin Way
Teaneck, NJ, 07666
E: tix@puffinfoundation.org
W: puffinfoundation.org
Tickets: Suggested Donation of $15


July 12 - 1:00p - CHICAGO

The Woody Guthrie Folk Jam
The event is part of the Chicago Folk and Roots Festival sponsered by Old Town School of Folk Music.
Welles Park Gazebo
4400 Lincoln Avenue
Chicago, IL
W: markdvorak.com
W: Chicago Folk and Roots Festival website


July 12 - 7:00p-9:30p - NEW YORK

Woody Guthrie Birthday Bash: Round Robin Songfest
presenting Oscar Brand, Jessica Feinbloom, Robin Greenstein, Joel Landy, Anne Price, Steve Suffet, Gina Tlamsa, and Carlos Vazquez
Bowery Poetry Club
308 Bowery (between Houston & Bleecker Streets)
New York City
T: (212) 614-0505


July 14 - 7:00p-9:30p - MINNEAPOLIS

Woody Guthrie's Birthday Celebration
presenting Tony Glover, Pop Wagner, and Charlie Maguire
Gingko Coffeehouse
721 Snelling Avenue
N. Saint Paul
Minneapolis, MN
T: (651) 645-2647
E: mellojam@visi.com
W: charliemaguire.com
Tickets: $10 in advance, $12 at the door.


July 25 - 8:00p - NEW YORK

Woodstock Woody Guthrie Festival
Flames Of Discontent, Hope Machine, John O'Connor, Zenote Sompantle, poet Patti Martin, Dan Margolis of The People's Weekly World (speaking about Woody's role as a columnist for the Daily Worker) and Woody Guthrie's granddaughter, Anna Canoni.
Colony Cafe
Woodstock, NY
W: colonycafe.com

Saturday, April 11, 2009

Special Nora Guthrie Tour Announcement

Hey friends!

Nora's going on a short tour in Oklahoma and Texas next week! I hope you can make it out to these wonderful events.

All the best,
Anna Canoni
Programs & Events Director


OKLAHOMA
April 15, 2009 - 8:00p
The Live Wire Listening Party - A FREE EVENT!
Nora Guthrie hosts a live listening session of her 2008 Grammy award winning album, The Live Wire: Woody Guthrie in Performance followed by a discussion on the project.
The Blue Door
2805 N. McKinley
Oklahoma City, OK 73106
Venue website


TEXAS
April 17 - 20, 2009

IT'S BEEN GOOD TO KNOW YUH: WOODY GUTHRIE IN PAMPA, 1929-1936 EXHIBIT

"And there on the Texas plains right in the dead center of the dust bowl, with the oil boom over and the wheat blowed out and the hard-working people just stumbling about, bothered with mortgages, debts, bills, sickness, worries of every blowing kind, I seen there was plenty to make up songs about. . . . I never did make up any songs about the cow trails or the moon skipping through the sky, but at first it was funny songs or songs about what all's wrong, and how it turned out good or bad. Then I got a little braver and made up songs telling what I thought was wrong and how to make it right, songs that said what everybody in the country was thinking. And this has held me ever since."
- Woody Guthrie

This exhibit will illustrate how the years Woody Guthrie spent in Pampa, Texas, from age 17 formed the foundation of a life that was to influence the folk music genre for the generations to come. Family tragedy, the Depression and Dust Bowl years, and picking up a guitar and giving a voice to the plight of the American worker were the driving forces that guided Woody throughout his prolific, but too-short career.

.

WOODY GUTHRIE: WORDS AND MUSIC OF THE WORKING MAN SYMPOSIUM
We hope you join us for this special weekend long symposium on Woody Guthrie.

* April 17 from 7:00p - 8:30p
Nora Guthrie presents This Land Is Your Land: The Story of Woody Guthrie

* April 18 from 2:00 - 5:00p
Concert with Jimmy LaFave

* April 18 from 5:30 - 7:00p
Nora Guthrie presents Bound For Glory: The Legacy of Woody Guthrie

* April 19 from 2:00 - 5:00p
Concert with Josh Paulson, Cody Jasper, Andy Chase and James Davis

* April 20 from 5:30 - 8:00p
Film screening of Man In The Sand followed by A Conversation with Nora Guthrie

For more information on the Exhibition or Symposium, please visit the Panhandle Plains Historical Museum's website - www.panhandleplains.org.

Thursday, March 12, 2009

The Folkways Collection

The Folkways Collection
A podcast series from Smithsonian Folkways and CKUA Radio


This series of 24 one-hour programs explores the remarkable collection of music, spoken word, and sound recordings that make up Folkways Records (now at the Smithsonian as Smithsonian Folkways Recordings). The music of modern day giants like Bruce Springsteen, Bob Dylan, and Ani Difranco is interwoven with original Folkways recordings to demonstrate the lasting legacy that Folkways Records has on popular music. Recent and archival interviews with Pete Seeger, Woody Guthrie, Lead Belly, Mickey Hart, Studs Terkel, and others help reveal the remarkable human stories behind this equally remarkable collection. The series was produced by CKUA Radio in Alberta, Canada and originally aired in 1999.

To subscribe to the series, copy and paste this URL into your podcasting program.

Or download each episode as an MP3 file directly to your computer from the following list.

Episode 1: A Folkways Overture

The opening program in the series paints a broad canvas, presenting outstanding musical samples that reflect the strength and diversity of the Folkways collection. Included is a sampling of original and archival interviews with the many personalities featured throughout the series, including Pete Seeger, Mickey Hart, and more. This program also introduces the key themes explored over the 24 programs, such as the role of music in social activism.

Episode 2: Moses Asch: Man and Myth

This program examines Moses Asch, the founder of Folkways Records, and the influences which guided his choices in building the Folkways Collection. Among those interviewed for this program are Asch's son, Michael Asch Professor Emeritus of the University of Alberta; Asch's biographer, Peter Goldsmith of Dartmouth College, New Hampshire; and renowned folk singer Peter Seeger. Musical selections for this episode reflect works which Asch himself considered particularly significant or which had a profound bearing on his work.

Episode 3: Folkways: An American Canon

The third program in the series explores the Folkways collection in terms of its remarkable breadth and the fascinating way in which it was catalogued by Moses Asch. The program incorporates many and varied examples of the material Asch recorded over the years, ranging from field recordings of rural blues and folk music, to ethnic recordings from around the world, to 'soundscapes', to oral history, to recordings of the poets of the Beat era, to the studio recordings of Pete Seeger, Woody Guthrie, The Lost City Ramblers and Lead Belly.

Episode 4: The Anthology of American Folk Music Part I

This is the first of three programs which take an in-depth look at the Anthology of American Folk Music, an award-winning collection edited by Harry Smith as a commissioned project by Folkways, and recently re-released on Smithsonian Folkways. This episode focuses on the original material in the anthology and the process by which it was collected and published.

Episode 5: The Anthology of American Folk Music Part II

This is the second of three programs which take an in-depth look at the Anthology of American Folk Music. This episode tells the fascinating story of the life of film-maker, record producer and entrepreneur Harry Smith and his life-long musical odyssey, which took him across the United States and beyond.

Episode 6: The Anthology of American Folk Music Part III

This is the third of three programs which take an in-depth look at this award-winning collection compiled by eccentric record collector and folk historian Harry Smith. This episode examines the enduring legacy of the Anthology of American Folk Music, and features 'cover' versions of works found in the original Harry Smith collection.

Episode 7: Huddie Leadbetter (Lead Belly)

Huddie William Leadbetter was a convicted murderer who overcame adversity to establish himself as a music legend.In addition to his own compositions, Lead Belly was a living library of old European ballads, black work songs, southern ballads, blues and even cowboy songs. His own work included such popular favorites as "Goodnight Irene" and "Rock Island Line". In this program, we learn about the life and music of the man known as 'Lead Belly,' through Folkways recordings of his performances and both archival and contemporary interviews.

Episode 8: Woody Guthrie

An original folk hero, Woody Guthrie transformed the folk ballad into a vehicle for social protest. Guthrie wrote literally hundreds of songs, many of them now revered classics, including the unofficial anthem "This Land Is Your Land." He was also a major influence on music superstars such as Bruce Springsteen and Bob Dylan. Moses Asch, who recorded much of Guthrie's material, thought of Woody as nothing less than a full-blown genius. Program eight is devoted to a portrait of this giant in American folk music.

Episode 9: Blues

Among its other accomplishments, the Folkways collection captures significant developments in the evolution of the Blues as a dominant genre in American roots music. This program looks at key blues artists in the collection, including Lead Belly, Sonny Terry, Brownie McGhee, and Lightnin' Hopkins, and reviews musical examples from a variety of blues styles: tradition rural blues, piano blues and urban blues. Among the works incorporated in this program are selections from a Folkways blues anthology entitled Asch Recordings 1939-47, Volume 1: Blues, Gospel and Jazz.

Episode 10: Jazz

The Folkways collection is primarily regarded as a repository of folk music, but Moses Asch's appetite was eclectic if nothing else, and he was an early recorder of jazz music. A number of notable jazz recordings found their way into the collection. This Program explores the connections of a number of jazz greats, such as James P. Johnson and Mary Lou Williams, to the Folkways collection.

Episode 11: Country and Bluegrass

The Folkways collection captures the evolution of modern day country and bluegrass music through its field recordings of rural American music earlier in this century. The focus of this program is on the music and artists of the southern country and bluegrass genres; music from Tennessee, Kentucky and the Appalachians. Artists such as the New Lost City Ramblers, the Carter Family and Doc Watson are featured.

Episode 12: Pete Seeger

Born of a renowned musical family, Pete Seeger's name is synonymous with the post-War American folk music revival. A contemporary of and collaborator with Woody Guthrie, Pete Seeger casts his own long shadow over the folk music genre. This program overviews Seeger's life and music, including his work with Guthrie, and features recent interviews with Seeger and those who have known him well.

Episode 13: Music and the Winds of Change: The Labor Movement

This episode is the first of three programs which look at how Folkways artists have used music as an instrument for social activism. This particular program focuses on musicians whose songs inspired those struggling for improved working conditions and wages. The works of Woody Guthrie, Pete Seeger, and Cisco Houston, have all played a vital role in the labor movement, and we celebrate that history in this episode.

Episode 14: Music and the Winds of Change: The Civil Rights Movement

The second of three programs on music as an instrument of social activism, this episode pays particular attention to material in the Folkways collection which documents and reflects the civil rights struggle, especially through the ten year period between 1955 and 1965. The program draws on such Folkways albums as "Voices of the Civil Rights Movement (Black American Freedom Songs, 1960-1966) and an audio-verite recording of the 1963 civil rights march on Washington entitled "We Shall Overcome." Original interviews with Bernice Johnson Reagon of the SNCC Freedom Singers and one-time Black Panther activist Angela Davis blend with archival interviews from Smithsonian Folkways to recapture the spirit of the struggle and to provide contemporary context to its meaning.

Episode 15: Music and the Winds of Change: The Women's Movement

Moses Asch was committed to supporting and reflecting the struggle for equality by American women through a number of the artists featured on Folkways, among them Peggy Seeger. This Program reviews the material on this subject and features interviews with prominent contemporary female artists, reflecting on the contribution of Folkways to the women's movement.

Episode 16: Children's Music

One of the great treasures stored within the Folkways collection is the body of children's music recorded by such artists as Pete Seeger, Woody Guthrie and Ella Jenkins. The Program takes us on a voyage of joyful rediscovery, aided by the perspectives of Seeger, Jenkins and others.

Episode 17: Voices of History

A significant section of the Folkways collection is devoted to documentaries and oral history. This program gives the listener a sense of the remarkable material contained within these recordings and a sense of the foresight which Moses Asch demonstrated in preserving this material for future generations.

Episode 18: Music of the World

The phenomenal diversity of the Folkways collection becomes immediately apparent when one examines the field recordings of ethnic music which Moses Asch collected from around the world. In many respects, this body of work set the stage for the explosion of so-called 'world beat' and 'world fusion' music in the 1990's. This is the first of two programs dedicated to this subject, incorporating both original recordings from Folkways and modern examples of world music hybrids.

Episode 19: Music of the World II

This is the second of two programs dedicated to exploring Moses Asch's field recordings of ethnic music from around the world, incorporating both original recordings from the Folkways collection and more contemporary examples. This episode also includes interviews with some of the notable artists who have led the parade toward a truly global sound in music, such as Mickey Hart of the Grateful Dead.

Episode 20: The Poets

Poetry held a special place in Moses Asch's heart, and the Folkways collection includes original recordings of some of the most influential poets of our time, such as Allen Ginsberg, Langston Hughes and Leonard Cohen. This program reviews these unique artists--and many others--as captured on vinyl.

Episode 21: Subterranean Homesick Blues I

It seems almost everybody who was destined to become a somebody to the Beat Generation turned up in Greenwich Village in the late 1950s, and, of course, Moses Asch and Folkways were right in the thick of it. This is the first of two programs in the series dedicated to this fascinating era, revealing the personalities, rivalries and creations of some of the most influential people of the time: Bob Dylan, Joan Baez, and Phil Ochs, to name a few.

Episode 22: Subterranean Homesick Blues II

Greenwich Village in the late 1950s and early 1960s--the time and place has taken on the flavor of legend. This second of two programs focusing on the era looks at Folkways Records' documentation of the burgeoning folk music revival and the New York coffee house scene which led to the birth of the singer-songwriter genre.

Episode 23: Phil Ochs

For a time, Phil Ochs was considered Bob Dylan's greatest rival for the crown atop the politicized folk music movement of the 1960s. His life ended in tragedy; his downward spiral as an individual and as an artist coinciding with the increasingly confused and cynical mood of America in the late 60s and early 70s. This program examines the legacy of this great singer-songwriter.

Episode 24: Epilogue

This final program in the series revisits some of the great music and oral tradition of the Folkways collection and incorporates interviews with a variety of artists, biographers and music historians to place the Folkways collection in its proper historical context--at least as clearly as can be determined just fifty years after the Folkways label was born.