Showing posts with label Joey Abarta. Show all posts
Showing posts with label Joey Abarta. Show all posts

Saturday, December 28, 2013

Best local albums of 2013?

With all due respect to the Boston Globe's learned music critics Martín Caballero, Jon Garelick, Luke O’Neil, Matt Parish, and James Reed, are their selections...


....really the

"Best local albums of 2013"? 

Read the article here.
I see pop, I see hip hop, I see rock, (did I say I see pop?), but to paraphrase Clara Pella, "where's the Celtic / bluegrass / singer-songwriter / folk / jazz / classical", or any other music forms that have large followings in the greater Boston area?


Misters Martín Caballero, Jon Garelick, Luke O’Neil, Matt Parish, and James Reed completely missed it, folks. Here, in no particular order, are several local and extremely worthy Celtic, bluegrass and stringband albums that were released to much national acclaim in 2013 .


NOTLOB'S LOCAL CELTIC ARTIST ALBUM RECOMMENDATIONS:


Fellswater - "Thursday Night"



These are shapeshifters of the first order and yet they are truly always Fellswater, unshakeable in their identity. And seldom has such depth on either side of the pond emerged in strictly instrumental work.
Thursday Night refers to Fellswater's weekly get togethers to produce this sound as natural as it is skilled, and wonderful to hear.
Art Ketchen, Celtic Beat magazine

Fellswater's latest release is full of tight tunes and lush melodies that are sure to get your toes tapping!
If not, you should check your pulse!
Tim Larkin, Celtic Stew, 89.3 WUMD

Celtic music fans rejoice for there is no sophomore slump here!
A march-strathspey-reel-hornpipe medley on the penultimate track has the band at peak operating capacity, featuring dead-on pipes-whistle-fiddle unison for “Devil in the Kitchen” and Ketudat’s flourishes behind Phelps and Sarah MacConduibh on “Heat from the Furnace,” building to a solid finish.
Sean Smith, Boston Irish Reporter
Joey Abarta "Swimming Against the Falls"
Joey Abarta has spent the last ten years of his life touring North America, Europe, and Asia, teaching and performing music on the uilleann pipes. A Los Angeles native, he first received instruction on the pipes from Dubliner Pat D’Arcy, a founding member of the Southern California Uilleann Pipers Club.
His musical skills were further honed on several visits to Ireland, a year-long stint working in Japan, and continuing relationships with master pipers. In August of 2009, Joey’s accomplished playing won him an All-Ireland championship, placing second worldwide at the Fleadh Cheoil na hÉireann.
Currently based in Boston, Joey divides his attention between performance, teaching, and recording. In addition to performing solo, he tours with Mick Moloney and the group The Green Fields of America. While at home, he organizes the meetings of the Boston Pipers Club, teaches for Comhaltas Ceoltóirí Éireann's Boston Music School, and organizes various traditional music concerts and events in the region.


A new CD featuring the music from this year's Christmas Revels at Sanders Theater, Cambridge.Our musical journey in "The Road to Compostela" meanders through Spain, with a significant dip into Catalonia, but primarily it explores Galicia, home of the shrine at Compostela. Here we encounter stirring procssionals and swirling dances played on the gaita galega, the indigenous Galician bagpipe. We are transported to the 13th century by a devotional song to the Virgin Mary and a longing plea for a lover to return from the sea. An a capella chorus raises a Renaissance motet high into the arches of the cathedral. A lively band, anchored by guitar and harp and animated by tambourine and castanets, pulls us into boisterous village festivities. The fresh sound of children's voices can be heard in Christmas lullabies and carols. The rugged and generous spirit of the Galician people comes to life through traditional Nativity songs and rituals. The Road to Compostela: A Galician Christmas RevelsA new CD featuring the music from this year's Christmas Revels at Sanders Theater, Cambridge.Our musical journey in "The Road to Compostela" meanders through Spain, with a significant dip into Catalonia, but primarily it explores Galicia, home of the shrine at Compostela. Here we encounter stirring procssionals and swirling dances played on the gaita galega, the indigenous Galician bagpipe. We are transported to the 13th century by a devotional song to the Virgin Mary and a longing plea for a lover to return from the sea. An a capella chorus raises a Renaissance motet high into the arches of the cathedral. A lively band, anchored by guitar and harp and animated by tambourine and castanets, pulls us into boisterous village festivities. The fresh sound of children's voices can be heard in Christmas lullabies and carols. The rugged and generous spirit of the Galician people comes to life through traditional Nativity songs and rituals. A new CD featuring the music from this year's Christmas Revels at Sanders Theater, Cambridge.Our musical journey in "The Road to Compostela" meanders through Spain, with a significant dip into Catalonia, but primarily it explores Galicia, home of the shrine at Compostela. Here we encounter stirring procssionals and swirling dances played on the gaita galega, the indigenous Galician bagpipe. We are transported to the 13th century by a devotional song to the Virgin Mary and a longing plea for a lover to return from the sea. An a capella chorus raises a Renaissance motet high into the arches of the cathedral. A lively band, anchored by guitar and harp and animated by tambourine and castanets, pulls us into boisterous village festivities. The fresh sound of children's voices can be heard in Christmas lullabies and carols. The rugged and generous spirit of the Galician people comes to life through traditional Nativity songs and rituals. Our musical journey in "The Road to Compostela" meanders through Spain, with a significant dip into Catalonia, but primarily it explores Galicia, home of the shrine at Compostela. Here we encounter stirring procssionals and swirling dances played on the gaita galega, the indigenous Galician bagpipe. We are transported to the 13th century by a devotional song to the Virgin Mary and a longing plea for a lover to return from the sea. An a capella chorus raises a Renaissance motet high into the arches of the cathedral. A lively band, anchored by guitar and harp and animated by tambourine and castanets, pulls us into boisterous village festivities. The fresh sound of children's voices can be heard in Christmas lullabies and carols. The rugged and generous spirit of the Galician people comes to life through traditional Nativity songs and rituals. 

NOTLOB'S LOCAL BLUEGRASS AND STRING BAND ARTIST RECOMMENDATIONS:

The Deadly Gentlemen - Roll Me, Tumble Me!
Rounder Records
Rounder Records Has Released Our New CD: Roll Me, Tumble Me! American Songwriter Hosts Music Video Premiere!
Posted on  by Doctor Liszt
BOSTON — Thanks to everyone who came out to our CD release shows in NYC and Boston! The crowds were really inspiring, and it was great to see so many of our talented and wonderful friends.

The big day has come at last: Roll Me, Tumble Me is out on Rounder Records! You can find it at all the big retail outlets.
Our new music video for “Bored Of the Raging” has premiered on American Songwriter. Watch it in all its anarchic glory!You can also find it on YouTube.
Rounder is also offering a free song download of “Bored Of the Raging” for a limited time!








Della Mae - This World Oft Can Be
Rounder Records

On May 28, Boston-based quintet Della Mae will release their debut for Rounder, This World Oft Can Be.  The album, which was produced by Bryan Sutton and mixed by Paul Q. Kolderie (Radiohead, Hole, Dinosaur Jr.)  shows that like the Avett Brothers, Lumineers, and Punch Brothers, these five multitalented young women are respectful of American musical tradition, but not restricted by it, combining centuries’ worth of musical influences with an emotionally tough, undeniably modern songwriting sensibility.This World Oft Can Be’s 12 songs—including such engaging originals as “Empire,” “Paper Prince” “Maybeline” and the feisty title track—showcase the fivesome’s world-class instrumental abilities, lilting harmonies and subtly commanding lead vocals.  Although the musicians’ sublime skills have already won them numerous individual honors, the album’s focus is squarely on the band’s emotionally potent songs and spirited, effortlessly expressive performances.“The identity that we’ve developed as a band is a melting pot of our different personalities and backgrounds,” asserts founder Kimber Ludiker. After having the idea at a summer festival, Kimber hand picked musicians from all over the country: singer Celia Woodsmith comes from a blues/rock background, guitarist Courtney Hartman studied at Berklee College of Music, bassist Shelby Means played with various bands in Nashville, and mandolin player Jenni Lyn Gardner was schooled in traditional bluegrass. Della Mae’s members hail from all over the United States, and the five women each bring impressive musical resumes amassed in their previous ventures.Della Mae recorded This World Oft Can Be at Cash Cabin Studio, Johnny Cash’s former recording base, in Hendersonville, Tennessee. In addition to absorbing the studio’s inspirational vibes, Courtney Hartman played June Carter Cash’s vintage 1933 Gibson L5 Round Hole guitar on “Some Roads Lead On,” while Ludiker had the honor of borrowing John Hartford’s custom carved fiddle on “Letter From Down The Road.”In addition to playing festivals and clubs throughout the United States, Della Mae recently expanded the scale of its touring efforts after participating in the U.S. State Department’s American Music Abroad program.  Selected as cultural ambassadors, the band spent 43 days traveling in Pakistan, Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan, where they collaborated with local musicians, taught educational programs for children, and played concerts for local audiences.“It’s been a life-changing experience for us, individually and as a band,” Ludiker says of the tour. “A cool thing about playing music in Central Asian countries is in the lack of distinction their audience places between musical genres.  We found that if music is played with feeling, all people connected to it. They find themselves smiling and relating without even understanding the language.”Indeed, Della Mae demonstrates how effectively music builds bridges and transcends artificially constructed borders, whether they’re national or genre-based.



Sarah Jarosz - Build Me Up From Bones
Sugar Hill Records

A recent graduate from the prestigious New England Conservatory, she will release her third album, Build Me Up From Bones, for Sugar Hill Records on September 24th. Over the past four years, Jarosz, who musically fits comfortably where contemporary folk, Americana and roots music intersect, has covered a remarkable amount of ground thus far. She has toured the United States extensively, as well as Canada and the UK, taped Austin City Limits and the BBC Series The Transatlantic Sessions and appeared on A Prairie Home Companion. Her two previous records (Song Up In Her Headand Follow Me Down) received high praise from outlets includingRolling Stone, New York Times, USA Today, Paste, Mojo, Acoustic Guitar and American Songwriter, and she has received multiple Grammy and Americana Music Association nominations.

Aoife O'Donovan - Fossils
Yeproc Records

Long the face of Boston-based alt-bluegrass outfit Crooked Still, Aoife O'Donovan – also a member of female folk trio Sometymes Why – is finally striking out on her own. The tender-voiced 30-year-old, who in recent years has collaborated with members of the Punch Brothers and world-renowned cellist Yo-Yo Ma and has written songs for Alison Krauss, will issue her long-awaited solo debut Fossils June 11th. Recorded over three weeks in Portland with producer Tucker Martine (My Morning Jacket, Neko Case), Fossils is a must-listen blend of bluegrass, folk and back-porch Americana, highlighted by the wistful "Red & White & Blue & Gold."

Rolling Stone

These albums certainly are on Scott Alarik's radar! We miss you, Scott!

By the way Mr. Martín Caballero, Jon Garelick, Luke O’Neil, Matt Parish, and James Reed, the last three albums have been nominated for GRAMMIES® 

Tuesday, April 9, 2013

notloB Parlour Concerts presents Joey Abarta, Paddy League and Jackie O'Riley, with special guest Nathan Gourley!



notloB Parlour Concerts presents

Friday, May 17
Doors 7:30, Concert 8:00
Loring-Greenough House, 12 South Street, JP 02130
Suggested donation $15-20+
+$1 preservation fee that goes to the Loring-Greenough House
reservations strongly suggested - notlobreservations at gmail dot com

Joey Abarta, Paddy League 
and Jackie O'Riley,
with special guest Nathan Gourley! 

Traditional Irish music on the uilleann pipes, supported by Greek bouzuki and old style step.




Joey Abarta has spent the last ten years of his life touring North America, Europe, and Asia, teaching and performing music on the uilleann pipes. A Los Angeles native, he first received instruction on the pipes from Dubliner Pat D’Arcy, a founding member of the Southern California Uilleann Pipers Club. His musical skills have been further honed by several visits to Ireland, a year-long stint working in Japan, and continuing relationships with master pipers. In August of 2009, Joey’s accomplished playing won him an All-Ireland championship, placing second worldwide at the Fleadh Cheoil na hEireann. Currently based in Boston, Joey divides his attention between performance, teaching, and recording. In addition to performing solo, he tours with Mick Moloney and the group The Green Fields of America; while at home, he organizes the meetings of the Boston Pipers Club, teaches for Comhaltas’ Boston Music School, and organizes various traditional music concerts and events. His debut solo album is due out this June.
http://joeyabarta.com/

Paddy League's
 intuitive accompaniment style — on bodhran, guitar, and bouzouki — provides irresistible rhythm and a distinctive traditional sound. With a life-long passion for both Irish and Greek traditional music, Paddy is a multi-instrumentalist who is also influenced by many of the world’s vernacular and art music traditions, from the Mediterranean to Brazil. He exhibits vitality and a natural touch on every instrument, and an exceptional ability to respond to often hidden nuances in a tune. His renderings of traditional songs, along with many of his own instrumental compositions, highlight his multi-faceted musicianship and bring great variety to his music. Paddy has performed extensively throughout North America, Brazil, Greece, Cyprus, Turkey, and Europe, and been featured on over one hundred recordings.

Jackie O'Riley
 began Irish set dancing as a teenager in the Boston area. She has gone on to study traditional step dancing and sean-nós dancing with Kieran Jordan and with a variety of teachers in workshop settings in the US and Ireland. She studied abroad at University College, Cork where she spent much time set dancing and learning traditional steps. This past summer she attended the Blás summer school at the Irish World Academy of Music and Dance at the University of Limerick. She has performed in "A Christmas Celtic Sojourn," “A Saint Patrick’s Day Celtic Sojourn,” “Celebrate!” at the JFK Library and Museum, and has choreographed and performed in the Boston Celtic Music Festival. She has been teaching non-competitive step dancing and Irish social dancing for the past two years. 

Fiddler Nathan Gourley hails from Madison, Wisconsin, where he grew up in a musical family that often traveled to folk and fiddle festivals across the country. Now based in the Twin Cities, Nathan puts his passion for Irish music into practice as a member of The Máirtín de Cógáin Project, The Doon Ceili Band, and O’Rourke’s Feast. He can also be found at the MSP airport en route to many yearly excursions to Ireland, New York, Chicago and other hotbeds of traditional Irish music.


Monday, September 24, 2012

Gaelic Roots Events at Boston College, Fall 2012

Received from Elizabeth Sweeny by email and also shared in NEFolk (Yahoo) and and Celtic Music in New England (Facebook).


Center for Irish Programs, Boston College
Gaelic Roots Music, Song, Dance, Workshop, and Lecture Series

Series Director: Séamus Connolly, Sullivan Artist-in-Residence

Fall 2012 Calendar: http://www.bc.edu/gaelicroots


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Tuesday, September 25 – 2101 Commonwealth Avenue, Brighton (Brighton Campus)
6:30 to 8:30 p.m.
Joey Abarta and Paddy League: Irish music on uilleann pipes and bouzouki.


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Joey Abarta, whose debut solo album is due out this fall, tours with Mick Moloney and the group The Green Fields of America, teaches at the local music school of the Irish cultural association Comhaltas Ceoltóirí Éireann and organizes various traditional music concerts and events. Accompanying Abarta will be multi-instrumentalist, composer, and educator Paddy League.

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Tuesday, October 23 – Gasson Hall Irish Room (Chestnut Hill Campus)
6:30 to 8:30 p.m.
Traditional Irish Dance and Céilí, directed by Kieran Jordan, with music by Sullivan Artist-in-Residence Séamus Connolly, Michael Tubridy, and friends, with music and dance performances by Boston College students.


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Séamus Connolly and Michael Tubridy will be the featured musicians at a participatory Irish dance and céilí evening, co-organized by Kieran Jordan, TCRG. In 1962, Tubridy was a founding member of The Chieftains, one of the most celebrated Irish bands of the past five decades. His prowess on flute, whistle and concertina was a hallmark of the group, which he left in 1979 to resume his career as an engineer. He continues to be active in traditional music circles as a teacher and performer.  Joining Connolly and Tubridy will be Boston’s own Brendan Tonra on fiddle and piano accompanist Helen Kisiel. Tonra and Kisiel are co-producing a children’s book and recording, Three Ducks and a Goose, based on an original composition by Brendan Tonra, with recorded dance steps by Kieran Jordan.

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Thursday, November 1 -- Gasson Hall Irish Room (Chestnut Hill Campus)
6:30 to 8:30 p.m.
Irish music on whistle, accordion, guitar and vocals:  concert featuring Kathleen Conneely, Dan Gurney & Eamon O'Leary.
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Conneely is a widely-respected musician and teacher who has often appeared at Boston College. She has recently released her first solo CD, The Coming of Spring. Gurney, who lived in Boston while attending Harvard University, has released a well-received solo album: Dan Gurney -- Traditional Irish Music on the Button Accordion. Dublin native O’Leary is a multi-instrumentalist who has been part of the thriving New York City Irish music scene for the past two decades.

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Wednesday, November 14 – Gasson Hall Irish Room (Chestnut Hill Campus)
7:30 to 9:30 p.m.
Between Worlds: Concert by Mícheál Ó Súilleabháin, piano; with string quartet and Sullivan Artist-in-Residence Séamus Connolly.

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Gasson Hall will be the setting for the concert “Between Worlds” featuring compositions by Ó Súilleabháin, who will perform with Connolly and a string quartet. In addition to composing, arranging, and teaching, Ó Súilleabháin is widely acknowledged as having originated a unique Irish piano style out of an Irish traditional base. While a visiting professor at Boston College in 1990, Ó Súilleabháin organized the “My Love Is in America” fiddle festival that laid the groundwork for Irish music activities at the university. His recorded interviews of musicians at the festival, along with other recordings of the event, inaugurated what is now the university’s Irish Music Archives.

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Wednesday, December 5 -- Walsh Hall Function Room (Chestnut Hill Campus)
6:30 to 8:30 p.m.
A Christmas Gathering: Irish Music, Songs, and Stories, featuring Gabriel Donohue & Marian Makins, with Sullivan Artist-in-Residence Séamus Connolly and Boston College students.

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The resume of singer and multi-instrumentalist Gabe Donohue includes performances with Eileen Ivers, Cherish the Ladies and The Chieftains. Marian Makins was trained in classical and popular vocal styles, and in recent years has emerged as a gifted traditional-style singer in Irish and English. Also appearing will be Connolly and students from the Boston College Irish music classes.

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The above events are free and open to the public.  All events are subject to change. For more information, please e-mailirish@bc.edu or call 617-552-6396.

For directions see http://www.bc.edu/gaelicroots . Campus parking guidelines are available at http://www.bc.edu/content/bc/offices/transportation/visitor.html

Inclement weather: visit http://www.bc.edu/bcinfo for updates on weather-related closings on campus.

Event descriptions are provided by the Office of News and Public Affairs and the Irish Music Center of Boston College.

The Burns Library Irish Music Center offers selected video clips of Gaelic Roots events on its YouTube channel:http://www.youtube.com/user/BurnsLibraryIMC