Showing posts with label NEFMA. Show all posts
Showing posts with label NEFMA. Show all posts

Thursday, March 11, 2010

New England Folk Music Archives awarded $15,000 from Grammy Foundation


New England Folk Music Archives — Cambridge, Mass.

Awarded: $15,000

The Archive’s goal is long-term preservation, cataloguing, storing, and dissemination of historic Club 47's most fragile reel-to-reels of live performances and field recordings (1958–1963) and related oral histories on audiocassettes (1990–2007). This unique collection contextualizes the New England music scene and its influence on the mid-20th century folk revival. www.newenglandfolkmusic.org


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For Immediate Release

NEWS RELEASE



GRAMMY FOUNDATION® GRANT PROGRAM AWARDS $100,000 IN GRANTS FOR MUSIC RESEARCH AND SOUND PRESERVATION


Funds Will Provide Support For Archiving And Preservation Programs And Research Efforts
That Investigate The Impact Of Music On Human Development



SANTA MONICA, Calif. (March 10, 2010) — The GRAMMY Foundation® Grant Program announced today that $100,000 in grants will be awarded to nine recipients in the United States, Canada and the Dominican Republic. Funds will be given to help facilitate a range of research, archiving and preservation projects on a variety of subjects including: investigating links between pre-school children's rhythm ability and their pre-reading skills; completing the preservation and digitization of the world's most complete collection of commercially recorded Mexican-American vernacular music; and creating a preservation plan for the collection of recordings of Roy Harris, a renowned 20th century American classical music composer. A complete list of grant awards and projects is attached. The deadline each year for submitting letters of inquiry is Oct. 1. Applications for the 2011 cycle will be available at www.grammyfoundation/grants in June 2010.



"Over the past 23 years, our GRAMMY Foundation Grant Program has supported an extraordinary range of projects," said Neil Portnow, President/CEO of The Recording Academy® and the GRAMMY Foundation. "What is equally significant to the range of research, preservation and archiving activities that we have supported is the ongoing need for resources to safeguard our cultural legacy and fund new discoveries at the crossroads of music and science. The Recording Academy and the GRAMMY Foundation are proud of our commitment to this important work."



The GRAMMY Foundation Grants Program is generously funded by The Recording Academy. To date, the Grant Program has awarded $5.4 million to more than 250 noteworthy projects. The Grant Program provides funding annually to organizations and individuals to support efforts that advance the archiving and preservation of the recorded sound heritage of the Americas for future generations, as well as research projects related to the impact of music on the human condition. In 2008 the Grant Program expanded its granting categories to include planning grants for individuals and small- to mid-sized organizations to assist collections held by individuals and organizations that may not have access to the expertise needed to create a preservation plan. The planning process, which may include inventorying and stabilizing a collection, articulates the steps to be taken to ultimately archive recorded sound materials for future generations.



The GRAMMY Foundation was established in 1989 to cultivate the understanding, appreciation and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimagined musical breakthroughs of future generations of music professionals. The Foundation accomplishes this mission through programs and activities that engage the music industry and cultural community as well as the general public. The Foundation works in partnership year-round with its founder, The Recording Academy, to bring national attention to important issues such as the value and impact of music and arts education and the urgency of preserving our rich cultural heritage. For more information, please visit www.grammyfoundation.com.



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2010 GRAMMY Foundation Grant Program

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Established in 1957, The Recording Academy is an organization of musicians, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards — the preeminent peer-recognized award for musical excellence and the most credible brand in music — The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs. The Academy continues to focus on its mission of recognizing musical excellence, advocating for the well-being of music makers and ensuring music remains an indelible part of our culture. For more information about The Academy, please visit www.grammy.com. For breaking news and exclusive content, join the organization's social networks on Facebook (www.facebook.com/thegrammys), MySpace (www.myspace.com/thegrammys), Twitter (www.twitter.com/thegrammys), and YouTube (www.youtube.com/thegrammys).



Preservation Implementation

Arhoolie Foundation — El Cerrito, Calif.

Awarded: $10,000

The Frontera Collection is the world's most complete gathering of commercially recorded Mexican-American vernacular music. Recognizing the historical value of this one-of-a-kind collection, the Arhoolie Foundation, in partnership with the UCLA Digital Library, has successfully preserved, digitized, and created public access to more than 50,000 individual performances captured on 78 rpm and 45 rpm records. 12,000 45s are still in urgent need of preservation. The project's goal is to ensure the long-term survival of this unique cultural asset. www.arhooliefoundation.org



Center for Black Music Research, Columbia College — Chicago

Awarded: $15,000

This project will digitize, archive, preserve, and make available to the public 142 audio cassettes (194 hours) containing in-depth interviews with 100 important Jamaican studio musicians, arrangers, and vocalists. The interviews feature the musicians who created the genres of ska, rocksteady, and reggae during the '60s and '70s, and reveal in great detail how these new forms actually emerged and what their creators thought about the creative process. www.colum.edu/cbmr/



New England Folk Music Archives — Cambridge, Mass.

Awarded: $15,000

The Archive’s goal is long-term preservation, cataloguing, storing, and dissemination of historic Club 47's most fragile reel-to-reels of live performances and field recordings (1958–1963) and related oral histories on audiocassettes (1990–2007). This unique collection contextualizes the New England music scene and its influence on the mid-20th century folk revival. www.newenglandfolkmusic.org



Preservation Planning

California State University, Los Angeles Foundation — Los Angeles

Awarded: $5,000

This project will create a preservation plan for recordings in the Roy Harris Collection housed in the John F. Kennedy Memorial Library at California State University, Los Angeles. Roy Harris is one of the 20th century's two or three most prominent American classical music composers. Among the Collection's recordings are 300 to 350 audio cassettes. These personal recordings are of high historical value, showing the process of composition, and may include previously unpublished works. www.calstatela.edu



Centro Cultural Eduardo León Jimenes — Santiago, Dominican Republic

Awarded: $5,000

This collection holds all recordings folklorist Fradique Lizardo (1930-1997) made during four decades of fieldwork. The breadth of his work is unmatched; the collection is likely the largest of its type held in the Dominican Republic. The project's aim is to determine the collection's conservation status, contents, and copyright status. Final outcomes will include a conservation report, digitization and access plan, and preparation of a preservation implementation grant. www.centroleon.org.do



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2010 GRAMMY Foundation Grant Program

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Lower East Side Tenement Museum — New York

Awarded: $5,000

The Lower East Side Tenement Museum seeks to analyze the audio holdings in its archive to determine their content and current state of preservation, and create a sustainable plan for the long-term maintenance and playback of the collection. The Museum will fully catalogue its audio materials by collecting information about each recording, and work with an audio preservation consultant to ensure its audio holdings are properly converted and stored. www.tenement.org



University of the Pacific — Stockton, Calif.

Awarded: $5,000

The project will conduct a preservation assessment and develop a preservation plan to guide the conservation and digitization of endangered audio and video tapes of legendary jazz musician Dave Brubeck as part of the Dave Brubeck Collection. www.pacific.edu



Research



McGill University — Montreal, Quebec

Awarded: $20,000

This project will use music and brain imaging tools to study auditory perception and brain differences in young adults ages 18 – 30 with autism. As a non-verbal tool, music is a unique means to study autistic individuals, who often have language impairments. This research may lead to the development of novel auditory musical-based intervention programs to improve social functioning in people with autism. www.bic.mni.mcgill.ca/~hydek/



Tufts Center for Reading & Language Research — Medford, Mass.

Awarded: $20,000

This study will investigate links between pre-school children's rhythm ability and their pre-reading skills, with a goal of determining the relationships between rhythm skills and predictors of later reading achievement. The study's long-term goals are to use pre-school rhythm ability measures to predict future reading disability and to use music training to bolster reading acquisition and as an early intervention for reading disability. www.ase.tufts.edu/crlr/



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Friday, February 5, 2010

A benefit concert for the New England Folk Music Archives

notloB Folk Concerts

presents

A benefit concert for the

NEW ENGLAND FOLK MUSIC ARCHIVES

The New England Folk Music Archives preserves, promotes and documents the ongoing cultural legacy of folk music and its connections to New England through education, collaboration and entertainment.



SAM WEISER

Featuring:
Sam Weiser on violin & viola,
SONiA Guitar and Vocals,
Phoebe Hunt Violin and Vocals,
Seth Kibel on Clarinet and Saxaphone,
Laura Cerulli on percussion,
Saso Sver on Guitar and Mandolin
and Nathaniel Smith on Cello

Friday, February 12

Doors open 7:30pm
Concert 8:00 pm

General Admission $15.00

Tickets ~ http://www.brownpapertickets.com/event/95538

Proceeds from this concert help support The New England Folk Music Archives and its programs.

Production coordinated by notloB Folk Concerts

Fifteen-year-old Sam Weiser began playing the violin at three. By ten, Sam was concertmaster and soloist at the Norwalk Youth Symphony. He is the first Manhattan School of Music pre-college student to double-major in classical and jazz violin. He studies classical violin with world-renowned educator Patinka Kopec and jazz violin with Sara Caswell. Sam was the 2008/2009 recipient of the Daniel Pearl Memorial Violin, honoring the journalist and musician murdered in Pakistan in 2002, and was honored to be an emissary for music as a universal communication between all people. Sam was also the 2009/10 winner of the National American String Teachers' Association Alternative Styles Award.

Sam attended his first Mark O'Connor Fiddle Camp in Nashville in 2002, where he was introduced to string music of multiple genres. His exposure to the variety, talent and vitality there began an artistic journey that frees him to embrace all music on the violin without boundaries. He has continued to attend O'Connor's camps ever since, and has made lasting friendships and created deep musical bonds there with world-famous instructors and musicians of all ages, backgrounds and interests. Sam also performs with Mark in the American String Celebration Tours and at fundraisers for the camps.

Sam met Grammy® nominee and world music artist SONiA of disappear fear on the FODfest (Friends of Danny Pearl) tour in 2008, along with many other talented musicians who donate their time. After just a few shows, Sam and SONiA bonded musically and personally. Sam wanted to record a CD to raise money for charity, and was thrilled to have SONiA help translate the diverse genres of music he hears in his head into reality. Sam signed with disappear records, and his debut CD, 'Sam I Am', will be released Feb 16, 2010. Guest artists on the CD include Phoebe Hunt of Belleville Outfit, Sara Caswell of The Caswell Sisters, Mike Block of the Mike Block Band/ Appalachia Waltz Trio, Lulo Reinhardt of the Lulo Reinhardt Project (Django Reinhardt's great-nephew), and Dennis Chambers of Santana and SONiA of disappear fear. All profits will go to the Daniel Pearl Foundation and FODfest.

Sam is a tenth grade honors student. He is a fanatic Mets fan, a NY Giants lover, a crazed Madden game aficionado and a rabid fantasy football and baseball team enthusiast. He is also a Fishman-endorsed artist, the youngest ever, and only uses Fishman pickups and amplification equipment.

Sam Weiser's Instruments: Violin, 5 String Wood Viper Electric Violin, 2009 artisan-made Jonathon Cooper 5 String Viola, David Segal Viola, Mandolin, Guitar.

More info / purchase tickets at
http://www.newenglandfolkmusic.org/EVTSamWeiser.html

Artist's website: http://www.myspace.com/samweisermusic
notloB Folk Concerts
Bringing traditional American, Canadian, British, and Celtic folk, folk revival, world, blues, roots and bluegrass/newgrass music toArlington, Boston, Grafton, Newton & Somerville.






"In this era of pop-driven acoustic music, notloB is keeping the folk tradition alive." ~ Jack Hardy