Showing posts with label Worcester. Show all posts
Showing posts with label Worcester. Show all posts

Wednesday, March 12, 2014

Worcester Art Museum to Host Country Blues Summit, 3/30

Big Jon Short is the man behind the Worcester Art Museum's Country Blues Summit, featuring some of the genres' top artists, including Blues Music Award winning duo Paul Rishell and Annie Raines, acoustic blues icon and 12 string guitar master Paul Geremia, 2012 Boston Music Award winner Erin Harpe, Marylou Ferrante, Big Jon Short and Zack Slik

Sunday, March 30:
11:30-12:30 - Renaissance Court - Big Jon Short and Zack Slik
12:00-1:30 - [remastered] - Marylou Ferrante
1:00-2:30 - Renaissance Court - Erin Harpe
2:00-3:00 - [remastered] - Paul Geremia
3:00-4:30 - Renaissance Court - Paul Rishell and Annie Raines

This is part of the KNIGHTS MUSIC FESTIVAL which features electric blues Friday night and Saturday and country (acoustic) blues on Sunday,
When: Friday March 28, Saturday March 29, Sunday March 30, 2014
Where: Worcester Art Museum, 55 Salisbury Street, Worcester, MA 01609 

See the full schedule at http://www.worcesterart.org/




Thursday, December 6, 2012

The Last Waltz of In the Tradition


After nearly three years producing and hosting "In the Tradition" on community radio WCUW, Worcester, Massachusetts  I will be moving on. It has been a pleasure presenting, both live in studio and by telephone, many artists who I have become personal friends. Tonight I'll be playing their music for the last time. Until I land somewhere else, that is. 

Read full details and view three years' worth of program history on the program's blog at ... 

In the Tradition 12/11 - The Last Waltz




I expect a few calls from past guests "In the Tradition" has been proud to support. Confirmed so far... Si Kahn, Darol Anger, Gerry Katz (Boston Bluegrass Union), Sean Smith (BCMFest), Maggie MacKay (Chasing Blue) ..... more are being added, and no doubt there will be surprises.

Tune in:
WCUW - 
91.3fm / streaming at wcuw.org / live365 app
Tuesday, 12/11/12, 7-9pm eastern.

So long, it's been good to know ya!

p.s. I will be maintaining the In the Tradition facebook page, keep in touch!

Tuesday, May 4, 2010

FCC Warning to Worcester Unlicensed Station Is Indicator of Big New England Pirate Scene

Originally published to Radio Survivor ~ http://www.radiosurvivor.com/2010/04/27/fcc-warning-to-worcester-unlicensed-station-is-indicator-of-big-new-england-pirate-scene/ ~ on 4/27/10

FCC Warning to Worcester Unlicensed Station Is Indicator of Big New England Pirate Scene

Flava 105.5

Worcester, Massachusset’s unlicensed Flava 105.5 has received some mostly positive press coverage recently for its focus on underserved Caribbean populations in the area. Probably not coincidentally, about two weeks after it appeared in the local newspaper the FCC issued the station a Notice of Unlicensed Operation (NOUO) ordering it to cease broadcasting immediately.

In a follow-up story reporting on the Commission’s action that appeared in the News Telegram on Saturday the station’s general manager said that “We’re no longer on the air. … We’re not in business.” However, the paper’s reporter noted that the station was still on the air as of Friday night.

Every FCC field office prioritizes unlicensed stations differently. Sometimes a station operating as openly as Flava 105.5 might go unbothered for months. Other times the Commission will act quickly once a station gets noticed. A significant variable in this is how loudly local licensed broadcasters complain and bug the FCC.

In this case it looks like the Boston field office has been hitting unlicensed stations all over its geographic area of responsibility since February. Scanning over the Enforcement Bureau’s recent field actions it looks like quite a few Massachusetts stations were on the radar. The Boston field office issued NUOUs to another Worcester station, along with stations in Hartford, Webster, Boston, Norwood, Boxford, two stations in Mattapan(1, 2) Springfield and three stations in Brockton (1, 2, 3). Additionally, the Boston field office sent NUOUs to four stations in Rhode Island and three in Connecticut over the same period.

In the first article on Flava 105.5 a local online radio director was quoted saying she’s “heard of a lot of Haitian radio stations popping up in the Boston area.” This pattern looks a lot like the unlicensed activity in the New York City and South Florida areas which also have significant Caribbean and Latino communities who are otherwise not well served by licensed stations, commercial or noncommercial.

I was actually surprised at the number of notices the Boston field office sent out this year (20!). That number alone represents a lot of unlicensed broadcasting. But if you take into account the likelihood that there are many other stations that haven’t been identified by the FCC or just haven’t been contacted yet, I’d say there’s a pretty big pirate scene going on in southern New England. The Commission doesn’t note the kind of programming aired on the stations it contacts. But just looking over the names of the persons identified in the notices there seem to be what look like a lot of Latino and Hatian names.

The takeaway from this is that there are still a lot of communities and groups who are not well served by licensed broadcasters, leading a significant number of people to take to the air without a license to fill the void. This is especially true in big metropolitan areas, like greater Boston, where low-power FM licenses have not been available in the densest population areas. I think it’s fair to say that even if LPFM licenses to become available there will not be enough to go around, and not much of a dent will be made in the number of unlicensed broadcasters.

Finally, I must note that all the Boston office has done is sent out warning letters that say the equivalent of “we’re pretty sure you’re broadcasting without a license and you better cut it out!” That letter alone is enough to scare a lot of unlicensed broadcasters off the air. But it’s a long way from the NUOU letter to a real fine, and then collecting the fine or taking a station off the air by police force.

While LPFM provided a very needed avenue for many different populations and communities to obtain broadcast licenses, the service is not and will not be enough to make up for the lack of diversity on the majority of the radio dial. While the FCC may have hoped LPFM would hold back the tide of pirate radio, a decade later there’s no evidence that happened. There may be fewer outwardly political pirates like Free Radio Berkeley, but that doesn’t mean today’s stations aren’t there for important reasons.