Showing posts with label Uncle Earl. Show all posts
Showing posts with label Uncle Earl. Show all posts

Wednesday, October 6, 2010

Uncle Earl w/ special guest Kellen Zakula, 10/7

Once in a blue moon notloB makes a concert recommendation. Thursday's moon over Cambridge will be blue.

UNCLE EARL 
with special guest Kellen Zakula.


Time - Thursday, October 7 · 8:30pm (doors 8:00pm).
Location - The Lizard Lounge, 1667 Mass. Ave. Cambridge, MA
Doors at 8pm. After-party/jam till 1am. Tix: $10 advance /$12 at the door. http://www.brownpapertickets.com/event/132399

Lizard's capacity is about 125. Be wise, buy your tickets today.

http://www.uncleearl.net/
http://www.myspace.com/uncleearl





By skillfully complementing their deep roots in traditional American music with new ideas, songs, and arrangements, the “all g’Earl” stringband Uncle Earl has emerged as one of the leading lights in the ongoing old-time renaissance. Now entering the band’s tenth year, longtime Uncle Earl members KC Groves and Kristin Andreassen are leading a new formation of the band that has influenced a remarkable new generation of old-time musicians. This year Uncle Earl will feature some of the most accomplished and engaging musicians in the American stringband scene, including fiddler Stephanie Coleman, banjo players Paula Bradley, Cassandra Jenkins & Rachel Eddy, and Uncle Earl alum Bryn "Bass Lady" Davies.

Founded in 1999 by vocalist, songwriter, and multi-instrumentalist KC Groves (mandolin, guitar, bass), Uncle Earl’s lineup evolved as the band’s musical boundaries expanded. Kristin Andreassen joined in 2003, contributing her perceptive original songs in addition to vocals, rhythm guitar, fiddle, ukulele, and clog dancing. Two self-released EPs lead to a contract with venerable folk label Rounder Records, for whom they recorded She Waits For Night with producer Dirk Powell and Waterloo, Tennessee, produced by Led Zeppelin’s John Paul Jones, who called the album “definitely one of the most enjoyable productions that I have ever been involved with.” Their albums, combined with the group’s infectious live shows, garnered rave reviews from such influential media outlets as the New York Times, Rolling Stone, Mojo, No Depression, The New Yorker, and Relix. Waterloo, Tenessee was named Folk Alliance Album of the Year in 2007.

Able to draw from a vast range of experiences, talents, and perspectives, the newest edition of Uncle Earl is versatile and powerful. Andreassen says "Everyone who plays with Uncle Earl has an exciting career in music outside the band as well. We come together to play because it's fun to keep this connection with friends and with the traditional music that's inspired us."

In the fall of 2009, Uncle Earl was selected by the prestigious Columbia Artist Management Inc. agency as the headlining band for their month-long American Revival tour. In 2010, the g'Earls toured Australia (March), Germany (May), and will make some limited summer festival appearances in the United States.

Saturday, July 11, 2009

Uncle Earl Personnel Change?

Although the g'earl's website still lists members as

uncle earl photo
Abby Kristin KC Rayna


....the Old Town School of Music, in its New Year's Eve concert announcement, states otherwise. Guess the long-anticipated personnel change is in effect, although not officially announced.

The very best of continued good luck to Abby and Rayna, and welcome Stephanie Coleman, and Paula Bradley.

By the way, there was something of a preview a few months back at Toad, when the "Spongy Cactus" lineup included Kristin, Stephanie, Jefferson Hamer and Charlie Rose in "under the radar" concert #1.

========================================

Thursday, December 31, 2009 | 7:00 & 10:30pm

Gary and Laura Maurer Concert Hall :: 4544 N Lincoln Ave.

Infamous Stringdusters & Uncle Earl

New Year's Eve Show!

$40 General Public/$38 Old Town School Members/$36 Seniors & Children

On sale to Old Town School members July 24th, to general public July 31st

BUY TICKETS ONLINE | BOX OFFICE: 773.728.6000


Ring in the New Year with two of the finest young acoustic roots bands on the road today – Uncle Earl and the Infamous Stringdusters. Bluegrass, old time, and top shelf stringband goodness are guaranteed with both groups having a barn burning track record in our concert hall. Uncle Earl will be flaunting their great new line-up of KC Groves, Kristin Andreassen, Stephanie Coleman, and Paula Bradley. Tickets to the midnight show include party favors and a champagne toast at midnight. This night is sure to be a celebratory hootenanny so plan to make a night of it! Fanciful dress requested but not required.

TheStringdusters.com
Infamous Stringdusters on MySpace
UncleEarl.net
Uncle Earl on MySpace


Wednesday, April 15, 2009

From Sam Bush

Hello!
I hope this finds all of you doing well!

I am writing to share a great Rolling Stone article with you in which Sam and Del McCoury weigh in on new bluegrass acts - Enjoy!

The New Bluegrass: 5 Acts to Watch

Feel free to comment here and at the Rolling Stone site. What a cool piece!


The Notlob connection?

Kristin Andreassen has appeared twice (once, as a part of Sometymes Why, on June 2, 2007 and once as a solo feature (with Laura Cortese, occasional Uncle Earl bassist), on February 9, 2008).

Uncle Earl segment

Full article

Way to go, G'earls!


Uncle Earl

Sound: Uncle Earl are a rarity in the bluegrass scene: an all-female quartet that adds Irish-style "clogging" to their live show and occasionally sing in Mandarin Chinese. Their latest record, Waterloo Tennessee, is their most ambitious yet, mixing traditional fiddle-powered jams ("Black-Eyed Susie") and rich four-part harmonies with countrified covers of classics (Bob Dylan's "Wallflower") and old-time ho-downs ("One True"). "We try to make songs that have a pop groove," says Andreassen. "So we'll trade up instruments a lot more than your typical old-time band."

Story: Uncle Earl had only been performing on the folk-music circuit for five months in 2006 when they scored an unlikely fan: Led Zeppelin's John Paul Jones, who caught the band's live set at the Rock Grass Festival in Colorado that summer. "We didn't have enough songs to play so we looked into the crowd for people who could jam with us," says Andreassen. "John was there and we were like, 'Come on up and play mandolin!' " Soon after, Uncle Earl headed into the studio to cut Waterloo, with Jones as a producer. "He wasn't trying to make us into a rock band," says Andreassen. "He acted more like a coach and made us feel confident."

Key Track: "Wish I Had My Time Again," a breezy, amped-up lament about doing time in the slammer.

Expert Opinion: "Those girls are really great musicians," says McCoury, who shared a bill with the group last summer in Cape Cod. "They're a cross between old-time music and bluegrass, you know? It's unusual, but I tell you they're doing it right."


Monday, March 2, 2009

Cover Lay Down covers Notlob


Joshua Farber has a nice shout-out in this morning's edition of "Cover Lay Down".

Those living in the Boston area would be well advised to keep an eye on the Notlob concert series, which is featuring many folks from this scene this year: Hannah Read will perform with the Folk Arts Quartet on April 11; both Emma Beaton and the Boston Boys, which feature some of the Berklee Bluegrass crowd, will appear on May 9.

Read the entire article here in a larger piece about local musicians (and Notlob alumna Kristin Andreassen, Ruthy Merenda, Aoife O'Donovan, Hanah Read, Emma Beaton and Eilen Jewell), as well as a call out of David Massengill, also a Notlobber.

Friday, June 1, 2007

Inaugural Concert: SOMETYMES WHY

Sometymes Why is a mesmerizing trio of modern-day sirens. Their vocal intensity, sparse arrangements, and passionate lyricism whirl into the air and cut a cyclone's path through the heart. Kristin Andreassen (of Uncle Earl), Aoife O'Donovan (of Crooked Still) and Ruth Merenda (of The Mammals) have honed their recipe for ruthless tenderness with utter disregard for conformity or convention. Their songs tell the secret tales of our own lives and beg us to believe in the power of revelation.

Ticket Price: $15 ($13 if reserved in advance by email to notlobmusic@gmail.com).

June 2, 2007. Doors 7:00pm, Concert 7:30pm.

Tune in to WGBH-fm Saturday afternoon at 4:30pm to hear "the girls" intervewed by Brad Paul - 89.7fm, streaming at www.wgbh.org