Showing posts with label Pat Monteith. Show all posts
Showing posts with label Pat Monteith. Show all posts

Wednesday, September 25, 2013

Whatever became of UMass Boston's WUMB's experiment to use student DJ's, or where are Felica Zhao, Colin Briggs, Jimmy Smith, Brittany Fernandes now?

At the tail end of former general manager Pat Monteith 25+ year reign (remember her? wonder whatever became of her, her disappearance was so abrupt and without ceremony...but we digress), UMass Boston's NPR radio affiliate, WUMB, instituted a program to train students to be evening DJ's. Apparently four made it through the training and went on air, albeit on a very short leash, having no say in the programming and just doing voice-overs for the songs normally selected by the music director for weekday play.

Read a period piece,

They call script reading talent?

on the WUMB website.
If the article has been sent down the memory hole, the October 13, 2011 article was captured and read here.

So where are Felica Zhao, Colin Briggs, Jimmy Smith, Brittany Fernandes now?
Why was the experiment aborted?
Why have no new student DJ's been trained/given air time?
Inquiring minds want to know, after all our tax dollars support UMass Boston.

"WUMBeatown" was written by an unattributed author for "The Mass Media, UMass Boston's Independent Student Newspaper," is copied in its entirity from
http://www.umassmedia.com/art_lifestyle/featured_stories/article_6c66f296-3cc0-11e1-a3d6-001a4bcf6878.html


WUMBeatdown

Nine students vying for your vote to DJ a new radio show
    Print
    Font Size:
    Default font size
    Larger font size
    Posted: Tuesday, October 11, 2011 8:47 pm|





    WUMB, the non-commercial radio station that operates in the bowels of our Healey Library, recently reached out to UMB students in the hopes of finding some fresh talent. Over 40 people auditioned in mid-September and now that number has been whittled down to nine students vying for the chance to host their own show.
    According to Pat Monteith, general manager of WUMB, there are two slots open for on-air talent; she also suggested that depending on the budget more students might be hired for behind-the-scenes jobs.
    Some students have voiced concern about the lack of airtime they have been given in the past at WUMB. In response to the question of whether this concern prompted the station to initiate the Talent Quest, Monteith said, "No, we've actually been trying for years. We used to have students on the air years ago."
    According to Monteith, UMB had a Radio Learning Program ten years ago that worked with the Communications department to get students involved in the radio station. A professor named Mark Schlesinger headed the now-defunct program, and when he left, "the whole program fell apart."
    Monteith said that WUMB had been keeping an eye out for someone internally who could properly train students. She also said, "I haven't seen any initiative from the university to try and help and give students credit or help them along the way. We can't take on the entire responsibility ourselves. "
    It is clear that proper training is not just suggested but necessary. In 2006 Congress passed legislation that allowed the Federal Communications Commission to raise the fine for on-air indecency from $32,500 to $325,000. That price would make a national station, never mind the regional WUMB, think twice about placing someone with no experience or training behind a live mike.
    Fortunately, one of WUMB's part-time staff employees has taught intro to radio classes at Boston University, among other schools. Albert Oram, better known by his on-air moniker Albert O, turned out to be the missing mentor for the UMB radio station.
    Finding the right person to teach what it takes to be on radio, coupled with the constant support for a student WUMB program from Vice Chancellor for Student Affairs Patrick Day as well as students, has allowed the Talent Quest to take shape. In fact, it was Vice Chancellor Day's idea to do an open competition looking for the students who would fill the newly available positions.
    So now with the talent found and being trained it comes time to decide not only who will host the show but what kind of music the show will play. WUMB has devised a way for the show to be an authentic UMB student representation.
    Students will vote online for which would-be DJs become the hosts. The candidates are in the process of recording demos that you'll be able to listen to online, and based on that you can vote for your favorite. The radio station has also collected a panel of about 30 students who volunteered to give their input on what type of music, out of the vast WUMB catalog, should be played.
    These efforts are sure to create a program that will be a representation of the varied student body at UMB. You can vote for the DJs at www.WUMB.org/TalentQuest. The show that one of our own peers will host is scheduled to air Monday through Thursday, 10 p.m. to midnight.
    For the record, the article invites reader comments...

    Welcome to the discussion.





    I submitted mine, asking questions such as "why is WUMB run as a professionally-staffed AAA format NPR affiliate, rather than as an independent college/community freeform station like its sisters WMUA (UMass Amherst), WUML (UMass Lowell) and WUMD (UMass Dartmouth). Apparently they were perceived as too radical or subversive by the censors, they were never approved for publication.
    Felica Zhao, Colin Briggs, Jimmy Smith and/or Brittany Fernandes, if you are reading this I'd love to hear about your WUMB DJ experiences.


    ...and by the way, why did GM Pat Monteith depart WUMB in so hastily a fashion?


    Read Missing Pat Monteith at WUMB  from the Patriot-Ledger, 5/4/12.
    Perhaps it is time for that publication to do a follow-up story, too.

    Tuesday, July 30, 2013

    George Knight Jumps Ship from WUMB to WERS


    Here's the announcement from WERS' Facebook page


    Liked · 2 hours ago

    WERS is EXTREMELY excited and proud to announce that this Thursday, August 1st, Boston radio veteran George Knight will officially be joining the WERS team, co-hosting our morning show weekdays from 6AM to 10AM!

    Make sure to tune in for George's first day on Thursday and tell us in the comments your favorite memories of listening to George on air!


    George's WUMB announcer profile has already been scrubbed, all that remin are

    Marilyn Rea Beyer
    Gail Gilmore
    Brendan Hogan
    Jay Moberg
    Albert O
    Dave Palmater
    Marcia Palmater
    Perry Persoff
    Sandy Sheehan
    Dana Westover


    The job George will be doing, from the Emerson employment website:
    Title: On-Air Host

    Department:

    requisition Number: FY11/120100STFF

    Position Summary:
    On-Air Host is responsible for hosting the WERS morning show Monday through Friday, partnering with Emerson student volunteer hosts on a rotating basis as determined by station management. The host is responsible for creating, directing and producing all local content aired during the morning show, not including music and news. However, host is responsible for airing music according to parameters prescribed by management. In addition to creating and airing content, the On-Air Host will assist with the training and mentoring of WERS students. Host is also expected to appear in public on behalf of WERS as assigned by management.

    If you are interested in applying for this position, you can apply for the position on our employment site at https://emerson.peopleadmin.com.

    Thank you,
    Human Resources
    Emerson College

    From http://radiodiscussions.com/smf/index.php?topic=238497.0
    George Knight To Join WERS For 6-10am
    « on: Today at 04:29:33 PM »
    Reply with quoteQuote

    George Knight (ex-WBOS-WKLB-WMJX and more recently at WUMB-FM and still hosting "Sunday Morning Over Easy" on WBOS) is joining WERS as the station's first professional on-air person. He'll be co-hosting weekday mornings starting August 1, 2013.

    Article linked here: http://www.emerson.edu/news-events/emerson-college-today/george-knight-joins-wers-team#.UfgfS8A3O6h

    + from The Globe: http://www.boston.com/yourcampus/news/emerson/2013/07/emerson_student-run_radio_station_hires_first_professional_host.html  
    At WUMB George proved time after time he is certainly capable of "airing music according to parameters prescribed by management..." !!!

    Might WUMB backfull the night shift with actual students? Don't hold your breath. Its experiment*, which happened in the waning days of Pat Monteith's reign, did not last very long. The student "on-air personalities", trained by Albert O, sounded like voice over automatons reading from prepared scripts describing music selected by WUMB management, certainly not themselves. OOPS, there's that "airing music according to parameters prescribed by management" again.

    What gives, WERS and WUMB students, are these not your college radio stations?
    Students, show some cajones! Take back YOUR radio stations!
    College radio should be of/by/for STUDENTS, not the administration!
    ---
    *


     

    Monday, May 7, 2012

    Montheith and Laurenti Out at WUMB


    Going back a week and a half or so, talk on the street that Pat Monteith was out as general manager of "Boston's NPR Music Station'" reached the internet last Thursday, first in "A new era?" in Fans of Former Folk Radio WUMB (Thursday, May 3, 2012 at 2:24pm). The rumor was substantiated in Steve Ide's blog entry titled "WUMB assures listeners that there are no plans to change its folk music format".


    In a related development, two sources on the same day reported John Laurenti had moved from WUMB to WODS.


    John Laurenti Joins Karen Blake For Mornings On WODS
    May 3, 2012 at 7:55 AM (PT)
    and
    CBS ADDS JOHN LAURENTI TO MORNINGS IN BOSTON
    5-3-2012






    Due to his AAA pop background, Monteith brough Laurenti to WUMB as music director to manage the transition from "Folk Radio WUMB" to the "music mix" format it adopted when it became Boston's third NPR affiliate.


    WUMB operates as a professionally managed and operated station under a broadcast licence granted to UMass Boston.


    Conspicuously missing. In Sue Scheible's blog article "

    Missing Pat Monteith at WUMB (Quincy Ma Patriot-Ledger, May 4, 2012) we read 

    But as a folk music friend from Cambridge noted: "By coincidence, I received my printed Member Newsletter today. Previously, there has always been a message from General Manager Pat Montieth on the front page, with news and updates.  This time, the message was "from the staff."  No mention of Pat anywhere. It seems to me that if she were really retiring, there would be tributes and farewells --  not silence."
    Indeed, when WUMB produced a tribute to Dick Pleasants at Sanders Theater, there was much hoopla. If Ms. Monteith's career was esteemed by the UMass administration, why was her departure veiled in secrecy and silence?


    The following images of wumb.org were made Monday, May 7.


    WUMB HAPPENINGS



    Farewell, Levon…
    April Centenaries, 2012
    A Tribute to Lowell George
    It's baseball time!
    Earl Scruggs - The Father of Bluegrass Music
    She Exemplifies International Women’s Month!
    Stuck in Traffic

    Thursday, January 6, 2011

    Yogurt has a live culture.

    Excerpt: "On the Fans of Folk Radio WUMB wall, member Carol Lashnits poses the observation and question: "It's wonderful that WUMB is honoring Dick Pleasants. I just wish that the money raised went to him and not to Pat's $7 million capital campaign. Doesn't that seem a bit unethical?"

    Low Down in Beantown is the latest entry in the continuing national saga of the milquetoastification of "public" radio and the acts of the corporate management thinking behind it.

    Low Down in Beantown



    The oblivious liberal might fall prey to being hornswoggled by the appeal posted here yesterday — that is, the plea to man the barricades and fend off the Republican hordes seeking to defund public media. After all, the website beseeched viewers, the raison d’être for said media is a focus on “quality local programs” and “a particular focus on the needs of underserved audiences.” When the laughter in Austin and Boston died down, it became clear that those underserved audiences no doubt referred to lovers of Triple A music — the Bob and Jack of FM radio.

    A recent gaucherie noted on the Facebook site of the Fans of Folk Radio WUMB, here, and passed on by Jeff Boudreau, serves to illustrate the savoir faire of the bean counters who’ve become the arbiters of “public” these days. The Facebook note — entitled “Doesn’t that seem a bit unethical?” — reads as follows:
    On the Fans of Folk Radio WUMB wall, member Carol Lashnits poses the observation and question: “It’s wonderful that WUMB is honoring Dick Pleasants. I just wish that the money raised went to him and not to Pat’s $7 million capital campaign. Doesn’t that seem a bit unethical?
    Dick has been a mainstay in Boston folk radio for 40 years, of late relegated to a two-hour shift on Saturdays on WUMB. The note quotes the WUMB website:
    Over the years, he has staunchly supported dozens (maybe even hundreds) of musicians and has encouraged the launch of dozens of folk music venues. Boston has a reputation as a great music city. Dick Pleasants is one of those individuals who helped create that image.
    For 40 years Dick has shared the music he loves with us. Many of his friends think it’s time for us to return that love. On Friday, January 7, 2011 at 7:00pm at Sanders Theater, several musicians and many of his friends will pay tribute to Dick in a one-of-a-kind, and once-in-a-lifetime celebration of a “really special guy” and “one of the most down-to-earth people you’ll ever meet.”
    Can you feel the love? Well, if you’re in the Boston area, you could have partaken of this lovefest for just $50 a pop, $100 if you felt you’re of the real special VIP sort and wanted to be seated up front and meet and greet Dick.
    But wait. There’s more. And it is special:
    You can use Facebook, Twitter, E-mail, or you can print out copies of this PDF of our 11″ x 17″ special full-color Hi-Resolution poster about the event and distribute it in your neighborhood.
    Wa-a-a-y down at the bottom is the one footnote: “Proceeds will benefit WUMB’s Capital Campaign, by naming a room after Dick Pleasants in the new WUMB Studios & Offices.” You just know it’ll be a very special room, too.
    And the author, in a nice turn of phrase, summed it up aptly:
    WUMB is not the only Boston-area radio station where Dick has spent his 40+ year career (others include WCAS and WGBH, but supported by that last sentence, it appears to be the only one willing to turn him into a marketable commodity. So, yes to Carol, we agree with your statement, but are not in the least surprised.
    Not surprised in Austin, either. After blithely hacking the hours of three free-form deejays and cutting their benefits, KUT suits brazenly dubbed them “Legends” and shamelessly hawked their names in the following fundraiser. This is de rigueur in public radio management nowadays. Perhaps one or two of the 24,000 passers-by stopping in here may have missed our oft-repeated witticism: the difference between these management types and yogurt? Yogurt has a live culture.

     ---
    posted with permission.

    Sunday, November 14, 2010

    Who is selecting WUMB's played artists and songs?



    An interesting discussion has started on NEFolknRoots.  It is based on this observation/question:

    UMB rumor

    I'm wondering if this is fact or fiction: Pat is doing all the music programming now and won't let JL have anything to do with it, even though he's the "Music Director." You can say what you will about him; however, I couldn't think of a more unqualified person than Pat to fill this role. Word is that she makes every decision regarding playlist (somewhat explain the clunkers). I'm not sure how long this has been going on, or again, if in fact it is true.

    Thoughts??

    Read the the original question and responses here (free registration is required).

    Friday, May 7, 2010

    Globe puff piece produces interesting reader comments


    Meg Griffin, walking one of her horses at Kittery Crossing Farm in Rowley. (Jim Wilson/Globe Staff)

    A recent Boston Globe "puff piece" about WUMB's newest "on air personality" has produced some very interesting and I am sure unanticipated reader comments (read the PR backfired) about the station's programming, policies and management. I attribute the volume and intensity to pent-up feelings by the dispossessed former fans of the former folk station due to lack of the Globe's lack of coverage ...

    The departures of Brian Quinn and, more recently, Barnes Newberry from WUMB certainly ARE newsworthy, but somehow got not a whisper of mention even on the stations' own web site, let alone in the local media. Not a word! That's simply amazing, since these are losses whose magnitude defies description by (or to) anyone with a real knowledge of folk music since the sixties.

    ...of WUMB's transformation into a AAA station.

    In a nutshell, "WUMB: get back to quality folk music AND quality on-air FOLK."

    Select reader comments (see article for all).

    jayfin wrote:
    One tires of these puff pieces. Why not some info about ratings, about how a team player broadcasts from her house not the studio, how about most people do not care about the DJ - it's the music that matters. I admit I do not listen, not a night time radio listener, but I did find the World Cafe a bit cloying and artificial. In any case, some advice -- interviews with DJs are as boring as interviews with musicians (something that always surprises me).

    ===============

    ookpik wrote:
    Meg Griffin is great at what she does, and a welcome substitution for "World Cafe."

    That said, the old folk station WUMB is sadly missed. Likewise, WGBH's 2009 decision (taken apparently without consulting its audience, and followed by a display of contempt towards those of us who asked that WGBH reconsider) to abandon almost all of its own excellent folk and blues program is deplored. Together, these changes leave one of the strongest folk-music communities in the nation without a radio presence; we listen to Internet stations such as Folk Alley when we have access, and wonder how newcomers will ever have the opportunity to discover the music we love.

    ===============

    Paine wrote:
    There are two errors/misconceptions in the story and the subsequent comments.

    1. "a local college station". WUMB is not a college station. True, the license is held by UMass Boston, but its staff consists of professionals on the UMass payroll. There is not one minute of student- or community-member produced or hosted programming, such as with the three other UMass stations, WUMA (Amherst), WUML (Lowell) and WUMD (Dartmouth). This past Sunday, WMUA's Celtic program, hosted by a member of the community who is not compensated for her work, was pre-empted by coverage of a softball game. When is the last time one heard UMass Boston sports or any other student program on WUMB?

    2. “WUMB dropped "World Cafe" to make room for Ms. Griffin.” Not true, it moved the start time back from 7 to 10pm. "World Cafe" is still broadcast some 20 hours per week, a new or repeated show from 10-midnight, echoed immediately midnight-2am.

    Re "In an era when commercial-laden, focus-grouped, talky, pre-formatted stations have driven any thoughtful (sic) listener to other music mediums" describes WUMB to a "T".
    • commercial-laden – much of its daytime programming is in-house produced commercials for itself.
    • Focus group – check – when management took WUMB from a folk station to AAA, it used focus groups.
    • pre-formatted – check – what an “on-air personality” will say or do next is predictable.
    Its format is as predictable and stale and like a AAA pop station, it features the same few trendy AAA pop artists ad nausium. It does not have DJ's, their own term is "on-air personalities". The "OAP's" have little or no freedom to produce their own programs, instead that is done by a music director who was hired for his AAA background; all songs and artists must be approved by station management. They do little more than voice-overs, often giving the same repeated trite facts about the repeated artists. What a waste of professional talent.

    With regard to Arbitron ratings, if they were not so important to WUMB, why else would they subscribe and participate? WUMB subscribes to Arbitron and airs canned national syndicated programming and has a programming formula because its handlers at NPR tell it to do so.

    WUMB's Arbitron numbers (1)

    S-09 O-09 N-09 D-09 Holiday J-10 F-10 M-10
    Est 0.4 0.3 0.2 0.3 0.3 0.3 0.3 0.3
    % cume 59300 44300 33500 52300 54600 52900 41300 44600

    These numbers are not exactly stellar, WUMB is ranked #41 out of 56 in the Boston market. Makes one think, if federal/state/university money were not propping up the station, how long could it afford to carry its professional staff?

    Sources
    1. http://www.radio-info.com/site/markets/grid/boston
    2. http://www.stationratings.com/ratings.asp?market=13

    ==========

    SWozniak wrote:
    I've been finding WUMB a little too "uptempo" lately.

    I never heard of Meg until she came to WUMB but I was an 'underground radio' listener in Detroit when people like Jerry Goodwin, later of WADN, played bands like The Amazing Blondel.

    Honestly, after a listen or two, I find Meg a tad grating.

    =========

    manoakid wrote:
    Wumb pretends to be a "public" radio but is operating under the dictatorship of one Ms. Pat Montieth. She pulls down a salary of well over 90,000 per year and stands at the helm of a sinking ship brow beating employees and volunteers alike. UMASS Boston seems to have a cloak of silence surrounding her behavior although over the years has collected countless complaints from her co-workers. Meg is an asset but I doubt that she will last very long....she is too good. Ms Montieth consistently demeans those that work for her....and if they don't like the abuse they can leave. Bear witness to the departure of Mr. Barnes Newberry who decided to leave with his dignity and not accept his banishment from live airwaves for two weeks because he dared to express displeasure on a decision Ms. Montieth had made concerning his show. His show was one of the most popular and financially sound spots on the station....and now is gone. Hopefully Meg can rise above Montieth's reign of terror and we can finally have some 'good radio' on the airwaves!

    =============

    Paine wrote:
    Since Barnes' resignation has been brought up…

    1. Is anyone aware of a Boston Globe article by Joan Anderman or other writer about Barnes' "resignation"? Or come to think of it, Brian Quinn's (former program director and 20 year vet) or Marilyn Rae Beyer's (former program director and 14 year vet)? Prove me wrong, show me the article. If it wishes to make amends and cites the sources, the Globe is welcome to any of the information contained in this series of articles - http://notlobmusic.blogspot.com/search/label/WUMB

    2. Read the public facts about Barnes' "resignation" in a blog post titled "End of the Highway" dated 4/25/10 at http://notlobmusic.blogspot.com/2010/04/end-of-highway.html and mirrored in http://groups.yahoo.com/group/NorthEastFolknRoots/message/9800

    3. Read "Brian Quinn, WUMB program director, "laid off"", dated 11/12/09, and his own announcement dated 11/10/09 at http://groups.yahoo.com/group/NorthEastFolknRoots/message/8608

    Remember, this is the same Globe that buried the fact that WUMB laid off its weekend staff in an article about serving alcohol at Club Passim. Read
    http://notlobmusic.blogspot.com/2009/03/confirmed-wumb-has-laid-off-its-weekend.html

    …and glossed over the folk-to-“music mix” format change in a small mention in passing buried in an article in its “celebrity” section titled “Wahlberg and gang take over oyster house” dated 1/2/09 – http://www.boston.com/ae/celebrity/articles/2008/12/09/wahlberg_and_gang_take_over_oyster_house/

    Do we see a pattern here? If you want happy news, read the Globe. If you want reality, dig and share it yourself.

    ===============

    no-moore wrote:
    Congratulations to Meg- perhaps the recent changes at the radio station will create enough force to impact the current mismanagement that would allow the loss of Barnes.
    Meg's quote says it best... "To be remembered as a radio personality you need a singular vision, and you can’t be compromised.’’ Keep that thought Meg-never allow yourself to be compromised!

    ==============

    unabashedleftist wrote:
    I can tolerate Meg, though the chatter - from her and all the other "on-air personalities" (some of whom cannot even pronounce the names of the artists they're playing...) - is grating.

    What I can't tolerate is the steady deterioration of WUMB. The loss of Brian Quinn ("laid off" after 20 years) and the programming takeover by the incompetent pop fanatic John Laurenti had me on the edge. With the loss of Barnes, I made my decision to stop donating to the station after a decade of doing so.

    ============

    Olgasparky wrote:
    I myself have doing a gradual to steady burn re: WUMB, and the wave of obvious change. More and more, just turning it right off, with the amount of chatter..but also the change in music. The times when it has seemed like there was just a reel to reel playing. Or hey, set your clock..THAT song is on again..hmm same time too! My donations have always been plugged to Highway 61, and Barnes Newberry. I can't believe that #1 Barnes would leave, unless totally provoked. #2 That management, Pat Montieth, would think is a good decision to let another of the true anchors, slip away from this WUMB Family. Although more and more it seems to be a total disfunctional family. With various cuts here and there, I wonder..did managment make any effort to take a cut in their salary? Many of us in listener land, are under huge economic cuts, yet believe in supporting what we enjoy and love..for me Hwy 61 AND Barnes the host. So although I cut the dollar amount, I still donated, to back up the full version of my Hwy 61..NOT the now..duluted version of this show, and others. Shame on WUMB for letting another great slip out the door!

    =============

    TBRodman wrote:
    The "addition" to WUMB of a New York DJ who was most recently "a champion of the punk and new wave scene" to a station which purports to be "all about folk radio" is hardly a "plus" by my math. It is neither sensible nor newsworthy, except perhaps to illustate the egomaniacal and completely out of touch nature of the alleged "management" currently in place at WUMB. Such developments are an insult to seasoned WUMB listeners and (in my case, now former) regular financial supporters.

    The departures of Brian Quinn and, more recently, Barnes Newberry from WUMB certainly ARE newsworthy, but somehow got not a whisper of mention even on the stations' own web site, let alone in the local media. Not a word! That's simply amazing, since these are losses whose magnitude defies description by (or to) anyone with a real knowledge of folk music since the sixties. The loss of all the knowledge of the culture, music, history, evolution and meaning of folk music went out right out the door with Brian Quinn and, more recently, Barnes Newberry. Meg Griffin and her punk background and horse hobby are somehow news, or cause for celebration? Sorry, but I don't think so...

    Simply stated, WUMB manager Pat Monteith should either quit or be summarily fired. If the station continues to plummets any further downhill, the (clearly already waning) support for the station will dry up completely. The death knell won't be far behind. Say goodnight, Pat Monteith. What you know about folk music wouldn't fill a matchbook cover! Meanwhile, my checkboois CLOSED when it comes to further financial support for WUMB.

    ===============

    EthansDad67 wrote:
    Highway Sixty-one
    Revisited is gone and
    so is my support

    Cole of Arlington

    ==============

    Talisker wrote:
    Well, WUMB’s made one move in the right direction by bringing Meg on. Her music offerings are a big improvement on what the station's come to. I do appreciate her banter, whether commentary or info-based. I hope they can keep Meg, but that’s to be seen.

    Sorry to say that Meg can’t make up for the significant program deterioration and disappointing personnel changes at ‘UMB. In these economic times, why move away from what’s been so long appreciated and respected?

    WUMB: get back to quality folk music AND quality on-air FOLK.

    ==============

    pedrolr wrote:
    Despite being a foreigner and to live in Europe, I discovered WUMB googling for "FOLK RADIO" back in 2005. Since then I addopted WUMB as my favourite radio station listening its internet stream. Due to WUMB, I spent 2 holidays in Northeast, music has such power, doesn't it? Since 2005 I'm a member of this station, to whom I donate every 6 months at Barnes' HW61R.

    WUMB decided by their own to make a shift in their philosophy without even consult their members and supporters. I can't agree with their decision. WUMB is not anylonger a folk radio station rather a "patchwork" radio station. As my father taught me, "when a man loses his credit he hasn't anything else to lose". So here's how I picture WUMB. As far as I am concerned, WUMB lost its identity. I don't know why Barnes had to quit, but together with Dick Pleasants, he was the last man WORTHY at this radio station. I don't have much left over there... And quite frankly, my support is gone for good too...
    Pedro Ribeiro, Lisbon, Portugal

    .