Showing posts with label Jim Infantino. Show all posts
Showing posts with label Jim Infantino. Show all posts

Friday, April 5, 2013

Rest in peace Carmine Infantino

Rest in peace Carmine Infantino, re-inventor of the Flash, who passed away yesterday.



Barry Allan (the Flash), as immortalized by Carmine's nephew, Jim Infantino.


The Ballad of Barry Allen

listen
from They're Everywhere!
 
 


I've got time to think about the meaning of the thousand variations of the beating of a wing of a hummingbird suspended in the aspic of the world moving slower than molasses as I'm off to catch the girl who is falling off the cliff
and I'm there before she knows it
I'll be gone before she sees me
with my hand around her waist
I pull her back to safety
by the time she knows what's happened
there'll be someone else who needs me
because time keeps dragging on
and on 
and on
and on
(time keeps dragging on)
I've got time to think about my past as I dodge between the bullets how my life was so exciting before I got this way and how long ago it was now I never can explain by the clock that's on the tower or the one that's in my brain
and I'm there before you know it
I'll be gone before you see me
and I'd like to get to know you
but you're talking much too slowly
and I know you'd really like me
but I never stick around
because time keeps dragging on
and on
and on
and on
and on
And you say the world goes rushing by 
but it seems so slow to me
and you see a blur around you fly
but it takes too long
it seems so slow to me
(time keeps dragging on)
How I wish I'd never gone into my lab to experiment that night before lightning flashed around me
and time changed speed
now I have to try to be so patient and wait for calamity to strike
because when things change in an instant
it's almost fast enough for me
and I'll be there before you know it
I'll be gone before you see me
and do you think you can imagine
anything so lonely
and I know you'd really like me
but I never stick around
because time keeps dragging on
and on
and on
and on
and on
And you say the world goes rushing by 
but it seems so slow to me
complain I'm gone before you blink your eye
but it takes too long
it seems so slow
And you say the world goes rushing by 
but it seems so slow to me
and I want to be there while you laugh or cry
but it takes too long
it seems so slow to me
(time keeps dragging on)
and on 
and on

(cc) some rights reserved 2003 Jim Infantino
for Carmine


Friday, January 29, 2010

notloB Folk Concerts News, February, 2010


Bringing traditional American, Canadian, British, and Celtic folk, folk revival, world, blues, roots and bluegrass/newgrass music to Newton and Somerville and Grafton!

notloB Folk Concerts are volunteer run and not for profit. Patron donations go to production expenses and the artists.

In this edition

  1. Winter Season Concerts in Somerville, Newton and Grafton
  2. Mailing list – back to roots
  3. Reservation address changed
  4. Fans of Folk Radio WUMB
  5. Other traditional folk, folk revival, roots, bluegrass, blues and Celtic concert recommendations.
  6. Dinner and a show.
  7. Volunteer and needs wish list.
  8. Housekeeping.

1. Winter Season Concerts in Somerville, Newton & Grafton

Two old friends return, two performing art center-caliber artists in intimate surroundings, and a new production partnership is being formed.

Day/date

Artist

Venue

URL

$

Friday, January 29

Jim Infantino

Jackson Homestead, Newton

http://jiminfantino.com/

http://www.facebook.com/event.php?eid=202032106698&ref=ts

Suggested minimum donation $15, $5 children under 12, $50 immediate family max. 25% less for museum members. All donations go to the museum and artist.

Singer Songwriter,

Rockstar Geek

Friday, February 12

Sam Weiser

Unity Church of God, Somerville

http://www.myspace.com/samweisermusic

http://www.facebook.com/event.php?eid=278328113326&ref=ts

$15

A notloB production of a benefit concert for the New England Folk Music Archives

http://www.newenglandfolkmusic.org/

http://www.facebook.com/group.php?gid=181609436757&ref=ts

Sunday, February 21

Tony Bird

notfarG House Concerts, Grafton

http://www.mangotime.net/

http://www.facebook.com/event.php?eid=266226028285&ref=ts

$15 suggested donation

From southeast Africa, Tony Bird, a Malawi-born song man, is a complete original.

Thursday, February 25

Sarah McQuaid

notfarG House Concerts, Grafton

http://www.sarahmcquaid.com/

http://www.facebook.com/event.php?eid=211628365457&ref=ts

Suggested donation $10-15

"Sparkling guitar and compelling alto voice ... reminiscent of Pentangle’s best efforts…"

Sunday, March 07

Geoff Bartley

Jackson Homestead, Newton

http://www.geoffbartley.com

http://www.facebook.com/event.php?eid=205596869006&ref=ts

Suggested minimum donation $15, 25% less for museum members. All donations go to the museum and artist.

Geoff's 3rd notloB appearance!

Wednesday, March 10

Andy Cohen

notfarG House Concerts, Grafton

http://www.andycohenmusic.net

http://www.facebook.com/event.php?eid=308634898272&ref=ts

$10 suggested donation

Country Blues 101











2. MAILING LIST. The “ReverbNation” mailing list is full, we are using again notloB Music. If you are on both you can unsubscribe from one or the other (ReverbNation is “just the facts”, once per month and once per concert; “notloB Music” is a news and discussion group that sends additional information about the local folk music community as well as the occasional free ticket contest/give-aways and other fun stuff.

3. NEW INFORMATION & RESERVATION ADDRESS. Effective immediately, send reservation and information requests to notlobmusic@gmail.com, do not use the old Comcast address.

4. “Supporters of folk and blues on WGBH” has served the community well as a grieving and venting and organizing device. We should have had something similar two years ago when “folk radio” WUMB was lost to AAA “music mix.” Such a group does now exist, but it is private. If you would like an invitation, please send an email, containing name and your feelings about “folk radio” vs. “music mix” to notlobreservations@gmail.com.

5. OTHER CONCERT RECOMMENDATIONS. We believe the wider information about quality concerts is spread, the larger the folk/roots/Celtic/blues/bluegrass community will become. This is especially important as the world, national and local economies sour. Spread the word, support local live music and build the community. We wish there were one unified, uncensored music calendar for such events (for a listing and analysis of such resources, click here), but until it exists, these are notloB Folk Concerts’ recommendations.

January 30 - Northern Roots Traditional Music Festival

@ New England Youth Theater, Brattleboro, VT

http://www.bmcvt.org

Featuring the best of Irish, Scottish, English, Swedish, & French Canadian traditions.

February 6 – Fire on the Mountain

@ Harvard University, The Barker Center (Thompson Room)

Time: 10:30am - 8:30pm

Come hear some of the most renowned bluegrass musicians and scholars perform and discuss the style! Three panels (on bluegrass scholarship, instrument-making and bluegrass performance) will be followed by an evening concert featuring three Grammy Award-winning musicians.

To view the complete schedule, please visit: http://web.me.com/folkmyth/Folk_%26_Myth/Bluegrass_Symposium.html

Participants include:

Alison Brown ’84 – Grammy Award-winning banjoist and co-founder of Compass Records

Sam Bush – Grammy Award-winning mandolinist and co-founder of the New Grass Revival

Lynn Dudenbostel – World-renowned guitar- and mandolin-builder

Matt Glaser – Jazz/bluegrass violinist, director of the American Roots Music Program at the Berklee School of Music

Bobby Hicks – Grammy Award-winning bluegrass fiddler, former member of Bill Monroe’s Blue Grass Boys and Ricky Skaggs’s Kentucky Thunder

Michelle Kisliuk – Associate professor of Music at the University of Virginia, recipient of the ASCAP Deems Taylor Special Recognition Award

Neil Rosenberg – Grammy Award-winning author and professor emeritus of Folklore at the Memorial University of Newfoundland

Jack Tottle – Mandolinist, founder of the Bluegrass, Old Time & Country Music program at East Tennessee State University (ETSU)

Garry West – Bassist, producer, co-founder of Compass Records

Clint Miller '11 and Forrest O'Connor '10 will also participate.

February 6 Ladysmith Black Mambazo

@ Sanders Theater

http://www.mambazo.com/

February 9 Tony Trischka, Andy Statman, Matt Glaser and The Boston Boys

@ Johnny D’s Uptown Restaurant

http://www.johnnyds.com/

February 11 Town Mountain: Bluegrass from Asheville, NC

@ Johnny D’s Uptown Restaurant

http://www.johnnyds.com/

The Johnny D's mailer describes them thusly: Imagine the band that occupies the common round between traditional bluegrass, outlaw country, and pure old time mountain music and you'll have a pretty good idea of where this NC band is coming from. Harnessing the frantic enegy of the modern punk string band, yet still respectfully rooted in the traditonal of Bill Monroe. I saw these guys a couple of times in the late night suites at IBMA and look forward to hearing them with a good sound system. They had great energy and really seemed to enjoy themselves.

February 12-14 Joe Val Bluegrass Festival

@ Sheraton Hotel, Framingham

http://www.bbu.org/jvhome.htm

Michael Cleveland and Flamekeeper (Sat) J.D. Crowe and the New South (Sat) Doyle Lawson & Quicksilver (Sat) Danny Paisley & The Southern Grass (Fri) Special Consensus (Sat, Sun) Josh Williams Band (Fri) The Gibson Brothers (Sun) Russell Moore and IIIrd Tyme Out (Sun) White Mountain Bluegrass (Sat) Sierra Hull and Highway 111(Sat) Buddy Merriam and Back Roads (Fri) Bluegrass Gospel Project (Sun) Southern Rail (Sun) The Reunion Band (Sat) The Spinney Brothers (Sat, Sun) Acoustic Blue (Fri) Joe Sings Joe (Sat) Back Eddy Bluegrass (Sat) Rabbit in a Log (Sat) Berklee Bluegrass All-Stars (Fri)

February 13 - The 18th Annual Cajun & Zydeco Mardi Gras Ball

@ Cranston, RI

http://mardigrasri.com/

featuring:

STEVE RILEY & THE MAMOU PLAYBOYS

DONNA THE BUFFALO

COREY LEDET & HIS ZYDECO BAND

HOT TAMALE BRASS BAND

February 14 – A Concert for Loved Ones in Haiti

@ Colonial Theater, Pittsfield

http://www.thecolonialtheatre.org

Artists from the Berkshires and surrounding cities come together to show solidarity and help bring money and more awareness to the devastation from the earthquake in Haiti!

This once-in-a-lifetime event will feature performances by Sarah Lee Guthrie & Johnny Irion, The Mammals, The Guthrie Family and more!

February 26 - DAVID BROMBERG with Special Guests Paul Rishell and Annie Raines

@ First Parish Church

Harvard Square, Cambridge

http://www.mktix.com

This information was as accurate as we could determine at the time it was transcribed from the sources. Verify with the artist/producer/venue before heading out.

Read more folk/roots concert and event notices in NEFolknRoots. If you have folk/roots events to add, please join and post.

6. DINNER AND A SHOW. Somerville concert patrons can save 10% when dining at the House of Tibet Kitchen, 235 Holland Street, 617-629-7567 (in nearby Teele Square). ...and Newton patrons can and also save 10% when dining at the Ginger Root, 136 Adams Street, 617-928-3337.

Simply make a concert reservation, print and bring your confirmation email and show it to restaurant staff. 10% excludes alcohol and taxes. Please tip at the pre-discount rate.

For both fine restaurants, before being seated please identify yourself to the staff as attending the “notloB concert”.


7. VOLUNTEER NEEDS & WISH LIST.

@ UCG ~ admission table, merchandise, hospitality & lighting.

@ all venues ~ publicity & flyer/handbill duplication and distribution.

If you are interested, please read the volunteer policy and apply via the email address listed there. Benefits await.

8. Housekeeping.

The fine print. notloB Folk Concerts are volunteer run and not for profit. We present the best local and touring roots, newgrass, traditional and contemporary folk, Celtic and blues artists at several venues around the greater Boston area. Past artists include the Spider John Koerner, the Sacred Shakers, The Folk Brothers (David Massengill and Jack Hardy), Peggy Seeger, Geoff Bartley, Mary McCaslin, Bob Franke, The Rowan Brothers, The Ungar Family Band, Aoife O’Donovan, Kristin Andraessen, Mike and Ruthy Ungar Merenda, Sometymes Why, Pat Wictor, Jud Caswell, Dennis Brennan and many others. Concerts in your home, as was done with the Bowmans in May, and Matt Brown in October can be arranged.

Reservations / information. At most concerts an incentive for making a reservation is offered. Send email to notlobmusic@gmail.com at least 24 hours prior to the concert. Information about the concert series, the venues and the artists can be found at the website or by sending an email to the reservations address.

Keeping in touch. There are several ways to stay informed of scheduled events:

Volunteering / Street team. This is a 100% volunteer-run effort. Concerts would not be possible without volunteer assistance. All interested in helping can read the Volunteer Policy. “Guerilla” publicity builds community by spreading the word to family, friends and neighbors. Posting flyers in your neighborhood music shops, book stores, coffee shops and workplace is appreciated. To register, go to http://www.reverbnation.com/notlob, then send an email to notlobreservations@gmail.com requesting printer-ready files. Be a regular guerilla and you’ll receive a nice reward.

Admission is by donation. A suggested minimum donation (varies by concert), often with discount to those making reservations and sometimes to students and seniors, is requested. Your donations cover rent, sound system rental, sound engineer, publicity and other production expenses. 100% of the balance goes to the artists (many of whom travel many miles). Sometimes there are shortfalls, so extra donations are gladly accepted.

Photography, video recording, & sound recording. No still, video or sound recording is permitted without permission of the artist and the house. If you would like to share photos of past concerts, email the pictures and/or web link to notlobreservations@gmail.com

Keep your lamp trimmed and burning!
Jeff Boudreau

notloB Folk Concerts
Website ~ http://notlobmusic.googlepages.com

Blog ~ http://notlobmusic.blogspot.com

Folk news ~ http://groups.yahoo.com/group/NorthEastFolknRoots/

Facebook ~ http://tinyurl.com/notlobfacebook

"In this era of pop-driven acoustic music, Notlob is keeping the folk tradition alive."

~ Jack Hardy

"The concerts always have a warm atmosphere and are fun to play. From a musician's perspective, I really appreciate the effort Jeff puts into his shows. Nobody on the Boston folk scene works harder to pull a concert together."

~ Alastair Moock

Monday, January 25, 2010

Jim Infantino, Newton, 1/29

notloB Folk Concerts

presents


Falcon Ridge Folk Festival "most wanted to return artist", 2006


Jim Infantino

@ Jackson Homestead

527 Washington Street, Newton

Friday, January 29

Doors 7:45, Concert 8:00

Suggested donation $15, $5 children under 12, $50 immediate family max.

25% less for museum members.

All donations go to the museum and artist.

Singer Songwriter, Rockstar Geek

CMJ Music Report says:
"Jim Infantino wields his razor-sharp poetic flair like a weapon, offering thought-provoking commentary that can sound both humorous and poignant at the same time. Infantino mixes a down-town Lou Reed-style hipness ... that best illustrates the band's smart, imaginative approach."

The Boston Globe says:
"Jim Infantino, ground zero of the Boston trio Jim's Big Ego, is one of those rare songwriters whose wit is as sharp as his sense of melody, and whose intellect is broad and beautifully skewed as his jumble of musical influences."

Singer Songwriter, Rockstar Geek


http://jiminfantino.com/

Jackson Homestead - http://www.ci.newton.ma.us/jackson

Telephone: 617-796-1450


Reservations recommended - notlobreservations @ gmail.com






notloB Folk Concerts
Bringing traditional American, Canadian, British, and Celtic folk, folk revival, world, blues, roots and bluegrass/newgrass music to Arlington, Boston, Grafton, Newton & Somerville
.


"In this era of pop-driven acoustic music, notloB is keeping the folk tradition alive." ~ Jack Hardy

Tuesday, December 22, 2009

Songwriting and the Dharma: wake me up before you go-go

Jim Infantino will be appearing in the "kitchen" series at the Jackson Homestead in Newton on Friday, January 29. Details are in the notloB website.

=======

Source

Dec 21
Monday
Arts and Poetry, Community Articles
Songwriting and the Dharma: wake me up before you go-go



By Jim Infantino


I started writing and playing songs on my guitar when I was 13 as a way to express my teenage frustration and sadness, and as a way to become popular. To that end, I wrote mostly humorous songs, or breakup songs. And to a large extent, this has not changed.

Songs have a direct access to the mind that is unparalleled. They simultaneously engage us intellectually, physically and emotionally. TV shows and movies cannot engage us in the same the way. In fact these media require music to give their stories the proper dramatic impact. Unlike TV shows, or motion pictures, songs can turn our everyday humdrum world into something dramatic. A walk to the gym, and an hour on the treadmill can become something heroic, or tragic, or funky, or sexy, or funny with the right playlist on our iPod. A bus ride becomes a scene from a movie in which we are the stars, and everyone around us is an extra.

Songs are like candy for the ego.

And I write them. I’ve written hundreds of them, most of which I would gladly play you if you asked, some of which I would not, or could not. Some have mercifully fallen from my memory. Some I can’t get out of my head sometimes.

There is a fantasy shared by many of the songwriters that I know, that writing songs is like panning for gold. If you just come up with the perfect song for the right demographic at the perfect time, you can become rich, spending days by the pool, cashing the royalty checks as come in. The fantasy is fueled by true stories of this kind of success. We know some of these success stories by name. We have heard them on the radio, we hum their songs in the shower. Some of them bask in the spotlight, traveling around the world to entertain thousands of adoring others. Some of them are more anonymous, leasing their creations to more popular performers. This fantasy has driven me to drive to Nashville, and fly to LA, and back to NYC, to hock my tunes before bigwigs, hoping for the nod of approval that will start my fantastic career of being absolutely, undeniably special.

More candy.



12 years into my life as a singer songwriter, when I was 25, I met a girl named Molly who’s mom, Nancy had been very close with the original sangha in Vermont. Molly had grown up, on and off at Karme Chöling, and she had a big picture of the Karmapa on the wall of her South Boston living room. She told me all about growing up Buddhist in America, meeting Chögyam Trungpa as a child, attending warrior’s assembly as a teenager. I was intrigued. I grew up in Manhattan, around all kinds of people, but had never met an American Buddhist. I began to read - starting with Cutting Through Spiritual Materialism, and then Shambhala: Sacred Path of the Warrior. I visited Karme Chöling, and spent time listening to Molly and her mom Nancy tell of their own experiences with meditation. I started practicing as much as I could manage, and wrote a song called “cut off your head” a teasing, and humorous songs about how hard it was to get over your own neurotic tendancies. I had always wanting to write songs that were not just a means to temporarily make “ME” the center of the universe. I wanted to write songs that would nudge this way, and then pull that way - with humor and gentleness, but never allow you to get lost in a fantasy without pointing back to the here and now.

I suddenly saw many of my past songs in this light. I was writing these dharma songs for years without a context in which to put them. A song I had written a few years earlier, “Stress” was a funny tune about forever keeping busy, at an increasingly insane pace. The song showed a person stuck in their suffering, comfortable in an unbearable situation, and yet, it could be any of us, living in the modern workaday world. A song about suffering became a song about liberation from suffering, because we could see it, and identify with it, and then point, and laugh. Another song called “the world of particulars” was a song imagining a time between death and birth, and viewing one’s sadness from that perspective. More somber in tone, it was trying to coax open the heart, encourage a softer approach to personal pain. I had found a mission for my art. It was possible to write songs that could gently shock us more awake instead of lulling us into a self-centered delusion.

In a music world full of candy, I wanted to write spinach.

And mostly, that’s what I’ve been trying to do. I am certainly not the first to try this - and I am by far the most successful at it. Tom Waits, Joni Mitchell, Bob Dylan, Laurie Anderson, Elvis Costello, and Jane Siberry are all examples I turn to for inspiration. Everyone has their own list. Songwriters that help open our hearts without encouraging us to shut out the world.

In the same way that no song can pull us kicking a screaming from our cocoon without our willingness, any song can be used to help us become more mindful, if we are willing to hear it in that way. For example, Lady Gaga’s lyrics to “again and again” - a song about longing, desire, and addictive behavior, could seem different to a dharma practitioner, than to someone who feels less stuck in Samsara:

Again and Again, again, again, again, again,
never stop
Again and Again, again, again, again, again,
never stop — oh

You may laugh, but doesn’t this capture the desperation to put an end to our suffering, by feeding our immediate desires, even though that end is only temporary and has to be repeated over and over and over, and never fully satisfies? Honestly, I don’t think I ever captured that kind of raw truth in any thing I have written or sung. And then again, perhaps it is easier to see the dharma in one of Leonard Cohen’s lyrics from “the Faith”:

The sea so deep and blind
The sun, the wild regret
The club, the wheel, the mind,
O love, aren’t you tired yet?

The intention of the songwriter is more clear to us. First off, we know that he is a practitioner himself. We know that Mr Cohen would like us to awaken more fully. And Leonard Cohen listeners tend to be the sorts of people who hear it this way. But that says something about the limits of how much any song can really effect us. Each listener will hear their favorite songs as calls to mindfulness only to the extent to which they are inclined. We songwriters are simply powerless providers of variously sweetened opportunities.

One thing I notice in my own practice, is that the more time I spend on the cushion, the less time I spend with earbuds in my ears. The sounds of the cars on the street near my apartment grab my interest more and more. Listening to other people speak, the sounds of birds or the wind are much less background than they used to be. I walk to the bus, and take the ride without a soundtrack now. I’m a little less eager to be swept away into a new dramatic score than I used to be. Still, I keep finding things to write about, and I still want to write about this life. So, shall we have another chorus about the indescribable suffering of suffering?

One more time, with feeling.

_______________________


Jim is a singer, songwriter, and rockstar geek who lives in Boston.

Read Jim’s blog and learn more about his rockstar activities: JIMINFANTINO.COM

Article originally from the Boston Shambhala Center’s Community Life News Blog