Showing posts with label censorship. Show all posts
Showing posts with label censorship. Show all posts

Thursday, November 29, 2012

Woe to him who questions UMass Boston policy!

Ten hours ago I observed on its Facebook post about the refurbished Clark Center Gymnasium
 that UMass Boston athletics are not covered by the university's radio station, WUMB.


From its Facebook page earlier today:

The Beacons basketball teams will play their first doubleheader of the season in the newly renovated Clark Center Gymnasium tonight!

The men’s basketball team (3-2) will tip off at 5:30 p.m. against Suffolk University. The women’s team (3-0) will host Suffolk at 7:30 p.m. Come cheer them on!
The Beacons basketball teams will play their first doubleheader of the season in the newly renovated Clark Center Gymnasium tonight!

The men’s basketball team (3-2) will tip off at 5:30 p.m. against Suffolk University. The women’s team (3-0) will host Suffolk at 7:30 p.m.  Come cheer them on!
Like ·  ·  · 27 minutes ago ·

Apparently a Massachusetts taxpayer is not allowed to express an opinion of UMass Boston policy, my comment was removed and I am not blocked from making new ones.

From same page 10 hours later:


The Beacons basketball teams will play their first doubleheader of the season in the newly renovated Clark Center Gymnasium tonight!

The men’s basketball team (3-2) will tip off at 5:30 p.m. against Suffolk University. The women’s team (3-0) will host Suffolk at 7:30 p.m. Come cheer them on!
The Beacons basketball teams will play their first doubleheader of the season in the newly renovated Clark Center Gymnasium tonight!

The men’s basketball team (3-2) will tip off at 5:30 p.m. against Suffolk University. The women’s team (3-0) will host Suffolk at 7:30 p.m.  Come cheer them on!
 · 10 hours ago · 


So I put it out to the blogosphere, "Will this and future UMass Boston basketball games be broadcast via WUMB, which advertises itself as "a community service of UMass Boston?""

Ask University of Massachusetts Boston

Wednesday, March 4, 2009

Alleluia, The Great Storm Is Over!


Alleluia, The Great Storm Is Over! Or maybe more correctly, partly over.

GREAT NEWS! Former folk radio station (now AAA format playing "WUMB music mix") has partially rescinded its insane calendar artist exclusion policy. First reported yesterday in NEFolknRoots, this has been at least 21 months in coming.

Station management's shameful and disrespectful treatment of artists, promotors, venues and patrons was first reported in this blog last December in a piece titled "Chopped Liver"(see certificate awarded to the station 12/07 for their treatment of multi-award winner Pat Wictor). WUMB is unique in the radio world in that it keeps two seperate events calendars, one for artists who are playlisted Monday through Friday daytime ("WUMB Music Mix" (formerly "folk") calendar), all others being relegated to the "community" calendar. Only the "music mix" calendar events are read on air. That results in another embarrassment. Quite often one hears "There is nothing on the calendar". Interpretation "there is nothing we deem worthy on the "Music Mix" calendar, but there may be events on the "community calendar" we're not going to read because they are unworthy." Granted, part of the problem is many venues are fed up with the way WUMB has censored their listings and just don't submit. Case in point, Ollabelle, an excellent roots band from the Hudson River Valley, who performed at the Boston Folk Festival three or so years ago, was at thePassim Folk Music and Cultural Center, a.k.a. "Club Passim", but that afternoon's announcement was "There is nothing on the calendar...". Indeed.

The Boston area needs
a comprehensive, all-inclusive, unbiased, uncensored, category-filterable folk events calendar or aggregator that venues will want to populate and patrons will want to use, but that is for another discussion and I digress.

That the station judges listing "worthiness" is unfair enough, but what really stinks is when there is a co-feature or feature and opening act, where one artist is playlisted and the other not. Such concerts, submitted as "A and B" would get edited (in the past) to "A and more" (no joke), and to add insult to injury, they were read on air as they appeared in the calendar"A and more". That has affected artists at several concerts I have produced (see certificate at top). That policy was quietly changed a few weeks ago. Apparently being embarrassed by having been called out for reading "and more", they now completely ignore the non-playlisted artists' existence, dropping the him or her into oblivion.

What sense does that make? None!

Who does that serve? Nobody!

On a positive personal note, I am pleased to have received private congratulations for keeping the issue alive from two well known folk artists who I hold in the highest regard.

I know that you've been working hard on this, Jeff. I think you've done the station a service.

and

Congratulations on the WUMB "victory". I know how hard you worked on that and WE ALL benefit. Thank you for your hard work and energy to help WUMB do the right thing when it comes to their calendar.

To date there has been no public announcement of the policy change by the station, if and when that occurs it will be appended here. I am not expecting one, that is their PR history. Remember the demise of the Boston Folk Festival was not announced, we learned that through a gossip column. Read "Wahlberg and gang take over oyster house"
The original NEFolknRoots posting:
A very quick reply to email sent at same time as the last posting:

from Jason Moberg
to Jeff Boudreau
date Tue, Mar 3, 2009 at 10:24 AM
subject RE: Has Bob Franke been removed from the WUMB playlist?
mailed-by umb.edu
hide details 10:24 AM (14 minutes ago)
Reply

Hey Jeff,

They just changed the policy last week to include any artist we've ever played into the on air section of the concert listings. I'll make the changes today.

Thanks!

Jay Moberg

(note the subject line is "Has Bob Franke been removed from the WUMB playlist) because that was the original problem, which devolved into the calendar move / Martin's purge).

This "battle" with WUMB has been going on for 21 months. How am I feeling? I'll leave that to the lyric master, Bob Franke.

Alleluia, The Great Storm Is Over
Words & Music by Bob Franke

Recorded on "One Evening In Chicago" (Flying Fish FF90435, originally on Great Divide, GDSR 1766, 1982)
Bob Franke: guitar and vocal

The thunder and lightning gave voice to the night;
the little lame child cried aloud in her fright. .
"Hush, little baby, a story I'll tell,
of a love that has vanquished the powers of hell.

Alleluia, the great storm is over, lift up your wings and fly!
Alleluia, the great storm is over, lift up your wings and fly!

"Sweetness in the air, and justice on the wind,
laughter in the house where the mourners had been.
The deaf shall have music, the blind have new eyes,
the standards of death taken down by surprise.

Alleluia, the great storm is over, lift up your wings and fly!
Alleluia, the great storm is over, lift up your wings and fly!

"Release for the captives, an end to the wars,
new streams in the desert, new hope for the poor.
The little lame children will dance as they sing,
and play with the bears and the lions in spring.

Alleluia, the great storm is over, lift up your wings and fly!
Alleluia, the great storm is over, lift up your wings and fly!

"Hush little baby, let go of your fear:
the Lord loves his own, and your mother is here."
The child fell asleep as the lantern did burn.
The mother sang on 'till her Bridegroom's return.

©1982 Telephone Pole Music Publishing Co(BMI)

Lifting the restriction of artists played in the past and on their remaining weekend folk, old-timey, world and Celtic programs increases the pool of artists who will be listed on the prime calendar. For example, Hanneke Cassel performed at the 2/28 Notlob concert, but the listing relegated to the community calendar. Had this policy been in place prior to 2/28, her concert, because she is regularly played on WUMB's Saturday Celtic program, would have been on the "WUMB Music Mix" calendar and it would have been announced on air Friday afternoon. This would have benefited the artist, the series and the community.

Although the partial censorship lifting is a step in the right direction, it is not the change members of the Boston-area folk community ultimately desire (unrestricted* concert and event listing). Note that by making a caveat, "... any artist we've ever played..." WUMB is still judging who is listing worthy. New artists not in their "mix" are subject to arbitrary censorhship and will continue to receive second class citizen treatment.
Incremental progress is good, some artists will benefit. But lifting the restriction completely is desired.

But wouldn't it be simpler to go with just one calendar with user genre filters, and list everybody as submitted?

----------
* I spoke with a staff member at WGBH about their calendar listing policy. WGBH cannot censor calendar event submissions based on their play list because they have no playlist, their folk programs are produced by the hosts). Rather, WGBH has a "within reason" policy, meaning within the music genre. They would only disallow a listing if the submission were totally outside the event category. The example they used was "a baseball game to be played on the beach".
========================
3/6 UPDATE
Two concrete examples of how WUMB's revised policy discriminates against rising / non-playlisted artists.

Avi & Celia and Chris Puhard join a very distinctive list of musicians who have been dissed by WUMB.

Below, copied and pasted from WUMB's "music mix" and "community" calendar listings for their Me and Thee and UnCommon Coffeehouse gigs tonight (italics mine):


WUMB Music Calendar
listings for March 6-March 20
Friday March 6
Christine Lavin
Slosberg Music Center, Brandeis University
Waltham, MA
8:00 pm
781-736-3331
http://www.brandeis.edu/arts/concerts/marquee.html
Eddie from Ohio
The Center For Arts In Natick (TCAN)
Natick MA
8:00 pm
508-647-0097
http://www.natickarts.org
Garnet Rogers and more
UnCommon Coffeehouse
Framingham MA
8:00 pm
508-872-3111
http://www.uncommoncoffeehouse.org
Jumpin' Juba
Pasta Loft
E. Hempstead, NH
8:30 pm
603-378-0092
http://www.pastaloft.com
Ollabelle
Narrows Center For The Arts
Fall River MA
8:00 pm
508-324-1926
http://www.ncfta.org/music.php
Red Molly
Me and Thee Coffeehouse
Marblehead MA
8:00 pm
781-631-8987
http://www.meandthee.org


Here is the "community" calendar listing for the same day:

Friday March 6
Carlene Carter
Firehouse Coffeehouse
Littleton MA
8:00 pm
978-742-9957
http://www.fculittle.org/workspace/coffee.html
Christine Lavin
Slosberg Music Center, Brandeis University
Waltham, MA
8:00 pm
781-736-3331
http://www.brandeis.edu/arts/concerts/marquee.html
Eddie from Ohio
The Center For Arts In Natick (TCAN)
Natick MA
8:00 pm
508-647-0097
http://www.natickarts.org
Garnet Rogers and more
UnCommon Coffeehouse
Framingham MA
8:00 pm
508-872-3111
http://www.uncommoncoffeehouse.org
Glenn Pettit
Perks Coffeehouse
Norwood, Ma.
8:00 pm
781-762-5565
http://www.myspace.com/raymondbrady
Irish Set Dance with Broad Street Ceili Band
The Blackstone River Theater
Cumberland, RI
8:00 pm
401-725-9272
http://www.riverfolk.org
Jumpin' Juba
Pasta Loft
E. Hempstead, NH
8:30 pm
603-378-0092
http://www.pastaloft.com
Ollabelle
Narrows Center For The Arts
Fall River MA
8:00 pm
508-324-1926
http://www.ncfta.org/music.php
Red Molly
Additional Performers: Avi & Celia
Me and Thee Coffeehouse
Marblehead MA
8:00 pm
781-631-8987
http://www.meandthee.org

The Atomica Project
PA's Lounge
Somerville, MA
8:30 pm
617-776-1557
http://paslounge.com


Avi &Celia and Chris have been double-dissed! WUMB announcers read the "music mix" calendar on air, meaning not only were they dissed by being deleted from the web listing, they were dissed by their names not being read in the on air listing.

Progress (lifting the censorship of any artists played on WUMB) is good, but please spread word of this insane policy and get people to contact WUMB. What we want is an end to artist censorship, we want one calendar, with concerts listed as submitted!

Monday, January 26, 2009

trash irony at solemn moments

Continuing the series of posts related to Pete Seeger's participation at the inauguration. These are two of the finest pieces I have read (and I've read scores).

Kudos, Barista and Hak Pak Sak!


trash irony at solemn moments

Woody Guthrie and his famous gittar

Obama is President, inaugurated behind so many layers of glass and love that not even kryptonite could hurt him, and he has whacked Guantanamo Bay and returned the US to the Geneva Convention.

It feels more decisive than Our Kevvy, but then were a few more egregious things that he could put to a short, sharp stop with the 21st century equivalent of a sharpened stake through the heart.

Being the curmudgeon that I am, what moved me was the monumental stuff-ups created by HBO. Well, “stuff-ups” only works as a description if you still have some faith in the audience. Here is a piece from Screen Hub, inspired ultimately by Crooked Timber. And the fact that a Pete Seeger album was just about the first LP I ever bought, right back in 1968. After Donovan, I think.

HBO, broadcasters of the ‘Concert for Obama’, must be really hoping the mainstream editorials don’t find this particular mistake. Letting freedom ring, indeed..

The concert for Obama has a few media snafus which will be remembered. Probably to counter the use of a homophobic pastor in the actual ceremony, the concert opened with a blessing from a gay bishop.

HBO failed to run it, leaving an important section of the entertainment community royally pissed off.

But it gets worse… bear with me for a little background here.

Pete Seeger is closely associated with ‘This Land is Our Land’, which was originally written by Woody Guthrie in 1940. Most versions, as sung in schools and at treacly patriotic moments, drop two contentious verses, which go

“There was a big high wall there that tried to stop me;
Sign was painted, it said private property;
But on the back side it didn’t say nothing;
That side was made for you and me.

In the squares of the city – In the shadow of the steeple
Near the relief office – I see my people
And some are grumblin’ and some are wonderin’
If this land’s still made for you and me.”

Seeger, now almost ninety, half sang and half spoke it at the concert, as the audience bellowed along, and he grinned like a demon through the extra verses.

The clip has been posted on YouTube, with its lines on private property.

HBO has ordered YouTube to take the clip down, on the grounds that they own the recording. True enough, but they could have blinked, or even put the whole concert up themselves. Instead, they created a fine mess.

To make matters worse, HBO has not gone after other clips - the Springsteen piece is still there, undisturbed, with “Let Freedom Ring”.

Various people have reposted it, so HBO has been playing whack-a-mole across YouTube.

You can still find the clip on the net, courtesy of its German broadcasters. The Seeger performance is here. I guess the Europeans bought the internet rights in the package and HBO doesn’t have technical control over that part of the borderless internet.

Thereby hanging several tales on the one epic moment.

The concert, by the way, was supposed to feature a trained eagle flying overhead as Obama arrived, but it crashed. It was so cold it seems the poor bird just went thud.

That mildly pretentious “This machine kills fascists” image of Woody Guthrie has been posted many times on Flickr, along with pictures of variations used as stencil art on public walls. Almost all the posters refuse to use a Creative Commons license, which is like a teeny, teeny version of the HBO brainfart.

Crooked Timber’s commenters were onto it early.


=============

Hak Pak Sak

Pete Seeger, The Machine that Kills Fascists

What I am writing in this post is old news to many in America but not so well known abroad. One of the highlights of the US presidential inauguration celebration last week was a final act of the day-long outdoor public concert held on the Washington Mall — nonagenarian (may he live to be 120!) folksinger legend Pete Seeger joining pop star Bruce Springsteen to lead an audience of tens of thousands in a rousing performance of Woody Guthrie’s “This Land is Your Land.”

Guthrie, a rural- turned urban-folksinger during the Great Depression wrote” This Land is Your Land” in 1940 as a people- rather than divinity-based popular front alternative to Tin Pan Alley composer Irving Berlin’s maudlin “God Bless America.” Berlin’s song, originally written as a Broadway entertainment ditty, made it into the mainstream in the late 1930’s when it became one of the theme songs of North Carolina-born radio singer Kate Smith. By the late-1980s, the song had morphed — beyond anything Russian-Jewish immigrant Berlin might have ever imagined — into an unofficial anthem of the political right. Indeed, at the start of the “War Against Terror” (sic) some Republicans and fellow religious-right-ers wanted to have “God Bless America” declared the US’s official national anthem (not that Francis Scott Key’s bellicose “Star Spangled Banner” isn’t long overdue for replacement). “This Land is Your Land,” on the other hand, has the this-world sentiments that one would expect from a singer-composer whose guitar was emblazoned with the text “This Machine Kills Fascists.” Yet, over the years, the song’s lyrics were bowdlerized into mainstream political acceptability and stripped of a number of sentences and sentiments that once made it an ode to egalitarianism and a challenge to the failings of the status quo.

Pete Seeger is one of the people who has kept American folksong alive and for almost 3/4 of a century. He has also been one of the people who has kept America’s conscience and progressive spirit alive — from his early days using song to challenge America’s economic takeover of Latin America, to his stint with the the politically-hounded Almanac Singers and the less controversial Weavers, to his courageous defiance of the House Un-American Activities Committee and years of house arrest, to his pro-civil rights and anti-Vietnam War years, to his decades as an environmental activist.

And so it was only fitting that on the day of Obama’s inauguration Seeger should lead black and white, young and old, and rich and poor in singing aloud that “This Land is Your Land.” It was no less fitting that he should also present Obama and the country with a challenge and a renewal of activism by reinserting into Guthrie’s song its very timely, long-omitted closing stanzas:

In the squares of the city - By the shadow of the steeple
By the relief office - I saw my people
As they stood there hungry, I stood there wondering
If this land’s still made for you and me.

There was a big high wall there - that tried to stop me;
Sign was painted - it said private property;
But on the other side - it didn’t say nothing;
That side was made for you and me.

Nobody living can ever stop me,
As I go walking - that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me.

Due to censorship in at least one of the countries in which this weblog is read, I am including two links to videos of Seeger’s Inauguration Day performance. The first is on Blip.tv and the second is on the weblog NYC Public School Parents.