Wednesday, August 6, 2014

notloB Parlour Concerts Coming to Washington Square, Brookline - Bring Your Own Couch

Brookline  - In its seventh year of presenting local and touring old-time, traditional and revival folk, Celtic, bluegrass and country blues artists to audiences at the unique venues, volunteer-run and not-for-profit notloB Parlour Concerts - https://sites.google.com/site/notlobmusic/ - will be coming to Brookline’s Washington Square in September for a season of at least three string-based concerts. The venue is the Boston Graduate School of Psychoanalysis, 1581 Beacon St. Couch not included.

Blue Hat, Yeah!
Saturday, September 6, 8pm



Blue Hat, Yeah! is a new band on the forefront of the New England bluegrass and progressive acoustic music scene. Their blend of traditional bluegrass and original instrumentals influenced by jazz, bluegrass and old time music makes them a new voice in the bluegrass world. The band's members have attended Berklee College of Music, The New School For Jazz and Contemporary Music and The New Zealand School of Music and each bring a diverse background of traditional music to the group.

"Blue Hat, Yeah!  is the name of this ambitious group of fine, young musicians whom are working hard at creating their own brand of Acoustic/Bluegrass music. Hailing from the Boston area and having studied our genre, they are constantly working, honing, and raring to go; showcasing to the world what they have to offer. This is a refreshing, young band with tasteful material, smiles, and a hunger for people to hear and enjoy what they have to offer. Keep your eyes and ears on this aspiring band in the future."
Jesse Brock Mandolin/vocals The Gibson Brothers

Bronwyn Keith-Hynes, Fiddle
Bronwyn Keith
Hynes is a Boston-based musician originally from Charlottesville, Virginia. Accepted on a scholarship to Berklee College of Music at age 16, she graduated in 2013 with a diploma in Violin Performance. Bronwyn is fast gaining recognition for her fiddling in both Irish and Bluegrass circles. Her playing, improvising, and writing is informed by her past five years of intense immersion in the Boston acoustic music scene and time spent studying traditional Irish and Cape Breton music before moving to Boston.  Bronwyn performed with Peter Rowan at the 2013 IBMA and has also performed at The John F. Kennedy Center for Performing Arts; The InterCeltic Festival in Lorient, France and Grey Fox Bluegrass Festival.  This year she was selected to attend the 2014 Savannah Acoustic Music Seminar, held in April, where she will study with artists such as Julian Lage, Bela Fleck and Mike Marshall.  As well as performing with Blue Hat, Yeah!  Bronwyn also performs with the Wes Corbett Trio and The Moonlight Ramblers.

Catherine Bowness, Banjo
Since picking up the banjo at age 12, Catherine (BB) Bowness has travelled throughout New Zealand, Australia and the United States playing and teaching bluegrass music. At age 15, she received the Frank Winter memorial award at the Auckland Folk Festival allowing her to travel to the USA, where she won the Uncle Dave Macon banjo contest in Murfreesboro, TN. She was the first banjo player accepted to the New Zealand School of Music, receiving a Bachelor of Music in Jazz Performance. In 2013, BB was one of just sixteen young musicians selected to attend the Savannah Acoustic Music Seminar, studying with world-class artists such as Julian Lage, Mike Marshall and Darol Anger. Since re-locating to Boston last year she has kept busy recording, performing and teaching in and around Massachusetts.

Nathanial Sabat, Bass
A graduate of the voice program at New York City’s renowned LaGuardia High School, Nate Sabat’s musical roots are in choral singing. However, he started playing bass just before he began at LaGuardia, and, years later, was accepted to the Berklee College of Music as an upright bass principal. There, he has made it a goal to delve into the thriving Boston acoustic music scene, inside and outside of Berklee. To date, he has performed, worked and studied with artists such as Kronos Quartet, The New York Pops, Eugene Friesen and Bruce Molsky. This winter, he was chosen to be one of sixteen young acoustic musicians to attend the Savannah Acoustic Music Seminar in April, and will work with artists such as Bela Fleck, Mike Marshall, and Chris Eldridge. After graduating Berklee, he plans to stay in Boston for a few years to continue to play, record, and compose.

Mike Robinson, Guitar
From the age of six, Mike Robinson has had a guitar in his hands. He was raised in a musical family on a thirty-five foot sailboat that traveled the Caribbean. When he was twelve, Mike and his family moved to Boulder Colorado where he joined his middle school jazz band and began attending bluegrass festivals. At age sixteen he premiered a composition on the first ever CCJA record, "Fourteen Channels" on Tapestry Records. By the time Mike moved to New York City to study at The New School For Jazz and Contemporary Music, he had developed a style of playing and writing that mixed his love of both jazz and bluegrass music. This winter he was accepted to attend the Savannah Music Festival Acoustic Music Seminar, which will be held in April 2014 and where he will be studying with some of the top acoustic musicians in the world. Mike currently lives in New York and is in his third year as a student at the New School. Mike is in high demand as a guitarist and singer in both the jazz and bluegrass music worlds.

Matt Witler, Mandolin
Matt Witler is a Boston based mandolin player. Starting on the fiddle at the age of nine, Matt fell in love with old time and bluegrass music. At the age of 14 he picked up the mandolin and began to study music in earnest. Matt is now in his final semester at the Berklee College of Music. While Matt is rooted in the bluegrass tradition, he has explored and been influenced by Jazz, classical, and pop music. In 2012 Matt won first place in both the mandolin, and flatpick guitar contests at Rockygrass bluegrass festival. Matt is a founding member of the Lonely Heartstring Band, a progressive acoustic band that is quickly gaining acclaim in the bluegrass community.


Tannahill Weavers w/ Fresh Haggis
Saturday, October 4, 8pm



The Tannahill Weavers are one of Scotland’s premier traditional bands.  Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies.  Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people.  These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can't get better...yet continue to do just that.  

The Tannahills have turned their acoustic excitement loose on audiences with an electrifying effect.  They have that unique combination of traditional melodies, driving rhythmic accompaniment, and rich vocals that make their performances unforgettable.  As the Winnipeg Free Press noted, "The Tannahill Weavers - properly harnessed - could probably power and entire city for a year on the strength of last night's concert alone.  The music may be old-time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll."  

Born of a session in Paisley, Scotland, and named for the town's historic weaving industry and local poet laureate Robert Tannahill, the group has made an international name for its special brand of Scottish music, blending the beauty of traditional melodies with the power of modern rhythms.  Over the years the Tannies have been trailblazers for Scottish music, and their tight harmonies and powerful, inventive arrangements have won them fans from beyond the folk and Celtic music scenes.  They are firmly established as one of the premier groups on the concert stage.  From reflective ballads to footstomping reels and jigs, the variety and range of the material they perform is matched only by their enthusiasm and lively Celtic spirits.  

"An especially eloquent mixture of the old and the new."  New York Times  

"Scotland's Tannahill Weavers play acoustic instruments, but the atmosphere at their shows is electric.  The quintet is as tight and as versatile as any band in the Celtic music revival.  They can summon rock 'n' roll intensity or haunting introspection."  The Boston Globe

"...as close to perfect as it gets in an imperfect world."  Sing Out!

Fresh Haggis is a dynamic new band formed of some of the finest young up-and-coming musicians on the Boston Celtic-music scene. Composed of border piper/singer Elias Alexander, guitarist/singer Eamon Sefton, and fiddler/singer Kathleen Parks, the group celebrates the continued vibrancy of the Irish and Scottish musical traditions through youthful, passionate arrangements of songs and tunes, including some original compositions within the style. Traditional music at the peak of exuberance! 




Mr. Sun
Sunday, November 30, 8pm

Mr.Sun, A 21st Century string band.... multi-generational hot shots !
Darol Anger, Joe Walsh, Grant Gordy & Ethan Jodziewicz



Mr. Sun is the name of a new musical project: Darol Anger, Joe Walsh on mandolin (Gibson Brothers, himself), Grant Gordy on guitar (David Grisman, Jake Schepps) and Ethan Jodziewicz on acoustic bass.

This will be an intimate show with Acoustic Music’s finest stars of any generation... Four generations of the most creative minds in American String Band Music...  Including an original co-founder of the DGQ. This is an opportunity to hear these instruments in the setting they were designed for, interpreting music from the entire swath of America’s Songbook at the highest level...

Legendary fiddler Darol Anger, youthful guitar whiz Grant Gordy, and the redoubtable mandolinist Joe Walsh have all spent their lives moving from place to place, adopting a town and moving on, toward an magisterial knowledge of the physical and psychic terrains that make up the Americas.  Though each is of a different generation, they've walked similar musical paths, exploring the worlds of bluegrass, blues, jazz, and old-time, on their way to mastery of their chosen instruments. Day by day, they deepen their fluency in the vast swath of dialects that comprise American roots music.

DAROL ANGER
Fiddler, composer, producer and educator, Darol Anger is at home in a number of musical genres, some of which he helped to invent. Exceptional among modern fiddlers for his versatility and depth, Anger has helped drive the evolution of the contemporary string band through his involvement with numerous pathbreaking ensembles such as his Republic Of Strings, the Turtle Island String Quartet, the David Grisman Quintet, Montreux, his Duo with Mike Marshall, and others. He has performed and taught all over the world with musicians such as Dr. Billy Taylor, Bela Fleck, Bill Evans, Edgar Meyer, Bill Frisell, Tony Rice, Tim O’Brien, Anonymous 4, Marin Alsop and the Cabrillo Orchestra, the Detroit Symphony, Mark O’Connor, and Stephane Grappelli. Today Darol can be heard on NPR's "Car Talk" theme every week, along with Earl Scruggs, David Grisman and Tony Rice. He was also the violinist on the phenomenally popular Sim City computer games. In addition to performing all over the world, he has recorded and produced scores of important recordings since 1977, is a MacDowell and UCross Fellow, and has received numerous composers’ residencies and grants. He has been a featured soloist on dozens of recordings and motion picture soundtracks. He is an Associate Professor at the prestigious Berklee School of music. He recently began an ambitious online Fiddle School at ArtistWorks.com. His website is www.darolanger.com

GRANT GORDY
Assuming the guitarist role in the fabled David Grisman Quintet, a spot previously held by such notables as Tony Rice, Mark O’Connor, Frank Vignola and Mike Marshall, has confirmed Grant Gordy as a pre-eminent young voice on acoustic guitar. David Grisman says Gordy “belongs to the new elite of American acoustic practitioners who are pushing the ever-expanding envelope of a musical frontier.”

His work has been widely recognized for its consistent excellence and diversity. He was featured on the covers of Flatpicking Guitar Magazine and Japan’s premier bluegrass magazine, Moonshiner. He was recently written up in Just Jazz Guitar and in 2010, Acoustic Guitar Magazine celebrated his debut CD in its Top Ten Acoustic Albums of the Year.
Gordy’s music has been heard on National Public Radio’s Morning Edition, All Things Considered and the prestigious Tiny Desk Concerts. Gordy was selected in 2006 to be one of 15 participants in Carnegie Hall’s “Porous Borders of Music” workshop, led by acoustic music legends Edgar Meyer and Mike Marshall. He’s played at Bonnaroo Music Festival, the Montréal Jazz Festival, Carnegie Hall, Hardly Strictly Bluegrass Festival in San Francisco and in the UK and Russia.

Gordy was drawn to the guitar early on as a means of expression and intellectual curiosity. Moving to Colorado from Oregon in his 20s opened his horizons as he began playing in a wide range of different styles.

Now based in New York, Gordy’s diverse musical gifts make him the ideal all-around guitarist for one of the world’s most varied musical cities. He’s currently focused on writing new original material, delving headlong into the Big Apple’s extraordinary jazz scene, continuing to tour with Grisman and other collaborators, teaching, and as always, staying open to new musical experiences.

"The young bluegrass/jazz virtuoso’s recording debut is an inspired, ambitious, coherent collection of original compositions for string jazz quartet (guitar, fiddle, mandolin, bass) that ranks with the best of his employer, David Grisman.” --Acoustic Guitar Magazine

JOE WALSH
Recognized as one of the foremost contemporary mandolinists, Joe has also won acclaim and affection for his vocals and his talents on a number of other instruments, including guitar and octave mandolin. Legendary fiddler Darol Anger called “one of my favorite musicians on earth.” With two solo albums to his credit, he toured internationally with the award-winning bluegrass supergroup The Gibson Brothers.
In the spring of 2011 Joe released his second solo record, “Sweet Loam,” which features several of his recent compositions and new arrangements of some more familiar songs. An exceptional cast of musicians joins him, including Mike Block, Scott Law, Karl Doty, Lauren Rioux, and Darol Anger, who also co-produced the record with Joe.  In the Fall of 2011 Joe returned to Berklee as both a mandolin instructor and as Managing Director of the American Roots Music Program.

ETHAN JODZIEWICZ
Ethan Jodziewicz currently studies at Curtis Institute with Edgar Meyer. Making a musical home for Mr Sun in the space around and between the great American roots styles, this quartet draws from all of their varied backgrounds (Grammy-nominated fiddle music and jazz, award-winning bluegrass, indie/pop grass, new acoustic string bands, and classical music) in crafting a sound all their own, and is drawing all the right kind of attention for their new musical work.

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notloB Folk Concerts has produced not-for-profit concerts in the greater Boston area since 2007. The series is volunteer-run; 100% of the donations go to the musicians and production expenses. No still, video or sound recording is permitted without permission of the artist and the house.

"In this era of pop-driven acoustic music, notloB is keeping the folk tradition alive."
~ Jack Hardy

Tuesday, August 5, 2014

Last Call for Fresh Grass Band Contestants


Last Call: FreshGrass Award Submissions

Sign-up for the FreshGrass Award closes today, Tuesday, August 5, at midnightbefore this year's FreshGrass festival on September 19-21. Prizes total $15,000, as this year's contest expands to three categories — Best Band, Best Duo, and Best Banjo — judged by an all-star cast of bluegrass artists, Alison Brown, Chris Pandoli, and The Gibson Brothers
via Fresh Grass newsletter.
We believe they mean Chris Pandolfi
Marketeers really should have their newsletters proofread by someone familiar with the artists prior to sending.

Friday, July 25, 2014

WUML to live broadcast (again) from Lowell Folk Festival

If you cannot attend this year's Lowell Folk Festival, tune in to WUML.
If you do plan to attend, drop by to visit the student producer/hosts, who will be set up just as you see below, from the top of Boarding House Park (main stage).


We kick things off live from Boarding House Park at 6:30 tonight. #tunein#lowellfolkfestival #radio

Photo: We kick things off live from Boarding House Park at 6:30 tonight. #tunein #lowellfolkfestival #radio

Wednesday, July 23, 2014

Revels Announces 11th Annual RiverSing

11th Annual Revels RiverSing
A Family Celebration of the Autumnal Equinox
Sunday, September 21, 2014
Harvard Square and along the banks of the Charles River in Cambridge
FREE!
Learn more

One magical night each year, Revels waves goodbye to summer and welcomes in the fall with music, poetry and song.  This year's celebration includes family festivities in Harvard Square, a puppet-filled parade, and a glorious night of singing together as we revel in the change of season amidst the beauty of the Charles River and its parklands. 

Revels music director George Emlen hosts the night, sharing the stage with guest soloists, song leaders David Coffin and Stan Strickland, folksingers Chris and Meredith Thompson, and the 80-member RiverSing Chorus of adults and children.  Gabriel Q's giant illuminated butterflies and the Puppeteer's Cooperative's whimsical puppets will provide appropriate atmosphere.  There will be other surprises as well (this is Revels, after all) so "Save the Date,"  tell your friends, and come be a part of this growing  family tradition! 

Learn more  

Tuesday, July 15, 2014

Crooked Still Announces Three New England Reunion Shows!


November 28, 29 & 30.
Just received by email from Crooked Still.



Crooked Still Reunion Shows!

Hi Everyone,

It's been a long time since we've had any news to send out!  

For the first time since 2012, Crooked Still will reunite for three very special New England shows on November 28th, 29th, and 30th.  The first performance will take place at the Strand Theatre in Rockland, ME (Nov. 28), followed by shows at the Sinclair in Cambridge, MA (Nov. 29) and the Academy of Music Theater in Northampton, MA (Nov. 30).  The Northampton show will be part of a series of events celebrating the 20th anniversary of Signature Sounds, the band’s Northampton-based record label.

After a decade of constant activity, the members of Crooked Still decided to take a break from touring in 2012 in order to pursue other projects and recharge creatively.  One year quickly became three as Aoife O'Donovan made an acclaimed solo CD, Greg Liszt toured and recorded with his band the Deadly Gentlemen, and Corey DiMario, Brittany Haas, and Tristan Clarridge all collaborated with a long list of acoustic music’s top artists.  

Tickets for The Strand and The Sinclair shows will go on sale on July 18.  The Northampton show will go on sale in early September so stay tuned for more details!

www.signaturesounds.com


Until November, here's a little info on what we are all up to!

Aoife has been romping all over the world in support of her critically acclaimed 2013 release, Fossils. Summer '14 highlights have included Glastonbury (UK), Roskilde (DK), Orkney Folk Festival (UK) and Telluride Bluegrass (CO), with upcoming performances at GreyFox (NY), Ossipee (ME) Newport Folk (RI) and Falcon Ridge (NY). Colorado take note: tomorrow, July 15, Aoife sings at the gorgeous Chautauqua Auditorium (Boulder) with luminaries My Brightest Diamond and Olga Bell, in a special collaborative concert presented buy the Colorado Music Festival. Details at www.aoifeodonovan.com

Brittany has been traveling nonstop this year, teaching at various music camps in various countries (England, Denmark, Canada & all over the states) and playing all sorts of gigs with many friends and heroes (recently she and cellist Tristan Clarridge played a gig in Harstad, Norway with Väsen guitarist Roger Tallroth and hardanger fiddler Annbjørn Lien). Most excitingly, she is releasing her debut album with trio Haas Kowert Tice (featuring Punch Brothers' bassist Paul Kowert and guitarist Jordan Tice) tomorrow--July 15! It's available all over the internet and in real life at their release shows in the northeast. Details here: haaskowerttice.com. They'll be playing several festivals to support it--Ossipee (ME), Grand Targhee (WY), Four Corners (CO), Freshgrass (MA), etc.

Greg has a very full schedule with the Deadly Gentlemen with appearance at some of the best festivals in the country.  www.deadlygentlemen.com

Tristan continues to roam the woods of California, teach at music camps, and tour all over the place with the Bee Eaters.  www.beeeaters.com

Corey is hard at work in VT with his family and is in demand as a bassist for hire.  You can catch him with the likes of Irish singer Karan Casey, The David Wax Museum, The Sweetback Sisters, as well as with singer and fiddler Lissa Schneckenburger.

Monday, June 30, 2014

Valley Stage Festival, Huntington, VT, 8/9/14

The annual Valley Stage Festival - http://www.valleystage.net/ - brings everything from gospel to country, rock, and bluegrass to the Green Mountains. Today is the last day to buy Valley Stage Early Bird Tickets. Purchase by going tohttp://valleystage.net/concerts-festivals/valley-stage-music-festival/tickets.html.

August 9th, 2014
Blackbird Swale Huntington, VT

The Deadly Gentlemen 
The Defibulators
Hot Flannel
The Crunchy Western Boys
Cricket Blue


Sunday, June 29, 2014

Blue Hat, Yeah! To Inaugurate notloB's New Brookline Home

notloB promises to be lollygagging at festivals during June, July and August, but when it returns in September Blue Hat, Yeah! will kick off the fall season in its new 100 seat Washington Square Brookline venue, located on the "C" green line with plenty of street parking and close to over a dozen restaurants.


The not-for-profit Notlob Parlour Concerts series, now in its seveth year, is seeking neighborhood restaurant partner relationship(s) who would, in exchange for increased business, give concert patrons an incentive in the form of a free appetizer, dessert or percentage off their food tab.

notloB Parlour Concerts presents...
Blue Hat, Yeah!

Bronwyn Keith-Hines, fiddle
Nathaniel Sabat, Bass
Mike Robinson, Guitar
Catherine Bowness, Banjo
Matt Wittler, mandolin
http://www.bluehatyeah.com/
Saturday, September 6, 2014 from 8:00 PM to 10:00 PM 
Boston Graduate School of Psychoanalysis*, 1581 Beacon St, Brookline, MA 02446

Minimum suggested donation $12 general public, $10 students.
Reservations are very highly recommended!
http://notlobparlourconcerts.eventbrite.com/
Reservations will be honored until 7:50pm, at which time walk-in's will be admitted on a first-come/first-served, space-available basis.
Don't be left out, RESERVE NOW! 




Blue Hat, Yeah! is a new band on the forefront of the New England bluegrass and progressive acoustic music scene. Their blend of traditional bluegrass and original instrumentals influenced by jazz, bluegrass and old time music makes them a new voice in the bluegrass world. The band's members have attended Berklee College of Music, The New School For Jazz and Contemporary Music and The New Zealand School of Music and each bring a diverse background of traditional music to the group.

"Blue Hat, Yeah! is the name of this ambitious group of fine, young musicians whom are working hard at creating their own brand of Acoustic/Bluegrass music. Hailing from the Boston area and having studied our genre, they are constantly working, honing, and raring to go; showcasing to the world what they have to offer. This is a refreshing, young band with tasteful material, smiles, and a hunger for people to hear and enjoy what they have to offer. Keep your eyes and ears on this aspiring band in the future."
Jesse Brock Mandolin/vocals The Gibson Brothers

Bronwyn Keith-Hynes, Fiddle
Bronwyn Keith‐Hynes is a Boston-based musician originally from Charlottesville, Virginia. Accepted on a scholarship to Berklee College of Music at age 16, she graduated in 2013 with a diploma in Violin Performance. Bronwyn is fast gaining recognition for her fiddling in both Irish and Bluegrass circles. Her playing, improvising, and writing is informed by her past five years of intense immersion in the Boston acoustic music scene and time spent studying traditional Irish and Cape Breton music before moving to Boston. Bronwyn performed with Peter Rowan at the 2013 IBMA and has also performed at The John F. Kennedy Center for Performing Arts; The Inter‐Celtic Festival in Lorient, France and Grey Fox Bluegrass Festival. This year she was selected to attend the 2014 Savannah Acoustic Music Seminar, held in April, where she will study with artists such as Julian Lage, Bela Fleck and Mike Marshall. As well as performing with Blue Hat, Yeah! Bronwyn also performs with the Wes Corbett Trio and The Moonlight Ramblers.

Catherine Bowness, Banjo
Since picking up the banjo at age 12, Catherine (BB) Bowness has travelled throughout New Zealand, Australia and the United States playing and teaching bluegrass music. At age 15, she received the Frank Winter memorial award at the Auckland Folk Festival allowing her to travel to the USA, where she won the Uncle Dave Macon banjo contest in Murfreesboro, TN. She was the first banjo player accepted to the New Zealand School of Music, receiving a Bachelor of Music in Jazz Performance. In 2013, BB was one of just sixteen young musicians selected to attend the Savannah Acoustic Music Seminar, studying with world-class artists such as Julian Lage, Mike Marshall and Darol Anger. Since re-locating to Boston last year she has kept busy recording, performing and teaching in and around Massachusetts.

Nathanial Sabat, Bass
A graduate of the voice program at New York City’s renowned LaGuardia High School, Nate Sabat’s musical roots are in choral singing. However, he started playing bass just before he began at LaGuardia, and, years later, was accepted to the Berklee College of Music as an upright bass principal. There, he has made it a goal to delve into the thriving Boston acoustic music scene, inside and outside of Berklee. To date, he has performed, worked and studied with artists such as Kronos Quartet, The New York Pops, Eugene Friesen and Bruce Molsky. This winter, he was chosen to be one of sixteen young acoustic musicians to attend the Savannah Acoustic Music Seminar in April, and will work with artists such as Bela Fleck, Mike Marshall, and Chris Eldridge. After graduating Berklee, he plans to stay in Boston for a few years to continue to play, record, and compose.

Mike Robinson, Guitar
From the age of six, Mike Robinson has had a guitar in his hands. He was raised in a musical family on a thirty-five foot sailboat that traveled the Caribbean. When he was twelve, Mike and his family moved to Boulder Colorado where he joined his middle school jazz band and began attending bluegrass festivals. At age sixteen he premiered a composition on the first ever CCJA record, "Fourteen Channels" on Tapestry Records. By the time Mike moved to New York City to study at The New School For Jazz and Contemporary Music, he had developed a style of playing and writing that mixed his love of both jazz and bluegrass music. This winter he was accepted to attend the Savannah Music Festival Acoustic Music Seminar, which will be held in April 2014 and where he will be studying with some of the top acoustic musicians in the world. Mike currently lives in New York and is in his third year as a student at the New School. Mike is in high demand as a guitarist and singer in both the jazz and bluegrass music worlds.

Matt Witler, Mandolin
Matt Witler is a Boston based mandolin player. Starting on the fiddle at the age of nine, Matt fell in love with old time and bluegrass music. At the age of 14 he picked up the mandolin and began to study music in earnest. Matt is now in his final semester at the Berklee College of Music. While Matt is rooted in the bluegrass tradition, he has explored and been influenced by Jazz, classical, and pop music. In 2012 Matt won first place in both the mandolin, and flatpick guitar contests at Rockygrass bluegrass festival. Matt is a founding member of the Lonely Heartstring Band, a progressive acoustic band that is quickly gaining acclaim in the bluegrass community.

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*NOTE: Although the concert hall is handicap accessible, BGSP's restrooms are not. Sorry for any inconvenience.