|Notlob "kitchen concerts"|
Newton – The Newton History Museum is proud to announce a new acoustic music series to be presented at the historic Jackson Homestead, 527 Washington St., Newton, MA 02458, located at the corner of Washington Street and Jackson Road, between Newton Corner and Newtonville. The series is produced by Jeff Boudreau, who presents similar concerts as a hobby and labor of love in Boston, Cambridge, Somerville and Arlington under the name Notlob Folk Concerts ~ http://notlobmusic.googlepages.com. Having produced 27 “parlour” concerts at the historic Loring-Greenough House in Jamaica Plain from June 2006 to June 2007, Boudreau had been searching for a similar venue since the Jamaica Plain Tuesday Club decided to terminate all indoor events except guided tours. “The Loring-Greenough House was a wonderful venue for music, but proved to be too delicate for use of up to 40 patrons. The Jackson Homestead will be a worthy successor.” The Jackson Homestead performance space is actually the homestead’s former kitchen, so instead of “parlor concerts” the Newton series will be dubbed “kitchen concerts”. With a capacity of 30, slightly less than the Loring-Greenough House, the acoustic concerts will be intimate affairs.
Genres to be presented will include Celtic, Quebecquois, pre-war and country blues and traditional folk music, as well as poetry and spoken word. “There's the whole "kitchen racket" (i.e. jamming in the kitchen) ethos in Celtic and American roots music, so the appellation fits”, explains Boudreau.
“So many wonderful musicians live in and pass through the greater Boston area, the problem, if one can call it that, is choosing ones that fit the environment.” Boudreau will focus on local and rising talent, and has asked BCMFest (Boston Celtic Music Festival) director and Newton resident Sean Smith to lead the first concert, dubbed a “Celtic kitchen ceilidh.” Another talent source will be nationally touring “name” musicians performing mid-week. “They need to earn an income while on the road between big gigs, so if they are flexible so will we.”
Suggested donation is initially set at $10-15 at the door, $7.50-10 with advance reservation to firstname.lastname@example.org at least 24 hours in advance. Discounts for seniors and students with ID. Immediate family maximum $35-40. Exact prices will be determined in the near future and published to the venue and Notlob websites and mailing lists.
“All of my concerts are run on the house concert model. All door donations are used for expenses and to pay the musicians. This keeps cost of admission low so more members of the community can attend,” explains Boudreau.
Volunteers and service organization partners are needed. Contact Boudreau through the reservations email address.
Patrons can stay informed of the concert schedule in one of three ways:
- Visit the The Newton History Museum website - http://www.ci.newton.ma.us/jackson, register to receive its newsletter.
- Subscribe to the Notlob Folk Concerts mailing list - http://www.reverbnation.com/notlob
- Bookmark the Notlob Folk Concerts website - http://notlobmusic.googlepages.com
Saturday, May 16
Celtic kitchen ceilidh
Newton kitchen Celtic ceilidh, led by Sean Smith, featuring Katie McNally and Doug Lamey
Friday, June 19
Minimalist, down-tempo blues
Saturday, July 11
Pre-war & country blues
Marylou Ferrante & US Sam
Saturday, August 15
Spoken word, poetry & folk
Tim Mason & Tom Begich
Whether in concert or just among friends, Sean has long enjoyed playing music and singing songs from the traditions of England, Ireland and Scotland. Sean has performed as a soloist and as a member of several bands (not necessarily all at the same time) at places like Club Passim, the Boston Celtic Music Fest, Springstep and the Blackstone Valley Celtic Festival. He also tries to get out regularly to sessions around Boston, whether in pubs or parlors.
Hogan was born out of the deep muck of the River Charles’ banks - literally - in the old wing of Mount Auburn Hospital, Cambridge, Massachusetts circa 1980. He’s fourth generation, somehow, in a city where transience is all but a given; coming from a long line of police officers and butchers, undertakers and nurses.
As a teenager Brendan was an outsider and introvert, preferring the sound and mystery of music to bubble gum and gossip. Being from the Northeast and coming up in a family of type-A personalities, the blues did not come to Brendan so much as he frantically sought it out. In high school, Robert Johnson’s 1930s Columbia recordings were on steady rotation in his bedroom stereo as he slept. Brendan thought it would become a part of him through osmosis, and it did. As most kids discovered Blind Melon, Brendan found Blind Lemon Jefferson. In his tastes, Lead Belly has always precluded Led Zeppelin.
Brendan has indeed made a name for himself as solo artist and as a regular member of the traveling caravan of young Cambridge and Somerville-based singer/songwriters. His initial foray into the blues, combined with good musicianship, has resulted in Brendan becoming just a damn fine songwriter. As with the finest examples of Lucinda Williams, he manages to let the blues influence good songs instead of always being the focus.
It’s been said that there are innovators and there are curators. Brendan Hogan manages to be both. Not long after he was old enough to have a beer at a bar, he began hosting and producing 'Blues on WGBH', imparting a wealth of knowledge to radio listeners, introducing them to old blues classics and forgotten tunes as well as new artists from the Boston area and beyond..
"Brendan Hogan is a Zen warrior for the blues — a talented country style picker, singer, songwriter and performer...." – Ted Drozdowski, The Boston Phoenix.
With residencies at renowned Boston area venues and a consistent touring schedule, Brendan Hogan is rapidly making a name for himself as a performer locally and beyond.
This is Breandan’s second Notlob concert, having performed with Danielle Miraglia and Tom Bianchi at the Loring-Greenough House on July 20, 2007.
Marylou Ferrante was described by music critic and writer, Daniel Gewertz, in the Boston Herald, as the Bay State's finest female acoustic blues interpreter.
Marylou is an artist who performs pre-war blues from the 1920's & 30's. She covers major artists from the delta to east coast piedmont style players such as Robert Johnson, Charlie Patton, Blind Boy Fuller and Memphis Minnie along with mandolin players such as Yank Rachell.
Her passionate expression of these old songs comes from a love of the music and the arrangements themselves, as well as what she says is an appreciation for "the history of these folks and the difficult circumstances they endured."
Marylou has honed her craft listening to the old recordings and learning from some of the great blues players today such as Paul Rishell, Guy Davis, Robert Jones and mandolin great Rich DelGrosso. Marylou has taught at The Cellar Studio, Salem MA
- "Marylou is a killer. I have watched her grow, and now she's taking over. Blues lovers look out!"... GUY DAVIS
- "Marylou has the soul of a blues Woman" Detroit's Blues Man... ROBERT JONES
This is Marylou’s second Notlob concert, having opened for and played with Dennis Brannan at the Loring-Greenough House on October 6, 2007.
The Saga of U.S. SAM..... Wanted:Fer Rustlin' & Butcherin' Rock'n Country & Blues Songs! Along With His Faithful Guitar, "Grace", Some Harmonicas, "SAM"bourines, and A Saddle Bag Full Of Original & Older & Newer Cover Songs, They Roam Wild & Free Across The Wastelands of Samerica! Samerica? Is He Loco? Si'!
Timothy Mason has been actively promoting poetry and folk music in greater Boston since the mid 1980's. A member of the first National Poetry Slam Team from Boston in 1991 and the first Worcester Team in 1993, he honed his performance style around the campfires of the fabled Kerrville Folk Festival giving the songwriters a run for their money.
An extensive background in human services, three years volunteering for a telephone crisis intervention hotline, training as a rape crisis counselor, four years working with developmentally disabled adults, a stint with court-involved youth, and eight years volunteering in a battered women's shelter have given him a unique empathy with the quiet battles of daily survival.
Born in the Midwest and raised in North America, his family eventually settled in Salt Lake City, Utah, which he still calls home, although he has been a New Englander for well over two decades. On the east side of the Big River, he hails from Worcester, Massachusetts, and "The People's Republic of Cambridge". Currently he resides in Fort Point, South Boston. He supports himself by booking folk music into Club Passim, the legendary Harvard Square coffeehouse, and recently at Capo's in Lowell MA.
Prior to programming Club Passim, he brought The Old Vienna Kaffeehaus in Westborough, Massachusetts, to national prominence.
"His insight is genuinely hip because it is accessible.
And sensible. And kind."
As an undergraduate at The University of Utah he chaired the student committee responsible for bringing The Rocky Horror Picture Show to the big screen behind "the Zion curtain quot;. Mason later attended graduate school at Antioch New England in Keene, New Hampshire, earning a Master's degree in Organization and Management. He was voted "Most Standardly Deviated" and "Most Ambiguous". He thought it best to avoid the corporate world. Thus far he has achieved this goal.
His poetry is drawn from his diverse experiences and is written to be performed aloud. He has collaborated with musicians on a number of occasions, including recording the cassette single Saddam's Insane with prize-winning guitarist Geoff Bartley. Saddam's Insane aired on National Public Radio's HEAT show at the onset of the Gulf War.
"You reminded me of the Russian poet Yvegeny Yevtushenko in his earliest and best days."
The late '90's and early '00's have seen Mason's poetry reach a new maturity. His first book Gently, Like Water, Cracking Stone was released in April 1997. The 50-page perfect bound volume includes a CD of live performance. Introduced by social activist Barry Crimmins, this volume has opened many doors and its innovative presentation has caught the attention of many artists and audiences alike. Recent festival and club appearances have enabled Mason to reach a wider audience and solidified his place among contemporary New England artists. With his release of the full length CD "Bloodlines" which features music by award winning musician Geoff Bartley and follow up collaboration "Bones and Breath" where they continue to break new and dynamic ground using a format that combines song and poem into a seamless new creation. The fully produced album plays with a complete musical background.
"It’s the words that tell the story." That is Tom Begich. The bohemian son of a family steeped in Alaska politics and the product of a life of music, Tom’s music resonates with stories and the conflicts of the human condition.
Part of the Alaska music scene in the early 1980’s, Tom dropped out and tuned in to the world of politics and business for a decade before finding his way back to local coffee shops, street corners, and music festivals. Since returning to performing and recording, Tom has opened for recording artists Stephen Fearing, Don Morrell, Paul Geremia, and Kim Richey. Tom also hosted a monthly Songwriter’s Showcase in his hometown of Anchorage for three years and has performed live on numerous radio stations and on the nationally syndicated radio show “West Coast Live” (October 1999).
Tom has released four CDs, "Such a World" in 1997, "Hotel Metropol" in 1999, and “Albuquerque Road” in 2001. His latest CD, “Cool Blue Light”, was released November 20, 2004 and has already garnered favorable reviews.
Tom continues to play in Alaska and small venues throughout the country. Citing musicians as different as Taj Mahal, Harry Chapin, and Christopher Parkening as influences, Tom combines an easy picking style with blues rhythms and storytelling skill to create a musical montage that is always interesting to the ear. His music includes a wide-variety of music ranging from acoustic instrumentals to blues and folk rock. A musician with a wholly original sound, Tom Begich will keep you humming for more long after he’s done.