Friday, September 14, 2012

49th Anniversary of the 16th Street Baptist Church Bombing

The NEFolk calendar reminds us that tomorrow, September 15, is the 49th anniversary of the 16th Street Baptist Church bombing, a cowardly and despicable act of terrorism and racism perpetrated by Bobby Frank Cherry, Thomas Blanton, Herman Frank Cash, and Robert Chambliss, members of United Klans of America, a Ku Klux Klan group.
Four girls, Addie Mae Collins (age 14), Denise McNair (age 11), Carole Robertson (age 14), and Cynthia Wesley (age 14), were killed in the attack, and 22 additional people were injured, one of whom was Addie Mae Collins' younger sister, Sarah. The explosion blew a hole in the church's rear wall, destroyed the back steps and all but one stained-glass window, which showed Christ leading a group of little children.



Barnes Newbury, host of "My Back Pages" on WMVY, Martha's Vineyard, posted this today on his Facebook personal page

Tomorrow on My Back Pages we will hear a set dedicated to four little girls in what has now become known as Birmingham Sunday. On the 15th of September, 1963, four young Sunday school girls were murdered in Birmingham, Alabama when a bomb blew up in the basement of the 16th Street Baptist Church, allegedly by the KKK. Terrorism, pure and simple. This horrific event would play a huge role in passing the Civil Rights Act of 1964...Please join us at 8 am @mvyradio.com



From wiki

The 16th Street Baptist Church in Birmingham, Alabama was bombed on Sunday, September 15, 1963 as an act of racially motivated terrorism. The explosion at the African-American church, which killed four girls, marked a turning point in the U.S. 1960s Civil Rights Movement and contributed to support for passage of the Civil Rights Act of 1964.

Although city leaders had reached a settlement in May with demonstrators and started to integrate public places, not everyone agreed with ending segregation. Bombings and other acts of violence followed the settlement, and the church had become an inviting target. The three-story 16th Street Baptist Church in Birmingham, Alabama had been a rallying point for civil rights activities through the spring of 1963, and was where the students who were arrested during the 1963 Birmingham campaign's Children's Crusade were trained. The church was used as a meeting-place for civil rights leaders such as Martin Luther King, Jr.Ralph David Abernathy and Fred Shuttlesworth. Tensions were escalated when the Southern Christian Leadership Conference (SCLC) and the Congress on Racial Equality (CORE) became involved in a campaign to register African Americans to vote in Birmingham.
Still, the campaign was successful. The demonstrations led to an agreement in May between the city's African-American leaders and the Southern Christian Leadership Conference (SCLC) to integrate public facilities in the country.
In the early morning of Sunday, September 15, 1963, Bobby Frank CherryThomas BlantonHerman Frank Cash, and Robert Chambliss, members of United Klans of America, a Ku Klux Klan group, planted a box of dynamite with a time delay under the steps of the church, near the basement. At about 10:22 a.m., twenty-six children were walking into the basement assembly room to prepare for the sermon entitled “The Love That Forgives,” when the bomb exploded. Four girls, Addie Mae Collins (age 14), Denise McNair (age 11), Carole Robertson (age 14), and Cynthia Wesley (age 14), were killed in the attack, and 22 additional people were injured, one of whom was Addie Mae Collins' younger sister, Sarah.[1] The explosion blew a hole in the church's rear wall, destroyed the back steps and all but one stained-glass window, which showed Christ leading a group of little children.[2]


Case

On the morning of the bombing, a white man was seen getting out of a white and turquoise Chevrolet car and placing a box under the steps of the Sixteenth Street Baptist Church. Soon afterwards, at 10:22 a.m., the bomb exploded, killing Denise McNair (11), Addie Mae Collins (14), Carole Robertson (14) and Cynthia Wesley (14). The four girls had been attending Sunday school classes at the church. Twenty-two other people were also hurt by the blast.
Civil rights activists blamed George Wallace, the Governor of Alabama, for the killings. Nicknamed “Bombingham”, the city has had more than 40 bombings since World War I.[3] Only a week before the bombing Wallace had told The New York Times that to stop integration Alabama needed a "few first-class funerals."
A witness identified Robert Chambliss, a member of the Ku Klux Klan, as the man who placed the bomb under the steps of the Sixteenth Street Baptist Church. He was arrested and charged with murder and possessing a box of 122 sticks of dynamite without a permit. On October 8, 1963, Chambliss was found not guilty of murder and received a hundred-dollar fine and a six-month jail sentence for having the dynamite.
The case was unsolved until Bill Baxley was elected attorney general of Alabama. He requested the original Federal Bureau of Investigation files on the case and discovered that the organization had accumulated a great deal of evidence against Chambliss that had not been used in the original trial.
In November 1977, Chambliss was tried once again for the Sixteenth Street Baptist Church bombing. Now aged 73, Chambliss was found guilty and sentenced to life imprisonment. Chambliss died in an Alabama prison on October 29, 1985.
On May 18, 2000, the FBI announced that the Sixteenth Street Baptist Church bombing had been carried out by the Ku Klux Klan splinter group, the Cahaba Boys. It was claimed that four men, Robert Chambliss, Herman Cash, Thomas Blanton and Bobby Cherry had been responsible for the crime. Cash was dead but Blanton and Cherry were arrested, and both have since been tried and convicted.[citation needed]

[edit]Reactions and aftermath

The explosions increased anger and tension, which was already high in Birmingham. Birmingham’s Mayor Albert Boutwell wept and said, “It is just sickening that a few individuals could commit such a horrible atrocity.” Two more black people were shot to death approximately seven hours following the Sunday morning bombing, including 16-year-old Johnny Robinson and 13-year-old Virgil Ware, who were shot at about the same time. Robinson was shot by police, reportedly after they caught him throwing rocks at cars and he ignored orders to halt as he fled down an alley. Ware was "shot from ambush"[4] as he and his brother rode their bicycles in a residential suburb, 15 miles north of the city; UPI reported: "Two white youths seen riding a motorcycle in the area were sought by police."[5][6]
In spite of everything, the newly-integrated schools continued to meet. Schools had been integrated the previous Tuesday with black and white children in the same classrooms for the first time in that city.[7]
As the news story about the four girls reached the national and international press, many felt that they had not taken the Civil Rights struggle seriously enough. A Milwaukee Sentinel editorial opined, “For the rest of the nation, the Birmingham church bombing should serve to goad the conscience. The deaths…in a sense are on the hands of each of us.”[8]
The city of Birmingham initially offered a $52,000 reward for the arrest of the bombers. Governor George Wallace, an outspoken segregationalist, offered an additional $5,000. However, civil rights activist Dr.Martin Luther King, Jr. wired Wallace that "the blood of four little children ... is on your hands. Your irresponsible and misguided actions have created in Birmingham and Alabama the atmosphere that has induced continued violence and now murder."[2]
Following the tragic event, white strangers visited the grieving families to express their sorrow. At the funeral for three of the girls (one family preferred a separate, private funeral), Martin Luther King, Jr., spoke about life being "as hard as crucible steel." More than 8,000 mourners, including 800 clergymen of all races, attended the service. No city officials attended.[9] The bombing continued to increase worldwide sympathy for the civil rights cause. On July 2, 1964, President Lyndon Johnson signed the Civil Rights Act of 1964, ensuring equal rights of African Americans before the law.

[edit]Later prosecutions

FBI investigations gathered evidence pointing to four suspects: Robert Chambliss, Thomas E. Blanton Jr, Herman Cash, and Bobby Frank Cherry. According to a later report from the Bureau, “By 1965, we had serious suspects—namely, Robert E. Chambliss, Bobby Frank Cherry, Herman Frank Cash, and Thomas E. Blanton, Jr., all KKK members—but witnesses were reluctant to talk and physical evidence was lacking. Also, at that time, information from our surveillances was not admissible in court. As a result, no federal charges were filed in the ’60s.”[10] Although Chambliss was convicted on an explosives charge, no convictions were obtained in the 1960s for the killings.
Alabama Attorney General William Baxley reopened the investigation after he took office in 1971, requesting evidence from the FBI and building trust with key witnesses who had been reluctant to testify in the first trial. The prosecutor had been a student at the University of Alabama when he heard about the bombing in 1963. “I wanted to do something, but I didn’t know what.”[11]
In 1977 former Ku Klux Klansman Robert "Dynamite Bob" Chambliss was indicted in the murder of all four girls, tried and convicted of the first-degree murder of Denise McNair, and sentenced to life in prison. He died eight years later in prison.[12]
Thomas E. Blanton, Jr. was tried in 2001 and found guilty at age 62 of four counts of murder and sentenced to life in prison.[13]
Herman Cash died in 1994 without having been charged. Bobby Frank Cherry, also a former Klansman, was indicted [in 2001] along with Blanton. Judge James Garrett of Jefferson County Circuit Court ruled "that Mr. Cherry's trial would be delayed indefinitely because a court-ordered psychiatric evaluation concluded that he was mentally incompetent.”[14] He was later convicted in 2002, sentenced to life in prison, and died in 2004.[15]

[edit]Remembrances

The Sixteenth Street Baptist Church in 2005

[edit]In film

[edit]In literature

[edit]Poetry

[edit]Prose and plays

  • Four Spirits (2003), a novel by Sena Jeter Naslund, was adapted as a play (2006) by her and Elaine Hughes. The world premiere of the play was on February 7, 2008 at the University of Alabama in Huntsville.
  • The novel Song of Solomon (1977), by Toni Morrison, contains an allusion to this incident.
  • The novel The Watsons Go to Birmingham - 1963 (1995), by Christopher Paul Curtis, conveys the events of the bombing.
  • Carlyn Maull McKinstry's memoir, While the World Watched (2011), provides an eyewitness account of the bombing, the events leading up to it (e.g., the anonymous phone calls made to the church, some of which warned that a bomb would go off, and when), and the climate and life at that time in Birmingham, specifically, and in the Jim Crow South, more generally, as the publisher describes: "from the bombings, riots and assassinations to the historic marches and triumphs that characterized the Civil Rights movement."[16]

[edit]In music

[edit]In other works

Stained glass window donated by the people ofWales after the 1963 bombing of the church. The south-facing window was designed by Welsh artist John Petts and depicts a black Christ with his arms outstretched. The right hand symbolizes oppression, his left is asking for forgiveness. The words "You do it to me" refer to Christ's parable ofthe sheep and the goats.
  • The "Welsh Window" in the church, itself, was sculpted by John Petts, who also initiated a campaign in Wales to raise money to help rebuild the church. The stained glass window depicts a black man, arms outstretched, reminiscent of the Crucifixion of Jesus, and is inscribed: "Given by The People of Wales".[18]

[edit]See also


[edit]References

  1. ^ "16th Street Baptist Church Bombing: Forty Years Later, Birmingham Still Struggles with Violent Past". 2003-09-15. Retrieved 22 November 2010.
  2. a b "Six Dead After Church Bombing"Washington Post. 1963-0-16. Retrieved 2010-11-21.
  3. ^ "New Bomb Blast Hits Birmingham". The Miami News. 1963-09-25.
  4. ^ William O. Bryant (September 11, 1963). "Six Negro Children Killed in Alabama"The Times News (United Press International). Retrieved 6 September 2012.
  5. ^ William O. Bryant (September 11, 1963). "Six Negro Children Killed in Alabama"The Times News (United Press International). Retrieved 6 September 2012.
  6. ^ "Six Dead After Church Bombing Blast Kills Four Children; Riots Follow; Two Youths Slain; State Reinforces Birmingham Police"The Washington Post (United Press International). September 16, 1963. Retrieved 6 September 2012.
  7. ^ "Six Negro Children Killed in Alabama Sunday"The Times-News, Hendersonville, NC. 1963-09-11. Retrieved 2010-11-21.
  8. ^ "Nation’s Shame"The Milwaukee Sentinel. 1963-09-16. Retrieved 2010-11-21.
  9. ^ "We Shall Overcome Historic Places of the Civil Rights Movement"National Public Radio. Archived from the original on 17 December 2007. Retrieved 2007-11-19.
  10. ^ "FBI: A Byte Out of History: The ’63 Baptist Church Bombing".Federal Bureau of Investigation. Archived from the original on 13 October 2010. Retrieved 2010-11-21.
  11. ^ Jenkins, Ray (1977-11-21). "Birmingham Church Bombing Conviction Ended an Obsession of the Prosecutor"The Day (New London, Connecticut). Retrieved 2010-11-21.
  12. ^ "Klansman Guilty in Death"The Pittsburgh Press. 1977-11-19. Retrieved 2010-11-21.
  13. ^ "Former Klansman faces prison in 1963 Killings"The Vindicator. 2001-05-02. Retrieved 2011-04-18.
  14. ^ Sack, Kevin (2001-04-25). "As Church Bombing Trial Begins in Birmingham, the City's Past Is Very Much Present"The New York Times. Retrieved 2010-11-21.
  15. ^ O'Donnell, Michelle (2004-11-19). "Bobby Frank Cherry, 74, Klansman in Bombing, Dies"The New York Times. Retrieved 2009-02-05.
  16. ^ While the World Watched. Tyndale House Publishers. 2/1/2011.
  17. ^ Joan Baez sings "Birmingham Sunday>" link includes lyrics.]
  18. ^ Gary Younge. "The Wales Window of Alabama". Nicola 


Wednesday, September 12, 2012

Newton Native Behind Nation-wide Grassroots Concerts Addressing Marriage Equality and Womyns' Rights


Voices United was co-founded by Newton native singer-songwriter Catie Curtis





VOICES UNITED 

We believe music can be a powerful driver of social change and a way to rally like-minded people to an important cause.
has joined forces with

WHY AMERICANS UNITED?

Americans United for Separation of Church and State (www.au.org) is a 65-year-old organization that is the leading defender of the Constitution’s guarantee that America will remain a democracy and not become a theocracy run according to anybody’s religious agenda. Our current efforts include:
  • Challenging attempts to define marriage and family based on narrow theology
  • Supporting the provision of contraception to all women
  • Preventing religious leaders from electioneering from the pulpit
  • Insisting that candidates and elected officials support the public good, not a narrow religious agenda
  • Defending a strong public school system that welcomes all children
  • Opposing the use of taxpayer dollars to subsidize discriminatory religious schools and “faith-based” ministries

to engage a series of grassroots concerts across the country, September 28 - October 1, 2012

Boston-area performances include


Medford, MA

September 28, 2012 at 7:00 p.m.
$15 suggested donation
September 29, 2012 at 7:00 p.m.
$15 suggested donation

Newton , MA

September 28, 2012 at 7:00 p.m.
Catie Curtis and Special Guests

Newton Lower Falls, MA

September 30, 2012 at 7:00 p.m.


See http://www.voicesunitedconcerts.com/ for additional regional and national events.

WHY VOICES UNITED?

We believe music can be a powerful driver of social change and a way to rally like-minded people to an important cause.

WHY AMERICANS UNITED?

Americans United for Separation of Church and State (www.au.org) is a 65-year-old organization that is the leading defender of the Constitution’s guarantee that America will remain a democracy and not become a theocracy run according to anybody’s religious agenda. Our current efforts include:
  • Challenging attempts to define marriage and family based on narrow theology
  • Supporting the provision of contraception to all women
  • Preventing religious leaders from electioneering from the pulpit
  • Insisting that candidates and elected officials support the public good, not a narrow religious agenda
  • Defending a strong public school system that welcomes all children
  • Opposing the use of taxpayer dollars to subsidize discriminatory religious schools and “faith-based” ministries

WHAT ARE THE GOALS?

We seek to raise the visibility of church-state separation and rally Americans to stand in support of this threatened constitutional principle. This production will also help raise funds for Americans United, a uniquely valuable and effective organization. It is essential for AU to keep doing what it does best: represent in court persons who are targets of religious oppression by government officials, stand up for individual freedom in Congress and the state legislatures and speak out in the media and other public forums.

WHAT OTHER EVENTS HAS AMERICANS UNITED PRODUCED?

Several years ago, Americans United co-produced a two-hour live audience show in Washington, D.C., then aired it in dozens of movie theaters coast to coast; it is now available on DVD. The program was called “Everything You Ever Wanted to Know about the Separation of Church and State – But Were Afraid to Ask" (props to Woody Allen for the title). It included musicians Roy Zimmerman and Catie Curtis, comedian Marc Maron and actors Kevin Bacon, Jack Klugman, Dan Lauria and Wendie Malick along with interviews by Peter Coyote of AU clients and other religious freedom advocates.

WHAT CAN I DO TO HELP?

Want to get involved? Great! Here’s what you can do:
Perform: We still need performers! If you’re interested, go here.
Host: Hold a concert in your home or a larger venue. There are a still a few states without concerts, but even if yours isn’t one, we have room for more. Please fill out this form if you want to host.
Attend: Please sign up for our email list. We will be opening concerts for registration in mid-August and we will send RSVP instructions via email. House concerts will each have a tax-deductible suggested donation that will be collected at the door of the event. There are several club concerts that are selling tickets in advance - click the "Get Tickets" button next to your concert to confirm the reservation method.
Create a Video: We want to know why you support church-state separation! Tell us why in a video, upload it to YouTube, email us the link and we may feature it on our website, Facebook and Twitter! Visit this page for more information, examples and sample scripts to use if you are at a loss for words.
Spread the Word: Use social media. Tell your friends. We’ll help you help us by providing talking points.

LOGISTICS

How will performers be matched up with venues?
If you are a performer willing to donate a concert around the weekend of Sept 28-30, email Catie.
Will I get promotional credit?
If you are a manager of one or more artists, we’d like to give your agency credit in all the publicity about the events. If you have multiple venues you have an interest in promoting you’ll also get national credit.
Who is producing all of this?
Singer/songwriter Catie Curtis and record producer/musician John Jennings.
Is this a partisan or political event?
No. Americans United is a tax-exempt, non-profit organization and does not endorse or oppose candidates. There will, of course, be some discussion of the issues we deal with, but there will be no partisan content. We will not accept funding from any PAC or political party.

ABOUT

Voices United

Since the founding of America, singers, songwriters and performers have been a powerful force for social justice. On September 28 - October 1, 2012, Americans United for Separation of Church and State is sponsoring Voices United for Separation of Church and State, a nationwide weekend of musical events to celebrate – and defend – the vital principle of church-state separation. Entertainers in all 50 states will participate in house concerts and shows at larger venues to bring people together on behalf of our First Amendment freedoms.

Americans United

Americans United for Separation of Church and State represents members and supporters in all 50 states. We come from different religious, political and philosophical viewpoints, but we share a common commitment to church-state separation and individual freedom. Americans United wants to share our message through music, bring together artists to perform at house concerts all across the country, and major concert events in at least six cities. For more about Americans United visit our web site at www.au.org.

John Jennings

Voices United's major concert events are being coordinated by musician/producer John Jennings, a guitarist whose decades-long career spans several genres with top performers. John has produced or performed on albums by Mary Chapin Carpenter, the Indigo Girls, Cheryl Wheeler, George Jones, and a host of others. We are pleased that John is joining with Voices United to produce our major events. Look for more information about the events as it becomes available.

Catie Curtis

When the singer-songwriter movement boomed in the mid-‘90s, Catie Curtis was at its forefront. Now a veteran artist with an 18-year career, Curtis has recorded 11 critically acclaimed solo albums and has had songs featured in numerous TV shows, including “Dawson’s Creek,” “Grey’s Anatomy” and “Alias,” as well as in films such as “500 Miles to Graceland” and “A Slipping Down Life.” She won the Grand Prize in the International Songwriting Competition, several Boston Music Awards and has garnered critical praise along with a loyal fan base. Since the release of her 11th album, Stretch Limousine on Fire, in 2011, Curtis has continued to tour extensively, playing venues ranging from Chicago’s legendary Old Town School of Folk Music to the White House. All this makes Catie a perfect choice for coordinating the more than 50 House Concerts planned by Voices United.
Catie is lending her talents to Voices United for Separation of Church and State because she believes in the cause of freedom of conscience and the right of all Americans to live their lives free  from government-imposed dogma. Catie agrees with Americans United that for religion to be meaningful, it must be freely chosen. The right to believe – or not – as you see fit is the cornerstone of American liberty. Through Voices United, Catie is proud to be working with Americans of all stripes, lifting our voices high in a celebration of freedom.












Monday, September 10, 2012

Richard Wood and Gordon Belsher Workshops and Concert

notloB Parlour Concerts' Fall series continues...


  
notloB Parlour Concerts presents...

Wednesday, October 10 ~ Richard Wood & Gordon Belsher 

Richard Wood and Gordon Belsher


Loring-Greenough House

12 South StreetJamaica Plain

concert preceded by workshops doors 7:30, concert 8:00

Concert suggested donation $19 + $1 preservation fee, JPTC member discount $2. 
Workshops $20 each general public, $18 JPTC members. 

WORKSHOP RESERVATIONS ARE REQUIRED! details below




RICHARD WOOD

"Picture it: A graceful tune to start off a set, with beautiful zippering lines, played while caressing the fiddle to his ear, eyes closed, off in a serene realm in a dance with time, as he lures us there with him. Then a cutting strathspey to kick it into a higher gear as he whoops out loud and smiles at the crowd — a total of six reels in a row, all executed with flawless precision, pounding in rhythm, intoxicating in a firing energy, which brings about numerous fits of 
spontaneous applause from the crowd who spring to their feet in ovation immediately at the set’s end. Wood simply dropped every single jaw in the house — certainly making us all proclaim he is back, and he is better than ever." - Todd MacLean, Charlottetown Guardian.

For more than two decades, Richard Wood has impressed audiences all across Canada, as well as in the US, Europe, and Japan. Highlights include TV guest appearances with Shania Twain on “David Letterman” and “Good Morning America,” Carnegie Hall with Irish legends The Chieftains, a featured performer on CBC’s Canada Day on Parliament Hill, “Rita MacNeil and Friends,” and with Jean Butler of Riverdance on “Celtic Electric.”

Richard has played for Canada’s Prime Minister and Governor General, the Queen of England (in Toronto), and for the Emperor of Japan in Tokyo. In the late 1990s he toured the UK & Europe headlining concert halls and folk festivals. He’s since played at the Lincoln Centre in New York City, Epcot at Disney World, and was a featured performer in the touring fiddle spectacle “Bowfire.”

Richard is proud to have entertained Canada’s armed forces in Bosnia and twice in Afghanistan. He has five previous CD recordings and has won three Canadian East Coast Music Awards. MacLean’s Magazine named him one of the Top 100 Canadians to watch in the 21st Century.

With a new CD, rejuvenated energy and enthusiasm, Richard Wood, Prince Edward Island fiddler, artist, composer and entertainer has taken on the world once again. Richard has come full circle, not just in his musical career, but from the sheltered innocence as a child prodigy to learning life’s lessons the hard way.

"The best or more precisely, the most entertaning fiddler I have ever seen."
Shetland Times

"Prince Edward Island's Bow shredding Fiddling Sensation."
The Scotsman

"See him if you can."
Toplas

"This stepdancing fiddler from Prince Edward Island exudes the qualities which will take him all the way to the top."
Aberdeen Evening Express

"Celtic Prince Conquers U.S. - Country superstar Shania Twain elevates Richard Wood to the summit of U.S. network TV on the David Letterman Show and Good Morning America."
The Toronto Star


GORDON BELSHER


Based in Prince Edward Island on Canada's east coast, Gordon Belsher has been entertaining audiences in Canada and around the world for more than 30 years performing at concerts, ceilidhs, conventions, and pubs.

As accompanist and featured vocalist with Prince Edward Island fiddlers Richard Wood and Cynthia MacLeod, Gordon has toured extensively across Canada, in the U.S., the U.K., Europe, Japan and Australia.

His solo CD Call Up All the Neighbours was nominated for "Roots/Traditional Solo Recording of the Year" at the 2008 East Coast Music Awards. His previous solo recording Reel in the Flickering Light, was also nominated at the 2003 ECMA's in the same category.

Whether playing before large festival crowds or in intimate folk club settings, Gordon Belsher’s engaging personality, charming voice, and versatility on a variety of instruments are a recipe for a memorable evening.

Career Highlights

2011-2012
- Woodford Folk Festival - Queensland, Australia
- Royal Visit! - Performing for the Duke & Duchess of Cambridge in Prince Edward Island
- East Coast Music Awards in Charlottetown performance with Richard Wood & Symphony Nova Scotia - Resident Conductor Martin MacDonald
- Opening for "Capercaillie" at the Celtic Footprint Festival - Chichester, England


Workshops

Prior to their 8pm concert Richard will be offering a one hour fiddle workshop in the parlour for up to 20 participants. Cost $20 general public, $18 JPTC members. At the same time but in another room, Gordon will do either a DADGAD guitar workshop, or a bodhran workshop for up to 5 participants.   

For interest/reservations, email notlobreservations at gmail.com

The concert and workshops are separate admission.


reservation requests to notlobreservations at gmail dot com


notloB website - https://sites.google.com/site/notlobmusic/

Coffee from JP Licks
Pastries from Fiores


Sunday, September 9, 2012

Down the Memory Hole - Passim Folk Music and Cultural Center Re-Branding is Complete

Ref earlier blog entries


Nov 01, 2010
...the Passim Folk Music and Cultural Center has ceased to exist, being re-branded simply as "Passim", the name of the for-profit entity run by the Donlins in the 1980's, but with a very different mission from theirs and from the ...
Feb 13, 2010
The word on the street is Club Passim will soon be officially dropping half of its more commonly used name: "Club Passim" (which is a hybrid that honors its predecessors, the original "Club 47" and 1980's "Passim") will ...
Aug 03, 2010
The word on the street is Club Passim will soon be officially dropping half of its more commonly used name: "Club Passim" (which is a hybrid that honors its predecessors, the original "Club 47" and 1980's "Passim") will ...
Dec 25, 2009
It appears the post-Siggins Passim Folk Music and Cultural Center (otherwise commonly known as "Club Passim", but do not call it "Passim", unless referring to its middle incarnation in the 1980's) penchant for presenting pop ...

,,,it would appear that the re-branding of the Passim Folk Music and Cultural Center is complete. Nowhere in its website, not even in its history page, does it state its official name was once "the Passim Folk Music and Cultural Center." The operative term is "Passim."

http://passim.org/history


History

Club Passim sign and exterior

A Legendary Listening Room
For more than 50 years, Club Passim has presented both new and established performers to the Boston area, garnering national recognition. This historic music venue hosts over 400 shows per year for more than 30,000 listeners. In all of its incarnations, from the original Club 47 (1958-1968) to Passim (1969-1994), and finally Club Passim, the Club has been a special place for both artists and audience members. An intimate room that seats no more than 102 people, this space is the place where musicians like Joan Baez, Tom Rush, Peter Wolf, Patty Larkin, Regina Spektor, Josh Ritter, and Suzanne Vega started out before they began playing at larger venues.



Our Story
Club Passim first opened as a jazz venue in 1958 under the name of Club 47. Shortly after it opened, the club was shut down by the Cambridge police due to local blue laws that prohibited more than three stringed instruments from being played? in a place that served food and beverages. In order to return to making music, the venue obtained a non-profit educational charter and reopened as a private club where patrons became members at the door.
It wasn't long before Club 47 became known for its good music, coffee, and company. Its reputation as an integral part of the Cambridge folk scene began when a friend of the then unknown 17-year-old Joan Baez rented the Club to give Baez a chance to get on stage. Baez quickly built a strong following and became featured regularly. It was at Club 47 that she would introduce Bob Dylan, and he would play between acts.
Club 47 was also one of the first venues in a northern United States city to feature African American blues musicians from the South, hosting artists like Mississippi John Hurt and Jackie Washington. Staff and patrons gave African American musicians a place to stay when Cambridge hotels would not rent to them
In 1968, the Cambridge police shut down the Club once again, but the performers rallied to keep the music going. Supporters soon realized that they had built a strong community around the Club, a community that remains to this day.
When the 1960s came to a close, so did the era of Club 47, but the space was reborn as Passim in 1969. The new owners, Bob and Rae Anne Donlin, worked to keep the venue true to its roots, and they were successful. Passim remained (and still remains) a small venue where the audience members get an intimate musical experience with the artists.
Sub Rosa Photo


Passim Today
Club Passim is a non-profit arts organization whose mission is to create an inspiring and interactive music experience for all. Passim strives to build a vibrant community for artists, students and audience members, which it does through its legendary listening venue and its School of Music.
In order to continue to fulfill this mission and remain financially sound, we need your support. We rely heavily on fundraising efforts throughdonationscorporate sponsorships, and grants. Above all, we rely on you. Your support and membership allow us to keep the music going.



http://passim.org/our-nonprofit-mission

Our Nonprofit Mission

Passim, a nonprofit arts organization, creates an inspiring and interactive music experience for all, building a vibrant community for artists, students and audience members through its legendary listening venue and school of music.

Barnstar! Photo

We fulfill our mission through our varied programming:

Club Passim
For more than 50 years, Club Passim has been known as a premier listening room, presenting both new and established performers in a huge variety of genres ranging from folk to Celtic to jazz. The historic music venue presents more than 400 shows per year to an audience of over 30,000.

Passim School of Music
Established in 2000, the School offers a variety of classes and workshops for adults. The School serves over 800 students per year.

The Iguana Music Fund
Created in 2008, the Iguana Music Fund provides grants to musicians for career development and community service projects.

BCMFest
Through a monthly “Celtic Music Monday” series and an annual weekend-long festival in January, Boston’s Celtic Music Festival showcases Greater Boston’s best performers of music, song and dance from the Irish, Scottish, Cape Breton, and other Celtic and Celtic-inspired traditions.



http://passim.org/message-director

Message from the Director

Executive Director Dan Hogan

Welcome to the Passim community! Whether you’re an artist, instructor, student, or patron, we hope that you’ll find a home here. Established as Club 47 in 1958 and incorporated as a nonprofit in 1994, Passim has been a cornerstone of the arts community of New England for over half a century. Located in the heart of Harvard Square, Club Passim is one of the few “listening rooms” in the greater Boston/Cambridge area. It’s a place where audiences and artists can interact with one another in an intimate setting. We present music with a folk aesthetic, emphasizing the relationship between performers, patrons, teachers and students. Our music covers a broad range of musical genres – Americana, bluegrass, blues, Celtic, country, folk, jazz, klezmer, old-time, pop/rock, singer-songwriter, a cappella, world music, and more—and all of it sounds great in our small, cozy venue. We hope that you'll become a member and support Club Passim and help us provide another half century of great music to the Boston area!

Dan Hogan
Executive Director





Thursday, September 6, 2012

Rushad Eggleston...in a car commercial???!!!


notloB Folk Concerts artist emeritus and Berklee graduate Rushad Eggleston co-features with Tina Guo



...in the yet-to-be released "2014 Mazda6 - Global Reveal" commercial, covering the Kinks "All Day and All of the Night"

 (note 3/1/14, the original video has been taken down, this is a replacement from Youtube)
See photo outtakes here. 
The Kinks' original:




Rushad's band, Tornado Rider, was a huge hit at the recent Grey Fox Bluegrass (Oak Hill, NY) and Rhythm and Roots (Charlestown, RI) Festivals. Rushad also performed at Grey Fox with notloB alum and Berklee professor Darol Anger and Bruce Molsky (coming to notloB in late Winter) at Grey Fox as the "Old-Tyme Kozmik Trio." 

Tornado Rider - Rushad Eggleston crowd surfs and plays cello with his teeth - Rhythm & Roots 2012
Fred Robbins




Tornado Rider - "Bob Jumped Over the Fence" - Backstage Cam - Rhythm & Roots 2012
Fred Robbins



Old-Tyme Kosmik Trio - "Cotton Eyed Joe" - Grey Fox 2012
Fred Robbins



Wednesday, September 5, 2012

Anger, Phelps & Gilchrist Up Close

The following article comes from my good friend "Second Cousin Curley's" blog - http://www.secondcousincurly.com/ Read a description of the Darol Anger and Emy Phelps with special guest Sharon Gilchrist Thursday, April 12, 2012 concert at the Loring-Greenough House here.



Evening Prayer Blues

31 August 2012

Anger, Phelps & Gilchrist Up Close

Fiddler Darol Anger and singer-songwriter Emy Phelps have been playing a bunch of shows on both coasts over the past six months. These performances have featured an assortment of talented friends, but one of Anger and Phelps’ more constant fellow-travelers has been the mandolinist Sharon Gilchrist. Anger, Gilchrist and Phelps played an entirely acoustic house concert in Boston last April— no amplification whatsoever. As the sun set on a gentle spring day, the trio offered up this rendition of the haunting instrumental, “Evening Prayer Blues:”


As Anger noted in introducing this piece, “Evening Prayer Blues” started out life as a signature tune of harmonica virtuoso DeFord Bailey. Bailey, who has the distinction of being the first African-American member of the Grand Ole Opry, has resurfaced in the vast, bubbling cauldron of folk culture of late. Some months back, we shared a clip of Tony Trischka, another string innovator in the Anger vein, playing a “foxchase” that he had penned after listening to a recording of Bailey playing a similar tune.
But Bailey’s influence on folks in bluegrass and traditional string music is by no means a recent phenomenon. Bill Monroe, Father of Bluegrass and fellow Opry member, picked up “Evening Prayer Blues” late in his career. Bailey’s original sounded rather like a field holler translated to the harmonica. In Monroe’s hands, however, the piece was refashioned into one of those spooky fiddle tunes that marked his last years. Anger mentioned learning a variant of Monroe’s version from guitar ace David Grier. If you want to create a neat chain of influence from Bailey to Anger, it’s worth remembering that Grier’s dad was a Bluegrass Boy, touring with Monroe back in the 1960’s.
In their version, Anger, Phelps and Gilchrist let the fiddle and mandolin engage in a dialogue. Anger is of course one of the guiding lights in contemporary fiddling, while Gilchrist has built an impressive resumé in recent years by playing with bluegrass greats like Tony Rice and Peter Rowan. As they navigate their way through this tune, both Anger and Gilchrist acknowledge its antecedents while also bringing to it a deft and stylish touch that is their own.

Notlob Music

Obviously, Anger, Phelps and Gilchrist deserve most of the credit for the spell cast by their version of “Evening Prayer Blues,” but the location doesn’t hurt. This concert took place in the intimate confines of the colonial-era Loring-Greenough House in the Jamaica Plain neighborhood. It was part of Notlob Music, an ongoing series organized by Jeff Boudreau. I love house concerts, and the Loring-Greenough House is a particularly inviting space. Sitting in such proximity to great musicians as they perform always gives me a profound case of the Warm and Fuzzies. As I offer up my own evening prayer of thanks for being allowed to commune so closely with the muses, I’m also reminded that, for tens of thousands of years, this was the only way that music was consumed. No wonder it feels so right. Boudreau recently announced the line-up for the fall Notlob series. If you are in the Boston area, you should check it out.

Look Up, Look Down

Phelp and Anger’s tour coincides with the release of their new CD project,Look Up, Look Down. The album is a collection of Phelps’ compositions that Anger produced. We’ll be exploring a lot more stuff from the Anger, Phelps and Gilchrist show in the coming weeks. Along the way, we’ll be able dig into some of that new material. Stay tuned…
Yer Pal— Curly
P.S. Big thanks to Paul Villanova (camera) and Lauren Scully (camera) for their help with this series of videos.